Lucy Dacus – ‘2019’ EP Out Today

Lucy Dacus’ hotly anticipated (well, slowly released over the course of this year, anyway) ‘2019’ EP is available in full today via your favorite streaming service or on 12″ vinyl at your local record shop or thru the Matador Store.

Tracklist :
1. Fool’s Gold
2. La VIe En Rose
3. My Mother & I
4. Forever Half Mast
5. Dancing In The Dark
6. In The Air Tonight
7. Last Christmas

stream/purchase ‘2019’
stream / order ‘Historian’ on clear vinyl

Lucy Dacus on tour :

Sunday, November 17 Corona Capital Festival, Mexico City MX
Wednesday, December 4 Royale, Boston, MA%
Thursday, December 5 Webster Hall New York, NY%
Saturday, December 7 9:30 Club, Washington, DC%
Sunday, December 29 Johnny Brenda’s, Philadelphia PA *
Monday, December 30 Johnny Brenda’s, Philadelphia PA +
Tuesday, December 31 Johnny Brenda’s, Philadelphia PA &
January 17-19 , Songwriters Festival, South Walton FL
Friday, March 6 Ryman Auditorium, Nashville TN ^

% w/ Haley Heynderickx
* w/ McKinley Dixon
+ w/ Angelica Garcia
& w/ Addy & Mal Blum
^ w/ Ruston Kelly

Lucy Dacus Online
Website
Twitter
Instagram
Facebook

Lucy Dacus – “Fools Gold”

(photo : Elizabeth Weinberg)

Marking the final instalment from her 2019 EP, out November 8th on Matador Records, Lucy Dacus has shared New Years-inspired original song “Fool’s Gold”

An arresting showcase of Dacus’ emotionally incisive songwriting, “Fool’s Gold” sees rhythmic acoustic guitar and Lucy’s crystalline vocals sketch with poignant brushstrokes the latent ambiguity and soul-searching that often accompanies this period of the year, moving deftly to a chorus of goosebumps-inducing emotional gravitas.

“I started writing ‘Fool’s Gold’ the moment after the last person left a New Year’s Eve party I hosted in 2018,” says Dacus, “I did what I said – drank the last of the champagne alone, felt anxious, and locked the door behind everyone. New Year’s has grown to be my favorite holiday, and this may be my favorite song on the EP.”

Dacus performed the song live in session for Seattle’s KEXP, who exclusively premiered the track. Watch the performance below :

stream/download “Fools Gold”
stream/purchase ‘2019’
stream / order ‘Historian’ on clear vinyl

Lucy Dacus on tour :

Sunday, November 17 Corona Capital Festival, Mexico City MX
Wednesday, December 4 Royale, Boston, MA%
Thursday, December 5 Webster Hall New York, NY%
Saturday, December 7 9:30 Club, Washington, DC%
Sunday, December 29 Johnny Brenda’s, Philadelphia PA *
Monday, December 30 Johnny Brenda’s, Philadelphia PA +
Tuesday, December 31 Johnny Brenda’s, Philadelphia PA &
January 17-19 , Songwriters Festival, South Walton FL
Friday, March 6 Ryman Auditorium, Nashville TN ^

% w/ Haley Heynderickx
* w/ McKinley Dixon
+ w/ Angelica Garcia
& w/ Addy & Mal Blum
^ w/ Ruston Kelly

Lucy Dacus Online
Website
Twitter
Instagram
Facebook

New From Lucy Dacus – “Last Christmas”

Ringing in the festive season, Lucy Dacus has released a cover of Wham’s “Last Christmas”. Following the release of acclaimed holiday-themed singles “La Vie En Rose,” “My Mother & I,” “Forever Half Mast,” “Dancing In The Dark,” and “In The Air Tonight” throughout the year, “Last Christmas” is the sixth installment taken from Dacus’ ‘2019’ EP that is out November 8th on Matador Records and can be preordered below. The EP also features an unreleased original tribute to New Year’s titled “Fools Gold.” A special bundle set of the 2019 EP and a limited edition, clear vinyl pressing of Dacus’s breakthrough 2018 album Historian will be available through the Matador Records webstore.

Sped-up, amped-up and delivered through a megaphone to chugging abandon, Dacus’ reworking of “Last Christmas” imbues the sweater-sporting classic with a spontaneous energy that turns it playfully on its head. “I don’t really like Christmas,” says Dacus. “In the studio, we listened to the original of ‘Last Christmas’ and didn’t talk about an arrangement. I just told everyone to play it angry. This is what happened first take. It actually came out pretty fun, maybe a tad psychotic.”

stream / download “Last Christmas”
stream / download “In The Air Tonight”
preorder ‘2019’
stream / preorder ‘Historian’ on clear vinyl

Lucy Dacus on tour :

Friday, November 1 Gothic Theatre, Englewood, CO !
Monday, November 4 Delmar Hall, St Louis, MO !
Tuesday, November 5 Woodward Theatre, Cincinnati, OH !
Wednesday, November 6 Covenant Fine Arts Center, Grand Rapids, MI
Sunday, November 17 Corona Capital Festival, Mexico City MX
Wednesday, December 4 Royale, Boston, MA%
Thursday, December 5 Webster Hall New York, NY%
Saturday, December 7 9:30 Club, Washington, DC%
Sunday, December 29 Johnny Brenda’s, Philadelphia PA *
Monday, December 30 Johnny Brenda’s, Philadelphia PA +
Tuesday, December 31 Johnny Brenda’s, Philadelphia PA &
January 17-19 , Songwriters Festival, South Walton FL
Friday, March 6 Ryman Auditorium, Nashville TN ^

! w/ Liza Anne
% w/ Haley Heynderickx
* w/ McKinley Dixon
+ w/ Angelica Garcia
& w/ Addy & Mal Blum
^ w/ Ruston Kelly

Lucy Dacus Online
Website
Twitter
Instagram
Facebook

Coming January 17 : Algiers – ‘There Is No Year’


(photo : Christian Högstedt)

(video directed by Sohail Daulatzai)

On the back of their much-acclaimed standalone piece “Can The Sub_Bass Speak?,” Algiers return in 2020 with their third album ‘There Is No Year’, set for release January 17. This latest chapter from the Atlanta via London/NYC four-piece can be previewed now with the video for first single “Dispossession.”

Even those aware of the ideals of this outspoken four-piece will find their latest direction on There Is No Year traversing unprecedented ground. Coming off two years of nonstop world-touring for their critically acclaimed second album, The Underside of Power—including Central and Eastern Europe, the Baltic States and the Balkans, where they have established a rabid following; an extended stint opening for Depeche Mode in huge stadiums such as the 75,000-capacity Olympiastadion in Berlin; as well as Glastonbury 2019—There is No Year solidifies and expands upon the doom-laden soul of their foundation, toward an even more epic, genre-reformatting sound, one somehow suspended in the amber of “a different era,” as described by guitarist Lee Tesche.
 
Filmed in the Noisy le Grand commune in the eastern Suburbs of Paris amidst modern architectural landmarks such as Le Palacio d’Abraxas and Les Arènes de Picasso – and including images from the band’s visit to Algiers during the uprising in March 2019 – ‘Dispossession’ captures the towering, seeking and exhilarating essence of Algiers’ new body of work. The song features additional vocals from Cleveland’s Mourning [A] BLKstar, and production by Randall Dunn and Ben Greenberg.
 
“’Dispossession’ sounds the warning about the permanent war against oblivion,” says video director and academic at the University of California, Irvine, Sohail Daultazi. “Filmed in Paris video opens with the sites of colonial massacres of Algerians, moves to the repressive spaces of the banlieues, and includes shots of the Jardin d’Agronomie Tropicale – a park that celebrates the glories of empire. But this is not just about the past or Paris, it is everywhere that the banner of the West is waved, where monuments to our ruin are raised – reminders of the ongoing violence, of the tensions between dream and its discontents, past and present, them and us. I wanted to give visual resonance to these tensions, to our dignified stances amidst the madness, and to our memories of a future foretold.”
 
Multi-instrumentalist Ryan Mahan says: “The spectre of dispossession is haunting us all. Everywhere the imperial world represses the ghoulish histories that sustain our pasts, presents and futures. Franklin’s lyrics throughout “Dispossession” and our new record, There is No Year, like a neo-Southern Gothic novel with an anti-oppression undercurrent, testify to this modern horror, and chronicle the various ways we all – through living and longing – endure and resist its persistent attacks.” 

Algiers play a headline tour of the UK and Europe in February, including a show at London’s Village Underground on February 5th, followed by North American dates in spring. A recent UK performance was described by The Guardian as “… (moving) from moments that sound like Nina Simone backed by the clatter of thunder, to an electro-gospel Birthday Party… unrelentingly potent”. The full list of dates can be found below in the bio penned by fellow Atlanta native and author of the novel There Is No Year, from which the album takes its name, Blake Butler.
**

 
In the FBI file on the American rock ‘n’ roll band Algiers—which given their prior penchant for repping the Black Panthers, Malcolm X, Angela Davis, and Afeni Shakur, among others, surely exists—under the subheading for their third album, ‘There is No Year’, the intelligence should soon read: all prior analytics appear outdated… this undoes everything we thought we knew about their intentions…what hides inside them… as if they are mutating live on camera, between frames… 
 
From the instant synth-pulse of the opening seconds of ‘There is No Year,’ it’s clear that Algiers have set out to stake new ground, internally as much as sonically. At the forefront of this evolution is the centrality of power housed in Algiers’ multi-instrumentalist lead vocalist, Franklin James Fisher, whose voice and words provide the backbone of the album, his lyrics sourced entirely from an epic poem, “Misophonia,” composed during his search for meaning amidst a protracted personal period of anxiety and lack.
 
“What I wanted to do is create a negative space wherein I can exist and engage but at the same time not be so exposed,” Fisher explains. He speaks of the record’s perspective as not only a political apparatus, but an intimate, responsive evocation of his understanding that “nothing is ever what you expect”, that what might seem for now to be well known or assured is not always so, that there is no safety net. The effect, as felt on the record, is undeniable: Fisher sounds like he is singing for his life—for all our lives, really—baring his soul while the walls disintegrate around us.
 
Whether he is lilting over post-Lynchian synth-whorl like a spot-lit bandleader, as on “Unoccupied,” or reincarnating the spirit of thrumming 80s R&B into a proto-no wave dancefloor classic straight from 2046, as on “Chaka,” there is a tangible emotional electricity to Fisher’s delivery, a personal valence that makes you want, more than anything, to believe, even while not quite knowing where we’re headed.
 
No less next-level in Algiers’ conception is the ambition of the aural architecture they manage to summon. Under the direction of producers Randall Dunn [Sunn O))), Earth] and Ben Greenberg [Uniform, Hubble), ‘There Is No Year’ encompasses future-minded post-punk R&B from the trapped heart of ATL, where they began; to industrial soundscapes à la 4AD-era Scott Walker or Iggy & Bowie’s Berlin period; to something like the synthetic son of Marvin Gaye and Fever Ray. The whip-tight rhythm section of multi-instrumentalist Ryan Mahan and Matt Tong (ex-Bloc Party) moves back and forth from infectious menace to sci-fi soundtrack to big band fever dream. Mahan’s beat programming and synth constructions fill out the fibrous threshold, while Tesche’s sound-sleeves and aural-layering shapeshift into a richly polished means of exploration, revealing more and more the deeper you delve.
 
“This is the sowing / Of the whirlwind,” Fisher sings on ‘Repeating Night’. “Don’t forget it’s us against them.” There’s something more behind the curtain of our daily-headlined pain, the album’s title seems to suggest—something even larger at stake than rage, or even revolution; which is exactly what Algiers’ music appears to have resolved itself to channel, and to wield. Their essence on ‘There is No Year’ is a statement of their defiance, their desire to feel and be human even beyond the necessary fight back, sprawling head-on into the burning wind of doubt and fear and all it’s claimed, arriving on the far side of calamity more alive than ever.

preorder ‘There Is No Year’
stream / download “Dispossesion”

(PHYSICAL REPRESENTATION BREAKDOWN! :
All Editions: All vinyl orders will receive a bonus 7″ flexi disc.
Cloudy Clear Vinyl EditionPre-order the cloudy clear limited edition vinyl from band and Matador Webstores in US and UK, and purchase at your local independent record store in all other territories.
Dinked EditionUltra-limited edition Dinked store exclusive version, hand numbered, mirriboard sleeve with reversed colours, LP pressed on gold coloured vinyl, 7” featuring “Void” and “Can The Sub_Bass Speak?”)

Tracklist :
01. There Is No Year
02. Dispossession
03. Hour of the Furnaces
04. Losing is Ours
05. Unoccupied
06. Chaka
07. Wait for The Sound
08. Repeating Night
09. We Can’t Be Found
10. Nothing Bloomed


Algiers on tour  (new dates in bold) :

Monday, February 3 The Haunt, Brighton UK
Wednesday, February 5 Village Underground, London UK
Thursday, February 6 YES, Manchester UK
Friday, February 7 Stereo, Glasgow UK
Saturday, February 8 Whelans, Dublin IE
Monday, February 10 Brudenell, Leeds UK
Wednesday, February 12 Botanique Rotonde, Brussels BE
Thursday, February 13 Paradiso Upstairs, Amsterdam NE
Friday, February 14 Club Volta, Cologne DE
Saturday, February 15 Manufaktur, Schorndorf DE
Monday, February 17 Zoom, Frankfurt DE
Tuesday, February 18 Beatpol, Dresden DE
Thursday, February 20 Hybrydy, Warsaw PO
Friday, February 21 Lucerna Music Bar, Prague CZ
Saturday, February 22 Flex, Vienna AU
Monday, February 24 Strom, Munich DE
Wednesday, February 26 Monk, Rome IT
Thursday, February 27 Ohibo, Milan IT
Saturday, February 29 La 3 Razzmatazz, Barcelona ES
Sunday, March 1 Cafe Berlin, Madrid ES
Tuesday, March 3 Rock School Barbey, Bordeaux FR
Wednesday, March 4 Stereolux, Nantes FR
Thursday, March 5 La Maroquinerie, Paris FR
Wednesday, March 11 Johnny Brenda’s, Philadelphia PA
Thursday, March 12 Black Cat, Washington DC
Friday, March 13 Mothlight, Asheville NC
Saturday, March 14 529, Atlanta GA
Friday, March 20 Club Congress, Tucson AZ
Saturday, March 21 Casbah, San Diego CA
Tuesday, March 24 The Echo, Los Angeles CA
Wednesday, March 25 Slim’s, San Francisco CA
Saturday, March 28 Polaris Hall, Portland OR
Sunday, March 29 The Crocodile, Seattle WA
Wednesday, April 1 Turf Club, St. Paul MN
Thursday, April 2 Cactus Club, Milwaukee WI
Friday, April 3 Empty Bottle, Chicago IL
Saturday, April 4 Rumba Club, Columbus OH
Sunday, April 5 Deluxx Fluxx, Detroit MI
Monday, April 6 The Baby G, Toronto ON
Tuesday, April 7 Bar Le Ritz, Montreal QC
Thursday, April 9 Saint Vitus, Brooklyn NY

Algiers Online :
There Is No Year
Facebook
Twitter
Instagram
Website

Out Today : Desert Sessions – ‘Vols. 11 & 12’, “Crucifire” Video

(directed by Anthony Francisco Schepperd)

Ending a 16-year hiatus since its last installment, the most mythical, longest running rock n roll mixtape odyssey in existence, Desert Sessions has finally returned: The most ambitious entries yet in its expansive and elusive catalog: ‘Vols. 11 & 12′ (a/k/a respectively as ​’Arrivederci Despair​’ and ‘Tightwads & Nitwits & Critics & Heels​’) are now available on LP, CD and via all streaming services.

Highlights of the eight-song two-session collection include the creeping slowburn boogie of “Move Together” with its sublime Billy Gibbons (ZZ Top) vocal, the propulsive rocker “Crucifire” fueled by an incendiary vocal performance from Mike Kerr (Royal Blood), the self-explanatory “Chic Tweetz” featuring the enigmatic Töôrnst Hülpft, and the lush melodies of grand finale “Easier Said Than Done” featuring a showstopping vocal from ringleader Joshua Homme (Queens of the Stone Age).

Desert Sessions ‘Vols. 11 & 12’also arrive in a limited edition first vinyl pressing including a one of a kind custom mix & match body swap booklet. Exclusive merchandise bundles are available now.

‘Vols. 11 & 12’ were recorded (mostly) in December 2018 at Rancho De La Luna studios in Joshua Tree, CA, with Queens of the Stone Age founder and Desert Sessions ringleader/producer Joshua Homme enlisting a cast of players including:

Billy Gibbons (ZZ Top)
Stella Mozgawa (Warpaint)
Jake Shears (Scissor Sisters)
Mike Kerr (Royal Blood)
Carla Azar (Autolux, Jack White)
Les Claypool (Primus)
Matt Sweeney (Chavez, Superwolf, Endless Boogie)
Matt Berry (What We Do in the Shadows, Toast of London)
Libby Grace
Töôrnst Hülpft

The resulting eight songs embody the legacy of freedom from expectations and inhibitions that stretches back to 1997, when Homme led a first retreat to the Joshua Tree desert. What began as a casual writing and recording session amongst friends—isolated from daily distractions and comforts—has since become a possibly infinite body of work. Now spanning 12 volumes over the course of two decades (and a total of two documented live performances), The Desert Sessions has featured some of music’s most cherished icons—past players have included Polly Harvey, Mark Lanegan, Josh Freese, Dean Ween, among many others—deliberately removing themselves from their comfort zones and working together to create some of their most relaxed yet challenging work.

The tracklist for Desert Sessions ‘Vols. 11 & 12′ (a/k/a ​’Arrivederci Despair’​ and ​’Tightwads & Nitwits & Critics & Heels’)​ is:
Move Together (lead vocal: Billy F. Gibbons)
Noses in Roses Forever (lead vocal: Joshua Homme)
Far East for the Trees
If You Run (lead vocal: Libby Grace)
Crucifire (lead vocal: Mike Kerr)
Chic Tweetz (vocals: Töôrnst Hülpft, Matt Berry)
Something You Can’t See (lead vocal: Jake Shears)
Easier Said Than Done (lead vocal: Joshua Homme)


(photo : Andreas Neumann

STREAM/ORDER : Desert Sessions – Vols. 11 and 12

Desert Sessions Online :
desertsessions
Facebook
Twitter
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New From Perfume Genius – “Pop Song”

(photo : Andrew J.S.)

Earlier this month, Perfume Genius (Mike Hadreas), choreographer Kate Wallich and Dance Company The YC debuted their project, The Sun Still Burns Here in Seattle. Today, Perfume Genius shares “Pop Song,” another work from the immersive dance piece and a follow up to the previously released “Eye In The Wall.” “It’s the sound of dancefloor euphoria,” said Pitchfork. “The color of lights flashing as you move through a crowd, the touch of skin damp and warm against everyone else’s.” Both songs, included in the full performance, can be seen live when the production arrives at the Joyce Theatre in NYC on November 13th. Additional performances will take place in Minneapolis in December and Boston in January. Full details below.

“Pop Song” is a riveting exploration of one’s physical form as an emotional conduit. “I imagined an ecstatic pile of bodies preparing to be consumed by the gods,” Hadreas says of the track. “A joyous communal sacrifice of the physical to spiritually level up. The lyric is like a conjuration spell to be sung when the mountain of bodies settles in position and is held still as an offering.” The track premiered yesterday on Sirius/ XMU and is available today at all streaming services.

stream / download “Pop Song”
stream/download “Eye In The Wall”

Perfume Genius with Kate Wallich + The YC Performing The Sun Still Burns Here :
November 13-17 The Joyce Theater, New York NY
December 5-7, Liquid Music X Walker Art Center, McGuire Theater, Minneapolis MN
January 17-18, ICA Boston, Boston MA

Perfume Genius Online
Website
Facebook
Twitter
Instagram

Steve Gunn – ‘Acoustic Unseen’

(photo : Bobby Fisher)

Steve Gunn today releases ‘Acoustic Unseen’, a new EP of acoustic versions of songs from his critically acclaimed, ‘The Unseen In Between’. Following a year of worldwide touring and road testing the songs with a full band and in solo performances, the 7-song collection presents a spellbinding perspective on this stately set – disclosing the songs’ rich individual elements in Gunn’s dexterous and lyrical guitar style.

“After being on the road with the band since January,” says Gunn, “I wanted to spend an afternoon capturing the songs from ‘The Unseen In Between’ as I originally wrote them, with just me and my acoustic. Mid-year, I went back to the great Strange Weather Studio in Brooklyn, and played through the songs in their most basic form. It felt good.”

Accompanying the EP release is short compilation film “Unseen Anthology”. Directed by The Mitcham Submarine and edited by James Harman, the 12-minute film weaves together footage from touring, live sessions, official and unofficial music videos – including a breathtaking session for Toutpartout in a transformed convent in Ghent, on the road footage captured on a Fisher Price camera by Steve and his band, and acoustic videos filmed across London, including a Cecil Court bookshop. Taken together, it’s an engrossing, one-stop-shop live document of an artist in need of little more than a guitar and his voice to conjure a transfixing atmosphere, and an arresting visual companion to the EP.

stream/download ‘Acoustic Unseen’

Acoustic Unseen – Tracklist
1. New Moon
2. Vagabond
3. Chance
4. Luciano
5. New Familiar
6. Lightning Field
7. Paranoid

STREAM/BUY The Unseen In Between

Steve Gunn on tour :

Friday, October 18 Lambert’s, Austin TX %
Sunday, October 20 Duet Jazz ,The Bob Dylan Center Presents: An Evening with Steve Gunn, Tulsa OK
Wednesday, October 23 Showbox Theater, Seattle WA @%
Thursday, October 24 Commodore Ballroom, Vancouver BC @%
Friday, October 25 Wild Buffalo, Bellingham WA @%
Saturday, October 26 Wonder Ballroom, Portland OR @%
Monday, October 28 Slim’s, San Francisco CA @%
Tuesday, October 29 Slim’s, San Francisco CA @%
Wednesday, October 30 Slim’s, San Francisco CA @%
Sunday, November 3 Shibuya 7th Floor Tokyo JP %
Wednesday, November 6 Tuning Fork, Auckland NZ %
Thursday, November 7 Blue Smoke, Christchurch NZ %
Friday, November 8 Dog With Two Tails, Dunedin NZ %
Saturday, November 9 The Plant, Blenheim NZ %
Sunday, November 10 Moon, Wellington NZ %
Wednesday, November 13 Sitting Room Session, Hawkes Bay NZ %
November 16 + 17 Mullum Music Festival %
Monday, November 18 Junk Bar, Brisbane AU %
Wednesday, November 20 Altar, Hobart AU %
Thursday, November 21 Theatre Royal, Castlemaine AU + %
Friday, November 22 Melbourne Music Week, State Library, Melbourne AU + %
Saturday, November 23 Coalchella, Wombarra Bowlo, Wombarra AU %
Sunday, November 24 Red Rattler, Sydney AU + %

% indicates solo performance
@ w/ Dinosaur Jr.
+ w/ Tiny Ruins

Steve Gunn online :
Facebook
Twitter
Instagram
Steve Gunn.com

Out Today : Kim Gordon – ‘No Home Record’

Today Kim Gordon releases her highly anticipated, ‘No Home Record’, an album already being heralded as “provocative, challenging and effortlessly cool” and “a superb genre-spanning solo debut.”  Those who purchase the CD or LP at Amoeba Hollywood (6400 Sunset Blvd, Los Angeles, CA 90028) today can celebrate with Gordon in-person  at an in-store signing event starting at 7pm.

Earlier today, Gordon released a clip for “Hungry Baby”, which is the latest in a short video series the legendary musician and Berlin-based artist and filmmaker Loretta Fahrenholz created to accompany the album

 stream/order ‘No Home Record’ (t-shirt / tote bag bundles available from The Matador Store)


Kim Gordon Online :
Official Website
Twitter
Instagram
Facebook

Lucy Dacus – “In The Air Tonight” ; ‘2019’ EP Coming November 8

Lucy Dacus’s ‘2019’ EP  compiling her series of holiday-themed singles will be released on November 8th. Following “La Vie En Rose”, “My Mother & I”, “Forever Half Mast” and most recently “Dancing In The Dark”, today’s EP announcement comes with a new Halloween-inspired cover of Phil Collins’ ‘In The Air Tonight’. Lucy’s ‘2019’ EP will feature two more songs celebrating the winter holidays – a cover of “Last Christmas” and an original ode to New Years titled “Fools Gold”.

In this spirited cover, Lucy revamps ‘In The Air Tonight’ into a Halloween anthem by magnifying the original song’s ominous undertones, bringing the mythology behind Phil Collins’ song to the forefront with haunting vocals and penetrating reverb. In Lucy’s own words, “perhaps the best eerie bop of all time, and certainly the best drum fill. The image in the first verse is so unsettling- watching someone watch someone drown without moving to save them. People have wondered if this is something Phil Collins really witnessed, but the song is actually just a manifestation of his anger and frustration about his divorce. It’s tense, dark, and so much fun, as a good Halloween should be. This was the most fun I’ve ever had in a studio.”

Additionally, a special bundle set of the ‘2019’ EP and a limited edition, clear vinyl pressing of Dacus’s breakthrough 2018 album ‘Historian’ will be available through the Matador Records webstore.


(photo : Elizabeth Weinberg)

2019 Tracklist
1. Fool’s Gold
2. La Vie En Rose
3. My Mother & I
4. Forever Half Mast
5. Dancing In The Dark
6. In The Air Tonight
7. Last Christmas

stream / download “In The Air Tonight”
preorder ‘2019’
stream / preorder ‘Historian’ on clear vinyl

Lucy Dacus on tour :
Wednesday, October 9 Headliner’s, Louisville, KY !
Thursday, October 10 Park West, Chicago, IL !
Friday, October 11 Majestic, Madison, WI !
Saturday, October 12 Cedar Cultural Center, Minneapolis, MN !
Monday, October 14 Slowdown, Omaha, NE !
Wednesday, October 16 The Rialto , Bozeman, MT !
Thursday October 17 Top Hat Lounge, Missoula, MT !
Friday October 18 The Olympic, Boise, ID !
Saturday October 19 The Bartlett, Spokane, WA !
Monday October 21 Hollywood Theatre, Vancouver, BC !
Tuesday October 22 Neumo’s, Seattle, WA !
Wednesday October 23 Aladdin Theater, Portland, OR !
Friday October 25 August Hall, San Francisco, CA !
Saturday October 26 Teragram Theater, Los Angeles, CA !
Sunday October 27 Moroccan Lounge, Los Angeles, CA (SOLD OUT) !
Monday October 28 Belly Up, San Diego, CA !
Tuesday October 29 Crescent Ballroom, Phoenix, AZ !
Thursday, October 31 Meow Wolf, Santa Fe NM!
Friday, November 1 Gothic Theatre, Englewood, CO !
Monday, November 4 Delmar Hall, St Louis, MO !
Tuesday, November 5 Woodward Theatre, Cincinnati, OH !
Wednesday, November 6 Covenant Fine Arts Center, Grand Rapids, MI
Sunday, November 17 Corona Capital Festival, Mexico City MX
Wednesday, December 4 Royale, Boston, MA*
Thursday, December 5 Webster Hall New York, NY*
Saturday, December 7 9:30 Club, Washington, DC*
January 17-19 , Songwriters Festival, South Walton FL

! w/ Liza Anne
* w/ Haley Heynderickx

Lucy Dacus Online
Website
Twitter
Instagram
Facebook

Kim Gordon – “Hungry Baby”

(photo : Natalia Mantini)

“Hungry Baby” is the latest single from Kim Gordon’s forthcoming solo album, ‘No Home Record’, out this Friday (October 11). Early praise for ‘No Home Record’ has been fairly over the top (“everything a Kim Gordon record should be: provocative, challenging and effortlessly cool” –DIY,
“a bold mix of industrial noise, art-punk poetics and wry wit” – The Guardian, “sharp, savvy and engagingly subversive” – Uncut), and there will be more to talk about later this week.

stream / download “Hungry Baby”

 preorder ‘No Home Record’

Kim Gordon Online :
Official Website
Twitter
Instagram
Facebook

Kurt Vile – “Baby’s Arms” (featuring The Sadies)

(director – Ryan Scott)

“Baby’s Arms” feat. The Sadies, from an evening in New York’s Catskill Mountains in September 2018.
Excerpted from the forthcoming documentary, (bottle back), out October 3rd.


stream/download “Baby’s Arms” (featuring the Sadies)

Stream/Purchase Bottle It In

Kurt Vile & The Violators on Tour
Saturday, October 5 The Fillmore, San Francisco CA
Sunday, October 6 Hardly Strictly Bluegrass Festival, San Francisco CA
Wednesday, November 6 The Mission Ballroom, Denver CO %
Friday, November 8 The Criterion, Oklahoma City OK %
Saturday, November 9 Warehouse Live, Houston TX %
Sunday, November 10 Levitation Festival, Austin TX
November 16-17 Corona Capital, Mexico City MX

% w/ Dinosaur Jr.

Kurt Vile Online
Website
Facebook
Twitter
Instagram

Coming October 25 : Desert Sessions – Vols. 11 and 12

(directed by Liam Lynch)


(photo by Andreas Neumann)

Ending a 16-year hiatus since its last installment, the most mythical, longest running rock n roll mixtape odyssey in existence, Desert Sessions will return this October with the most ambitious entries yet in its expansive and elusive catalog: Vols. 11 & 12 (a/k/a respectively as ‘Arrivederci Despair’ and ‘Tightwads & Nitwits & Critics & Heels’) will be released October 25th. A limited edition first vinyl pressing will include a one of a kind custom mix & match body swap booklet. Exclusive merchandise bundles are available for pre-order now

Vols. 11 & 12 were recorded mostly in a six-day span in December 2018 at Rancho De La Luna studios in Joshua Tree, CA, with Queens of the Stone Age founder and Desert Sessions ringleader/producer Joshua Homme enlisting a cast of players including:

Billy Gibbons (ZZ Top)
Stella Mozgawa (Warpaint)
Jake Shears (Scissor Sisters)
Mike Kerr (Royal Blood)
Carla Azar (Autolux, Jack White)
Les Claypool (Primus)
Matt Sweeney (Chavez, Superwolf, Endless Boogie)
Matt Berry (What We Do in the Shadows, Toast of London)
Libby Grace
Töôrnst Hülpft

The results are eight new songs that embody the legacy of freedom from expectations and inhibitions that stretches back to 1997, when Homme led a first retreat to the Joshua Tree desert. What began as a casual writing and recording session amongst friends—isolated from daily distractions and comforts—has since become a possibly infinite body of work. Now spanning 12 volumes over the course of two decades (and a total of two documented live performances), The Desert Sessions has featured some of music’s most cherished icons—past players have included Polly Harvey, Mark Lanegan, Josh Freese, Dean Ween, among many others—deliberately removing themselves from their comfort zones and working together to create some of their most relaxed yet challenging work.

The tracklist for Desert Sessions ‘Vols. 11 & 12’ (a/k/a ‘Arrivederci Despair’ and ‘Tightwads & Nitwits & Critics & Heels’) is:

Move Together (lead vocal: Billy F. Gibbons)
Noses in Roses Forever (lead vocal: Joshua Homme)
Far East for the Trees
If You Run (lead vocal: Libby Grace)
Crucifire (lead vocal: Mike Kerr)
Chic Tweetz (vocals: Töôrnst Hülpft, Matt Berry)
Something You Can’t See (lead vocal: Jake Shears)
Easier Said Than Done (lead vocal: Joshua Homme)

PREORDER Desert Sessions – Vols. 11 and 12

Desert Sessions Online :

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Out Today : Belle and Sebastian – ‘Days of the Bagnold Summer’ OST

Belle and Sebastian’s soundtrack album to the forthcoming motion picture ‘Days of the Bagnold Summer’ is out today on LP, CD and all digital formats and can be streamed or purchased here.

Track listing :

01. Sister Buddha (Intro)
02. I Know Where The Summer Goes
03. Did The Day Go Just Like You Wanted?
04. Jill Pole
05. I’ll Keep It Inside
06. Safety Valve
07. The Colour’s Gonna Run
08. Another Day, Another Night
09. Get Me Away From Here I’m Dying
10. Wait And See What The Day Holds
11. Sister Buddha
12. This Letter
13. We Were Never Glorious

Belle and Sebastian on Tour
Thursday, October 31 L’Aéronef, Lille FR
Friday, November 1 Pitchfork Music Festival, Paris FR
Saturday, November 2 Le Krakatoa, Mérignac FR
Sunday, November 3 Le Bikini, Toulouse FR
Monday, November 4 Baluarte, Pamplona ES
Wednesday, November 6 Aula Magna, Lisbon PT
Friday, November 8 Primavera Weekender, Benidorm ES

Belle & Sebastian online
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Perfume Genius – “Eye In The Wall”

stream/download “Eye In The Wall”

Perfume Genius has released ‘Eye in the Wall’, a new track taken from
The Sun Still Burns Here, a dance and music performance collaboration with Seattle-based choreographer Kate Wallich. The evening-long piece, set to debut in October, is co-directed by Perfume Genius and Wallich and stars Perfume Genius’s Mike Hadreas alongside dance company The YC.

The nearly 9-minute ‘Eye in the Wall’ is a hypnotic swirl of propulsive percussion, celestial atmospherics and a spellbinding vocal performance that is unlike anything Hadreas has done before. Listen to it HERE.

“I think of ‘Eye in the Wall’ as a cosmic peep show,” says Hadreas. “Watching, being watched, dancers unlatched from the Matrix and truly LIVING. Creating new rituals on the other side. Whole bodies braiding, spit glowing in the dark and a camera floating just above. We spent a lot of time in the studio alternating between the math of the song and the magic of it — which was very much like the process of creating the dance itself. Working with Kate Wallich and YC, really being with my body, really being with other bodies – there is control and a real formula but a portal opened up in parallel that is completely free and overwhelmingly full of feeling.”

Wallich adds: “’Eye in the Wall’ is the part of the piece where we lure you in and spit you out. A tornado of body, time, space, transformation and deterioration. It’s like pulling the Death card when you already knew what needed to end.”

(photo by Andrew J.S.)

For nearly a year, Perfume Genius’ Mike Hadreas and Alan Wyffels have been rehearsing with Wallich and The YC in Seattle. Not only are Hadreas and Wyffels fully integrated into the complex choreography of the piece, but the performance will also feature Hadreas performing songs he has composed for the project live, creating an exciting marriage between Perfume Genius’ epic take on popular music and the evocative nature of Wallich’s contemporary dance.

A trailer for The Sun Still Burns Here, featuring a clip of ‘Eye in the Wall’, can be viewed above. The trailer was directed by Zia Anger, with art direction by Andrew J.S.

The world premiere of The Sun Still Burns Here will be held on October 4th and 5th at Seattle’s Moore Theatre, with more performances slated for New York, Minneapolis and Boston through the winter. The full list of dates can be found below.

Perfume Genius with Kate Wallich + The YC Performing The Sun Still Burns Here :
October 4-5, The Moore Theater, Seattle WA
November 13-17 The Joyce Theater, New York NY
December 5-7, Liquid Music X Walker Art Center, McGuire Theater, Minneapolis MN
January 17-18, ICA Boston, Boston MA

Purchase/Stream No Shape

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Lucy Dacus – “Dancing In The Dark”

In honor of The Boss’s birthday, Lucy Dacus has released a cover of Bruce Springsteen’s “Dancing In The Dark,” which can be heard HERE.  This is the fourth installment of her 2019 holiday song series, following her Valentine’s Day cover of “La Vie En Rose,” and original songs “My Mother & I” and “Forever Half Mast,” celebrating Mother’s Day and Independence Day, respectively. Lucy’s ongoing 2019 singles series will also include tracks tied to Halloween, Christmas, and New Year’s, with a physical EP coming in the fall.

In “Dancing In the Dark,” Lucy pays tribute to one of her role models with an inspired Bruce Springsteen cover that foregrounds her ebullient guitar playing. She swaps out the synth line of the original tune in favor of uptempo strumming patterns that coalesce with her arresting vocals to reinvigorate an American classic. “Happy birthday to Bruce,” says Dacus, “but also happy birthday to my dad, the biggest Bruce fan I know and the reason I’ve listened to The Boss since birth. I resisted it when I was younger as a rebellion to my dad’s taste, but I have come to love his music on my own time. His lyricism is embedded in my own songwriting inextricably at this point.

stream/download “Dancing In The Dark”

Lucy Dacus on tour (new dates in bold)

Thursday, September 12 3S Artspace, Portsmouth, NH ##
Saturday, September 14 Grand Point North Festival, Burlington, VT
Sunday, September 15 Ottawa Cityfolk Festival, Ottawa, ONT
Monday, September 16 L’Astral, Montreal , QC ##
Tuesday, September 17 Lee’s Palace, Toronto, ONT ##
Thursday, September 19 El Club, Detroit, MI ##
Friday, September 20 Mr Small’s, Pittsburgh, PA ##
Saturday, September 21 Bristol Rhythm & Roots, Bristol, TN
Wednesday, October 9 Headliner’s, Louisville, KY !
Thursday, October 10 Park West, Chicago, IL !
Friday, October 11 Majestic, Madison, WI !
Saturday, October 12 Cedar Cultural Center, Minneapolis, MN !
Monday, October 14 Slowdown, Omaha, NE !
Wednesday, October 16 The Rialto , Bozeman, MT !
Thursday October 17 Top Hat Lounge, Missoula, MT !
Friday October 18 The Olympic, Boise, ID !
Saturday October 19 The Bartlett, Spokane, WA !
Monday October 21 Hollywood Theatre, Vancouver, BC !
Tuesday October 22 Neumo’s, Seattle, WA !
Wednesday October 23 Aladdin Theater, Portland, OR !
Friday October 25 August Hall, San Francisco, CA !
Saturday October 26 Teregram Theater, Los Angeles, CA !
Monday October 28 Belly Up<, San Diego, CA !
Tuesday October 29 Crescent Ballroom, Phoenix, AZ !
Friday, November 1 Gothic Theatre, Englewood, CO !
Monday, November 4 Delmar Hall, St Louis, MO !
Tuesday, November 5 Woodward Theatre, Cincinnati, OH !
Wednesday, November 6 Covenant Fine Arts Center, Grand Rapids, MI
Sunday, November 17 Corona Capital Festival, Mexico City MX
Wednesday, December 4 Royale, Boston, MA*
Thursday, December 5 Webster Hall New York, NY*
Saturday, December 7 9:30 Club, Washington, DC*

## w/ Quinn Christopherson
! w/ Liza Anne
* w/ Hayley Hendrix

Lucy Dacus Online
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Out Today : Spoon – “Shake It Off”

(photo : Oliver Halfin)

Spoon today shine a light on the rarity track “Shake It Off.” Available digitally for the first time ever, and culled from a 2002 split single with Swearing With Motorists (Super Asbestos), the track was recently made the b-side of the 7” version of latest single “No Bullets Spent”

stream / download “Shake It Off”

(stream/order ‘Everything Hits At Once : The Best Of Spoon’)

Spoon on tour :

Monday, October 21 Pepsi Center WTC, Ciudad De Mexico MX
Saturday, December 7 Intersect, Las Vegas NV

Spoon online :

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OUT TODAY : Snail Mail – ‘Habit’ reissue

Just a reminder that today marks the release date for the LP and CD versions of our reissue of Snail Mail’s 2016 EP ‘Habit’, also featuring a cover of Lois Maffeo’s “The 2nd Most Beautiful Girl In The World” as a bonus track.  Order/stream here.

Snail Mail on tour :

Thursday, September 5 Hopscotch Music Festival, Raleigh NC
Friday, September 13 NextNOW Fest, College Park MD
Friday, October 4 Middle of the Map Festival, Kansas City MO
Sunday, October 6 Red Rocks Amphitheater, Morrison CO
November 16-17 Corona Capital Music Festival, Mexico City MX

Snail Mail Online
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Algiers – “Can the Sub_Bass Speak”, New UK / European Dates In 2020

(photo : Christian Högstedt)

stream/download “Can The Sub_Bass Speak”

ALGIERS have released a collaborative audiovisual piece, “Can the Sub_Bass Speak?”, a new work from the band and production duo Randall Dunn and Ben Greenberg. The new piece pits charged language and free jazz collage by ALGIERS multi-instrumentalist Franklin James Fisher, saxophonics pioneer Skerik and drummer D’Vonne Lewis against a maelstrom of visuals by award-winning filmmaker Sam Campbell and typographer Farbod Kokabi.

Inspired by a chance encounter with artists Moor Mother and Harrga at Wysing Polyphonic in 2018, “Can the Sub_Bass Speak?” contorts ALGIERS’ post-punk deconstruction of racial and class sonic politics into new collaborative directions. “Can the Sub_Bass Speak?” is the centerpiece of a larger web installation thereisnoyear
.
The film recalls the ‘visual abstraction’ and political radicalism of Lis Rhodes and John Akomfrah, situating Fisher’s lyrical examination of structural racism within the disorienting resurgence of fascism across Europe and the United States.

Fisher writes :

“Who has the cultural authority to designate origin and authenticity? 
’Can the Sub_Bass Speak?’ is a frustrated regurgitation; a
re-contextualization; a re-appropriation; a shield and a mirror that
projects back onto the world a lifetime of interpellating language
rooted in weaponized ignorance and supremacist privilege.

The improvised punctuation is provided by Skerik on the tenor
saxophone and D’Vonne Lewis on drums and percussion.
The underlying cacophony traces the evolution of African-American
music, experience and identity.

This is not for the mercenary architects: the Jacks and Queens of
simulated experience.
This is for anyone who has found themselves on the sharp end of
insidious, rhetorical prying: ‘Where are you from?’ ‘What are you?’ 
This is for anyone who has had their identity assigned and determined
by the agents of patriarchy.
This is for the Subaltern.”

 

In addition, ALGIERS have announced UK & European headline tour dates for 2020, Kicking off in Brighton on February 3rd, the band headline London’s Village Underground on February 5th, before continuing to further stops in the UK and Europe. Tickets for the 2020 shows go on sale Friday, August 30th, at 10am. A full list of current and upcoming dates can be found below.

BUY/STREAM THE UNDERSIDE OF POWER

Algiers On Tour, New 2020 Dates in Bold On Sale Friday at 9am GMT

Wednesday, August 28 Acquaviva, Montepulciano IT
Thursday, August 29 AMA Festival 2019, Bassano IT
Saturday, September 14 Soundsnoise Festival 2019, Dornbirn AT
Tuesday, September 17 Lido, Berlin DE
Friday, September 20 Reeperbahn Festival, Hamburg DE
Friday, September 27 Street Mode Festival 2019, Thessaloniki GR
Sunday, September 29 Route 66, Ioannina GR
Monday, February 3 The Haunt, Brighton UK
Wednesday, February 5 Village Underground, London UK
Thursday, February 6 YES, Manchester UK
Friday, February 7 Stereo, Glasgow UK
Saturday, February 8 Whelans, Dublin IE
Monday, February 10 Brudenell, Leeds UK
Wednesday, February 12 Botanique Rotonde, Brussels BE
Friday, February 14 Club Volta, Cologne DE
Saturday, February 15 Manufaktur, Schorndorf DE
Monday, February 17 Zoom, Frankfurt DE
Tuesday, February 18 Beatpol, Dresden DE
Thursday, February 20 Hybrydy, Warsaw PO
Friday, February 21 Lucerna Music Bar, Prague CZ
Saturday, February 22 Flex, Vienna AU
Monday, February 24 Strom, Munich DE
Wednesday, February 26 Monk, Rome IT
Thursday, February 27 Ohibo, Milan IT
Saturday, February 29 La 3 Razzmatazz, Barcelona ES
Sunday, March 1 Cafe Berlin, Madrid ES
Tuesday, March 3 Rock School Barbey, Bordeaux FR
Wednesday, March 4 Stereolux, Nantes FR
Thursday, March 5 La Maroquinerie, Paris FR

Algiers Online
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Coming October 11 : Kim Gordon – ‘No Home Record’

“Sketch Artist” (director – Loretta Fahrenholz)


(photo by Natalia Mantini)

Multi-disciplinary artist Kim Gordon‘s first solo album, No Home Record is being released worldwide October 11th on Matador Records.  No Home Record follows the recent opening of Gordon’s solo exhibition “She Bites Her Tender Mind” at IMMA (Irish Museum of Modern Art) in Dublin and “Lo-Fi Glamour” at Warhol Museum in Pittsburgh, PA. Among its nine tracks, No Home Record features the new single “Sketch Artist” accompanied by a video directed by Berlin-based experimental artist Loretta Fahrenholz and includes a cameo from actress and writer Abbi Jacobson. Fahrenholz notes, notes ‘Sketch Artist’ is a haunted car ride. Kim drives as ‘Unter’ Pool summons passengers throughout nighttime LA. The city drifts by, passengers intermingle in the back seat and Kim’s deadly stare shocks pedestrians along her route.”

No Home Record
was produced largely by Justin Raisen (Charli XCX, Ariel Pink, Sky Ferreira) at Sphere Ranch in Los Angeles, along with contributions from Shawn Everett (Jim James, The War on Drugs) and composer/filmmaker Jake Meginsky (L’appel Du Vide, ‘Milford Graves Full Mantis’). Gordon’s solo debut album’s title is a nod to the French-Belgian director Chantal Akerman’s film No Home Movie .

‘Why a solo record? And why now?,’” Gordon mused of the upcoming solo debut. “I don’t know, but it wouldn’t have happened without the persistence of Justin Raisen.  Living in LA the last few years it feels like home, but the transience of the place makes it feel sometimes like no home.”

Since co-founding Sonic Youth in 1981, Kim Gordon has remained at the nexus of music, fashion, art and (more recently) books and film.  In the past few years alone, Gordon has debuted in the #1 spot on the NY Times Bestseller List with her 2015 memoir Girl In A Band, acted alongside Joaquin Phoenix and Jonah Hill under the direction of Gus Van Sant (in 2018’s “Don’t Worry, He Won’t Get Far On Foot”), released music and performed as one half of Body/Head alongside Bill Nace, and opened multiple solo-exhibitions at internationally renowned museums.

stream/preorder ‘No Home Record’
stream “Sketch Artist”
stream “Murdered Out”

Tracklist

1. Sketch Artist
2. Air BnB
3. Paprika Pony
4. Murdered Out
5. Don’t Play it
6. Cookie Butter
7. Hungry Baby
8. Earthquake
9. Get Yr Life Back

‘No Home Record’ will be available on standard black vinyl, limited edition white vinyl, CD, or cassette. Get 15% off your order when you bundle the record with a tee (featuring stills from the “Sketch Artist” video directed by Loretta Fahrenholz) or album art tote.

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Kim Gordon Online :
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With a career spanning nearly four decades, Kim Gordon is one of the most prolific and visionary artists working today. A co-founder of the legendary Sonic Youth, Gordon has performed all over the world, collaborating with many of music’s most exciting figures including Tony Conrad, Ikue Mori, Julie Cafritz and Stephen Malkmus. Most recently, Gordon has been hitting the road with Body/Head, her spellbinding partnership with artist and musician Bill Nace. Despite the exhaustive nature of her résumé, the most reliable aspect of Gordon’s music may be its resistance to formula. Songs discover themselves as they unspool, each one performing a test of the medium’s possibilities and limits. Her command is astonishing, but Gordon’s artistic curiosity remains the guiding force behind her music.

Gordon continues this pursuit on No Home Record, her first-ever solo release, produced by Justin Raisen (Angel Olsen, Yves Tumor, John Cale, Charli XCX, etc.) and recorded at Sphere Ranch in Los Angeles. Borrowing its name from a Chantal Akerman film, No Home Record is, in many ways, a return as much as it is a departure. When Gordon first began playing music in the early 1980s, she used a guitar, a drum machine, and some lyrics sniped from magazine advertisement copy. No Home Recordcontains echoes of that setup, in both form and concept.  On Cookie Butter (produced by Shawn Everett), Gordon’s vocals jut out insistently over a tinny raindrop beat: “You fucked / You think / I want / You fell.” The song continues, hectic and driving, until finding resolution in the lines “Industrial metal supplies / Cookie butter,” perfectly illustrating Gordon’s singular lyric capacity to meld cultural critique, divulgence and humor.

This captivating ability is further exemplified by Don’t Play it Back (produced by Jake Meginsky) where Gordon’s wiry vocals slice the track’s circling electric floor: “You don’t own me / Golden Vanity / You can pee in the ocean / It’s Free.” This nod—with a wink—towards culture’s increasingly fraught (and increasingly commodified) relationship with identity and the self is one of No Home Record’s central themes. “Shopping off a cliff / You’re a breath on my eye / To lose a compass of teeth / Hash away at twitter,” Gordon recites, phosphorescent and dirge-like, on the album’s stunning closer Get Yr Life Back Yoga,” Everydayeveryday, everyday / I feel bad for you / I feel bad for me.”

It makes sense that this “American idea” (as Gordon says on the agitated rock track Air BnB) of purchasing utopia permeates the record, as no place is this phenomenon more apparent than Los Angeles, where Gordon was born and recently returned to after several lifetimes on the east coast. It was a move precipitated by a number of seismic shifts in her personal life and undoubtedly plays a role in No Home Record’s fascination with transience. The album opens with the restless Sketch Artist, where Gordon sings about “dreaming in a tent” as the music shutters and skips like scenery through a car window. Even Earthquake, perhaps the record’s most straightforward track embodies this mood; Gordon’s voice wavering like watercolor: “If I could cry and shake for you / I’d lay awake for you / I got sand in my heart for you,” guitar strokes blending into one another as they bleed out across an unstable page. Front to back, No Home Record is an expert operation in the uncanny. You don’t simply listen to Gordon’s music; you experience it. – Elaine Kahn