Out Today : Kim Gordon – ‘No Home Record’

Today Kim Gordon releases her highly anticipated, ‘No Home Record’, an album already being heralded as “provocative, challenging and effortlessly cool” and “a superb genre-spanning solo debut.”  Those who purchase the CD or LP at Amoeba Hollywood (6400 Sunset Blvd, Los Angeles, CA 90028) today can celebrate with Gordon in-person  at an in-store signing event starting at 7pm.

Earlier today, Gordon released a clip for “Hungry Baby”, which is the latest in a short video series the legendary musician and Berlin-based artist and filmmaker Loretta Fahrenholz created to accompany the album

 stream/order ‘No Home Record’ (t-shirt / tote bag bundles available from The Matador Store)


Kim Gordon Online :
Official Website
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Kim Gordon – “Hungry Baby”

(photo : Natalia Mantini)

“Hungry Baby” is the latest single from Kim Gordon’s forthcoming solo album, ‘No Home Record’, out this Friday (October 11). Early praise for ‘No Home Record’ has been fairly over the top (“everything a Kim Gordon record should be: provocative, challenging and effortlessly cool” –DIY,
“a bold mix of industrial noise, art-punk poetics and wry wit” – The Guardian, “sharp, savvy and engagingly subversive” – Uncut), and there will be more to talk about later this week.

stream / download “Hungry Baby”

 preorder ‘No Home Record’

Kim Gordon Online :
Official Website
Twitter
Instagram
Facebook

Coming October 25 : Desert Sessions – Vols. 11 and 12

(directed by Liam Lynch)


(photo by Andreas Neumann)

Ending a 16-year hiatus since its last installment, the most mythical, longest running rock n roll mixtape odyssey in existence, Desert Sessions will return this October with the most ambitious entries yet in its expansive and elusive catalog: Vols. 11 & 12 (a/k/a respectively as ‘Arrivederci Despair’ and ‘Tightwads & Nitwits & Critics & Heels’) will be released October 25th. A limited edition first vinyl pressing will include a one of a kind custom mix & match body swap booklet. Exclusive merchandise bundles are available for pre-order now

Vols. 11 & 12 were recorded mostly in a six-day span in December 2018 at Rancho De La Luna studios in Joshua Tree, CA, with Queens of the Stone Age founder and Desert Sessions ringleader/producer Joshua Homme enlisting a cast of players including:

Billy Gibbons (ZZ Top)
Stella Mozgawa (Warpaint)
Jake Shears (Scissor Sisters)
Mike Kerr (Royal Blood)
Carla Azar (Autolux, Jack White)
Les Claypool (Primus)
Matt Sweeney (Chavez, Superwolf, Endless Boogie)
Matt Berry (What We Do in the Shadows, Toast of London)
Libby Grace
Töôrnst Hülpft

The results are eight new songs that embody the legacy of freedom from expectations and inhibitions that stretches back to 1997, when Homme led a first retreat to the Joshua Tree desert. What began as a casual writing and recording session amongst friends—isolated from daily distractions and comforts—has since become a possibly infinite body of work. Now spanning 12 volumes over the course of two decades (and a total of two documented live performances), The Desert Sessions has featured some of music’s most cherished icons—past players have included Polly Harvey, Mark Lanegan, Josh Freese, Dean Ween, among many others—deliberately removing themselves from their comfort zones and working together to create some of their most relaxed yet challenging work.

The tracklist for Desert Sessions ‘Vols. 11 & 12’ (a/k/a ‘Arrivederci Despair’ and ‘Tightwads & Nitwits & Critics & Heels’) is:

Move Together (lead vocal: Billy F. Gibbons)
Noses in Roses Forever (lead vocal: Joshua Homme)
Far East for the Trees
If You Run (lead vocal: Libby Grace)
Crucifire (lead vocal: Mike Kerr)
Chic Tweetz (vocals: Töôrnst Hülpft, Matt Berry)
Something You Can’t See (lead vocal: Jake Shears)
Easier Said Than Done (lead vocal: Joshua Homme)

PREORDER Desert Sessions – Vols. 11 and 12

Desert Sessions Online :

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OUT TODAY : Snail Mail – ‘Habit’ reissue

Just a reminder that today marks the release date for the LP and CD versions of our reissue of Snail Mail’s 2016 EP ‘Habit’, also featuring a cover of Lois Maffeo’s “The 2nd Most Beautiful Girl In The World” as a bonus track.  Order/stream here.

Snail Mail on tour :

Thursday, September 5 Hopscotch Music Festival, Raleigh NC
Friday, September 13 NextNOW Fest, College Park MD
Friday, October 4 Middle of the Map Festival, Kansas City MO
Sunday, October 6 Red Rocks Amphitheater, Morrison CO
November 16-17 Corona Capital Music Festival, Mexico City MX

Snail Mail Online
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Algiers – “Can the Sub_Bass Speak”, New UK / European Dates In 2020

(photo : Christian Högstedt)

stream/download “Can The Sub_Bass Speak”

ALGIERS have released a collaborative audiovisual piece, “Can the Sub_Bass Speak?”, a new work from the band and production duo Randall Dunn and Ben Greenberg. The new piece pits charged language and free jazz collage by ALGIERS multi-instrumentalist Franklin James Fisher, saxophonics pioneer Skerik and drummer D’Vonne Lewis against a maelstrom of visuals by award-winning filmmaker Sam Campbell and typographer Farbod Kokabi.

Inspired by a chance encounter with artists Moor Mother and Harrga at Wysing Polyphonic in 2018, “Can the Sub_Bass Speak?” contorts ALGIERS’ post-punk deconstruction of racial and class sonic politics into new collaborative directions. “Can the Sub_Bass Speak?” is the centerpiece of a larger web installation thereisnoyear
.
The film recalls the ‘visual abstraction’ and political radicalism of Lis Rhodes and John Akomfrah, situating Fisher’s lyrical examination of structural racism within the disorienting resurgence of fascism across Europe and the United States.

Fisher writes :

“Who has the cultural authority to designate origin and authenticity? 
’Can the Sub_Bass Speak?’ is a frustrated regurgitation; a
re-contextualization; a re-appropriation; a shield and a mirror that
projects back onto the world a lifetime of interpellating language
rooted in weaponized ignorance and supremacist privilege.

The improvised punctuation is provided by Skerik on the tenor
saxophone and D’Vonne Lewis on drums and percussion.
The underlying cacophony traces the evolution of African-American
music, experience and identity.

This is not for the mercenary architects: the Jacks and Queens of
simulated experience.
This is for anyone who has found themselves on the sharp end of
insidious, rhetorical prying: ‘Where are you from?’ ‘What are you?’ 
This is for anyone who has had their identity assigned and determined
by the agents of patriarchy.
This is for the Subaltern.”

 

In addition, ALGIERS have announced UK & European headline tour dates for 2020, Kicking off in Brighton on February 3rd, the band headline London’s Village Underground on February 5th, before continuing to further stops in the UK and Europe. Tickets for the 2020 shows go on sale Friday, August 30th, at 10am. A full list of current and upcoming dates can be found below.

BUY/STREAM THE UNDERSIDE OF POWER

Algiers On Tour, New 2020 Dates in Bold On Sale Friday at 9am GMT

Wednesday, August 28 Acquaviva, Montepulciano IT
Thursday, August 29 AMA Festival 2019, Bassano IT
Saturday, September 14 Soundsnoise Festival 2019, Dornbirn AT
Tuesday, September 17 Lido, Berlin DE
Friday, September 20 Reeperbahn Festival, Hamburg DE
Friday, September 27 Street Mode Festival 2019, Thessaloniki GR
Sunday, September 29 Route 66, Ioannina GR
Monday, February 3 The Haunt, Brighton UK
Wednesday, February 5 Village Underground, London UK
Thursday, February 6 YES, Manchester UK
Friday, February 7 Stereo, Glasgow UK
Saturday, February 8 Whelans, Dublin IE
Monday, February 10 Brudenell, Leeds UK
Wednesday, February 12 Botanique Rotonde, Brussels BE
Friday, February 14 Club Volta, Cologne DE
Saturday, February 15 Manufaktur, Schorndorf DE
Monday, February 17 Zoom, Frankfurt DE
Tuesday, February 18 Beatpol, Dresden DE
Thursday, February 20 Hybrydy, Warsaw PO
Friday, February 21 Lucerna Music Bar, Prague CZ
Saturday, February 22 Flex, Vienna AU
Monday, February 24 Strom, Munich DE
Wednesday, February 26 Monk, Rome IT
Thursday, February 27 Ohibo, Milan IT
Saturday, February 29 La 3 Razzmatazz, Barcelona ES
Sunday, March 1 Cafe Berlin, Madrid ES
Tuesday, March 3 Rock School Barbey, Bordeaux FR
Wednesday, March 4 Stereolux, Nantes FR
Thursday, March 5 La Maroquinerie, Paris FR

Algiers Online
There Is No Year
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Coming October 11 : Kim Gordon – ‘No Home Record’

“Sketch Artist” (director – Loretta Fahrenholz)


(photo by Natalia Mantini)

Multi-disciplinary artist Kim Gordon‘s first solo album, No Home Record is being released worldwide October 11th on Matador Records.  No Home Record follows the recent opening of Gordon’s solo exhibition “She Bites Her Tender Mind” at IMMA (Irish Museum of Modern Art) in Dublin and “Lo-Fi Glamour” at Warhol Museum in Pittsburgh, PA. Among its nine tracks, No Home Record features the new single “Sketch Artist” accompanied by a video directed by Berlin-based experimental artist Loretta Fahrenholz and includes a cameo from actress and writer Abbi Jacobson. Fahrenholz notes, notes ‘Sketch Artist’ is a haunted car ride. Kim drives as ‘Unter’ Pool summons passengers throughout nighttime LA. The city drifts by, passengers intermingle in the back seat and Kim’s deadly stare shocks pedestrians along her route.”

No Home Record
was produced largely by Justin Raisen (Charli XCX, Ariel Pink, Sky Ferreira) at Sphere Ranch in Los Angeles, along with contributions from Shawn Everett (Jim James, The War on Drugs) and composer/filmmaker Jake Meginsky (L’appel Du Vide, ‘Milford Graves Full Mantis’). Gordon’s solo debut album’s title is a nod to the French-Belgian director Chantal Akerman’s film No Home Movie .

‘Why a solo record? And why now?,’” Gordon mused of the upcoming solo debut. “I don’t know, but it wouldn’t have happened without the persistence of Justin Raisen.  Living in LA the last few years it feels like home, but the transience of the place makes it feel sometimes like no home.”

Since co-founding Sonic Youth in 1981, Kim Gordon has remained at the nexus of music, fashion, art and (more recently) books and film.  In the past few years alone, Gordon has debuted in the #1 spot on the NY Times Bestseller List with her 2015 memoir Girl In A Band, acted alongside Joaquin Phoenix and Jonah Hill under the direction of Gus Van Sant (in 2018’s “Don’t Worry, He Won’t Get Far On Foot”), released music and performed as one half of Body/Head alongside Bill Nace, and opened multiple solo-exhibitions at internationally renowned museums.

stream/preorder ‘No Home Record’
stream “Sketch Artist”
stream “Murdered Out”

Tracklist

1. Sketch Artist
2. Air BnB
3. Paprika Pony
4. Murdered Out
5. Don’t Play it
6. Cookie Butter
7. Hungry Baby
8. Earthquake
9. Get Yr Life Back

‘No Home Record’ will be available on standard black vinyl, limited edition white vinyl, CD, or cassette. Get 15% off your order when you bundle the record with a tee (featuring stills from the “Sketch Artist” video directed by Loretta Fahrenholz) or album art tote.

|

Kim Gordon Online :
official Website
Twitter
Instagram:
Facebook

With a career spanning nearly four decades, Kim Gordon is one of the most prolific and visionary artists working today. A co-founder of the legendary Sonic Youth, Gordon has performed all over the world, collaborating with many of music’s most exciting figures including Tony Conrad, Ikue Mori, Julie Cafritz and Stephen Malkmus. Most recently, Gordon has been hitting the road with Body/Head, her spellbinding partnership with artist and musician Bill Nace. Despite the exhaustive nature of her résumé, the most reliable aspect of Gordon’s music may be its resistance to formula. Songs discover themselves as they unspool, each one performing a test of the medium’s possibilities and limits. Her command is astonishing, but Gordon’s artistic curiosity remains the guiding force behind her music.

Gordon continues this pursuit on No Home Record, her first-ever solo release, produced by Justin Raisen (Angel Olsen, Yves Tumor, John Cale, Charli XCX, etc.) and recorded at Sphere Ranch in Los Angeles. Borrowing its name from a Chantal Akerman film, No Home Record is, in many ways, a return as much as it is a departure. When Gordon first began playing music in the early 1980s, she used a guitar, a drum machine, and some lyrics sniped from magazine advertisement copy. No Home Recordcontains echoes of that setup, in both form and concept.  On Cookie Butter (produced by Shawn Everett), Gordon’s vocals jut out insistently over a tinny raindrop beat: “You fucked / You think / I want / You fell.” The song continues, hectic and driving, until finding resolution in the lines “Industrial metal supplies / Cookie butter,” perfectly illustrating Gordon’s singular lyric capacity to meld cultural critique, divulgence and humor.

This captivating ability is further exemplified by Don’t Play it Back (produced by Jake Meginsky) where Gordon’s wiry vocals slice the track’s circling electric floor: “You don’t own me / Golden Vanity / You can pee in the ocean / It’s Free.” This nod—with a wink—towards culture’s increasingly fraught (and increasingly commodified) relationship with identity and the self is one of No Home Record’s central themes. “Shopping off a cliff / You’re a breath on my eye / To lose a compass of teeth / Hash away at twitter,” Gordon recites, phosphorescent and dirge-like, on the album’s stunning closer Get Yr Life Back Yoga,” Everydayeveryday, everyday / I feel bad for you / I feel bad for me.”

It makes sense that this “American idea” (as Gordon says on the agitated rock track Air BnB) of purchasing utopia permeates the record, as no place is this phenomenon more apparent than Los Angeles, where Gordon was born and recently returned to after several lifetimes on the east coast. It was a move precipitated by a number of seismic shifts in her personal life and undoubtedly plays a role in No Home Record’s fascination with transience. The album opens with the restless Sketch Artist, where Gordon sings about “dreaming in a tent” as the music shutters and skips like scenery through a car window. Even Earthquake, perhaps the record’s most straightforward track embodies this mood; Gordon’s voice wavering like watercolor: “If I could cry and shake for you / I’d lay awake for you / I got sand in my heart for you,” guitar strokes blending into one another as they bleed out across an unstable page. Front to back, No Home Record is an expert operation in the uncanny. You don’t simply listen to Gordon’s music; you experience it. – Elaine Kahn

 

Out Today : Spoon – ”Everything Hits At Once – The Best Of Spoon’


(photo : Oliver Halfin)

‘Everything Hits At Once : The Best Of Spoon’ — featuring the new single, “No Bullets Spent” —  is out today.  LP and CD editions are now shipping from the Matador and Spoon webstores ; The album will be available at most independent record stores on August 2, and everywhere by August 16. Contact your local store for details.


Prior to Spoon’s show tonight at Austin’s 360 Ampitheater, the band will be signing copies of ‘Everything Hits At Once’ and the “No Bullets Spent” 7″ at Waterloo Records at 1pm.

(stream / download “No Bullets Spent”)
(stream/order ‘Everything Hits At Once : The Best Of Spoon’)

Spoon on tour :

Friday, July 26 Austin360 Amphitheater, Austin TX
Saturday, July 27 The Dos Equis Pavilion, Dallas TX
Sunday, July 28 The Cynthia Woods Mitchell Pavilion, Houston TX
Tuesday, July 30 Hollywood Casino Amphitheater, St. Louis MO
Wednesday, July 31 Huntington Bank Pavilion at Northerly Island, Chicago IL
Friday, August 2 Riverbend Music Center, Cincinnati OH
Saturday, August 3 DTE Energy Music Theater, Detroit MI
Sunday, August 4 Ruoff Home Mortgage Music Center, Indianapolis IN
Sunday, August 11 Budweiser Stage, Toronto ON
Monday, August 12 Saratoga Performing Arts Center, Saratoga Springs NY
Tuesday, August 13 Darien Lake Amphitheater, Darien Center NY
Thursday, August 15 Xfinity Center, Mansfield MA
Friday, August 16 Bank of New Hampshire Pavilion, Gilford NH
Saturday, August 17 Forest Hills Stadium, Queens NY
Tuesday, August 20 PNC Bank Arts Center, Holmdel, NJ
Wednesday, August 21 BB&T Pavilion, Camden NJ
Thursday, August 22 Merriweather Post Pavilion, Columbia MD
Saturday, August 24 Coastal Credit Union Park at Walnut Creek, Raleigh NC
Sunday, August 25 PNC Music Pavilion, Charlotte NC
Tuesday, August 27 Oak Mountain Amphitheater, Birmingham AL
Thursday, August 29 Midflorida Credit Union Amphitheatre, Tampa FL
Friday, August 30 Coral Sky Amphitheatre, West Palm Beach FL

(all dates  with Beck and Cage The Elephant)

Spoon online :

Facebook
Twitter
Instagram
Official Site

Coming September 13 : Belle and Sebastian – ‘Days of the Bagnold Summer’

“Sister Buddha” video, directed by Stuart Murdoch

(photo by Marisa P. Murdoch)

‘Days of the Bagnold Summer’ began life as a 2012 award-winning graphic novel by Joff Winterhart, was turned into a feature film and the directorial debut of Simon Bird (“The Inbetweeners”, “Friday Night Dinner”), and is now a wonderful, rich, bittersweet, and warmly welcoming original soundtrack album by Belle and Sebastian, to be released September 13.



The announcement arrives with first single “Sister Buddha’” and its accompanying video (above).. The anthemic song is led by shards of melodic guitar and Stuart Murdoch’s compassionate lyrics and soaring vocals, telling of a protagonist in search of an escape from “the thrills, the pills, the circus ring” of daily life, brimming with a message of inner strength and solidarity.

‘Days Of The Bagnold Summer’ features eleven brand new Belle and Sebastian songs, as well as re-recorded versions of classics “Get Me Away From Here I’m Dying,” originally appearing on 1996’s If You’re Feeling Sinister, and “I Know Where The Summer Goes,” from 1998’s ‘This Is Just a Modern Rock Song’ EP.

‘Days Of The Bagnold Summer’ is set for release in 2020 and features Monica Dolan, Earl Cave, Rob Brydon, Alice Lowe, Tamsin Greig and Elliot Speller-Gillot. It’s a tender, touching and acutely observed coming-of-age story, which tells of a heavy-metal-loving teenager’s holiday plans falling through at the last minute, leading to him having to spend the summer with the person who annoys him most in the world: his mum. The film is set for release in 2020. 


preorder ‘Days of The Bagnold Summer’
stream / download “Sister Buddha”

‘Days of the Bagnold Summer’ is the latest outside-the-box accomplishment from storied Glasgow 6-piece Belle and Sebastian, comprised of Stuart Murdoch, Stevie Jackson, Sarah Martin, Chris Geddes, Richard Colburn, Dave McGowan, and Bobby Kildea. The last two years have seen them go against conventional practice by releasing a trilogy of EPs to some of the best reviews of their career, and launch and curate their own four-day music festival at sea in The Boaty Weekender, continuing the individualist streak that has characterized them from day one.

Did Stuart Murdoch, Belle and Sebastian’s lead singer and songwriter, know the comic book before Bird, a longtime fan, approached the band to write the soundtrack? “No, I didn’t,” he admits. “But its style and its atmosphere set me off straight away. I read it on a Friday, and by Monday I pretty much had all my ideas lined up. What was great was that Simon hadn’t shot anything then.” He laughs. “You want to get in early, because that way you can start having late night conversations with the director about The Graduate, or whatever. We all have fantasies about those great movies of the Sixties and the Seventies. If you going to get involved with a project like this, you want to do it right.”

Interspersing some of their most casually gorgeous songs in recent memory with wildly transportal instrumentals, ‘Days of the Bagnold Summer’ is something of a scenic detour from the band’s recent work, largely exchanging the funk, soul and psych of the How To Solve Our Human Problems triptych for more pastoral and acoustic textures. Ones that make lyrical use of strings, French horn, banjo and the occasional trumpet.

Some inspiration may have stemmed from revisiting past plains: “‘Get Me Away From Here I’m Dying’ is a song from our second LP [the seminal If You’re Feeling Sinister from 1996],” says Murdoch. “Simon was adamant he wanted to use it. He’s a proper fan of the group.” The former was re-recorded for the soundtrack along with another B&S classic, “I Know Where The Summer Goes,” originally appearing on 1998 EP This Is Just A Modern Rock Song. Bird also went for a song called “Safety Valve,” (“I wrote a song to you/ I poured my soul in it/ now I’m feeling flat/ I want my soul back”), not knowing he’d stumbled upon Belle and Sebastian collector’s gold dust. “That one’s ancient,” says Murdoch. “It predates the band; it’s maybe 25 years old. The only time I can remember ever playing it was in a coffee shop with a friend of mine, and people scratching their heads. There was only a verse and a chorus, so I went back to it, and revised the words. It’s a simple song about being over-reliant on a particular person – probably my girlfriend at the time. But it seems to work okay here, too.”

The single “Sister Buddha” serves as a loose ‘theme’, appearing at the beginning and towards the end of the album. While not originally written for the film, it struck a chord with Bird: “It just came from my present interest in Buddhism. Simon picked up on it, wanting to have something uplifting at the end of movie, and we were happy for him to have it”.

Another new track, written by Murdoch specifically for the film this time, is “Did The Day Go Just Like You Wanted?” (“Did the day go just like you wanted?/ Or did you hold on with your fingernails?”). “That came out so quickly. It’s based on the relationship between the mum and the son. I guess I used my own experience a bit, feeling it: the situation they are in.”

The brief and spacious “Another Day, Another Night” (“Another day, another night/ I spend my life not-thinking about you”) was written by Sarah Martin. “In the screenplay, the mum is a richer character than in the book, and I was taken by that,” she says. “This is really her song: she doesn’t have much of a facade; she’s not robust. There’s a point when she thinks about an old boyfriend, and her whole past, with all its regrets, suddenly opens up before her. I love her character.”

“Jill Pole,” an instrumental waltz of windswept harmonica and violin, contributes an almost prairie-like expanse and melancholy, while the baroque-tinged “We Were Never Glorious” draws down the curtain with wistful clarinet and snippets of dialogue from the film.

Is releasing a soundtrack a different prospect from releasing a regular album? Would a Belle and Sebastian fan notice the difference if they didn’t know? “Everything we do that becomes an album is a big deal for us,” says Murdoch. “We’re quietly pleased with how the collaboration went, but the truth is that you don’t know what’s going to happen when it goes out into the world, and people hear it.” Martin thinks it is slightly different from other records they’ve put out. “It’s more consistent, probably, than most of our albums. Soundtracks are a deeper cut. They’re not a big pop statement.” But is making music for film that different than making it for a listener? “The whole thing with music is to make a good moment better,” Murdoch says. “Deeper, more thrilling, more heartfelt.” – Rachel Cooke

Belle and Sebastian on tour :

Tuesday, July 2 The Leadmill, Sheffield UK (SOLD OUT)
Wednesday, July 3 Albert Hall, Manchester UK (SOLD OUT)
Thursday, July 4 O2 Academy, Oxford UK (SOLD OUT)/

Wednesday, July 10, Brooklyn Steel, Brooklyn NY
Thursday, July 11 Sprint Pavilion, Charlottesville VA
Friday, July 12 Union Transfer, Philadelphia PA
Saturday, July 13 House of Blues, Boston MA
Monday, July 15 M Telus, Montreal QC
Tuesday, July 16 Danforth Music Hall, Toronto ON
Thursday, July 18 The Warhol at Carnegie Music Hall, Pittsburgh PA
Friday, July 19 House Of Blues, Cleveland OH
Saturday, July 20, Pitchfork Music Festival, Chicago IL *
Sunday, July 21 Royal Oak Music Theatre, Royal Oak MI
Tuesday, July 23 Weesner Family Amphitheater, Minnesota MN
Thursday, July 25 Calgary Folk Music Festival, Calgary AB
Thursday August 8 The Boaty Weekender, Barcelona ES
Friday, November 1 Pitchfork Music Festival, Paris FR
Saturday, November 2 Le Krakatoa, Mérignac FR
Sunday, November 3 Le Bikini, Toulouse FR
Monday, November 4 Baluarte, Pamplona ES
Wednesday, November 6 Aula Magna, Lisbon PT
November 8-9, Primavera Weekender, Benidorm ES

* performing If You’re Feeling Sinister 

Belle & Sebastian online :

Official site
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Lucy Dacus – “Forever Half Mast”



In honor of Independence Day, Lucy Dacus has released a new single titled “Forever Half Mast,” . The third installment of her 2019 holiday song series, “Forever Half Mast” follows her Valentine’s Day-inspired  “La Vie En Rose” cover and her ode to Mother’s Day and Taurus Season, an original song titled “My Mother & I.” Lucy’s ongoing 2019 singles series will also include tracks tied to Bruce Springsteen’s birthday, Halloween, Christmas, and New Year’s, with a physical EP coming in the fall.

In “Forever Half Mast,” the twang of a steel guitar compliments Lucy’s gentle strumming and lends a distinctly ‘American’ sound to the song — yet the lyrics convey an attitude towards her home country that is decidedly more ambivalent. Lucy drew inspiration for the song from her experiences touring in Europe, where she was starkly confronted by the complexities of her American identity, and by what it means to be a proud American in these trying times.

In Lucy’s words, “There is a daily dissonance one endures as an American wherein much of our joy is counterweighted by shame, where much of our pride lives in tandem with injustice and suffering. ‘Forever Half Mast’ is about confronting this unavoidable culpability as an American citizen and consumer.  Instead of allowing this guilt to paralyze us, we should try to let it influence us in positive ways.”

stream/download “Forever Half Mast”

Lucy Dacus on tour :
Friday, June 28 Friday Cheers at Brown’s Island, Richmond VA
Tuesday, July 2 FZW, Dortmund DE
Wednesday, July 3 MarX, Hamburg DE
July 4 Roskilde Festival, Roskilde DK
Saturday, July 6 Chapeau Rouge, Prague CZ
Sunday, July 7 Flex Cafe, Vienna AT
Monday, July 8 Conrad Sohm, Dornbirn AT
Saturday, July 27 Newport Folk Festival, Newport RI
Sunday, July 28 Xpnential Music Festival, Camden NJ
Wednesday, July 31, Paramount Theatre, Austin [email protected]
Thursday, September 5 Hopscotch Festival, Raleigh NC
Saturday, September 7 Central Park Summerstage, New York NY * (SOLD OUT)
Sunday, September 8 Central Park Summerstage, New York NY *
Tuesday, September 10 Chameleon Club, Lancaster, PA ##
Wednesday, September 11 Space Ballroom, Hamden, CT ##
Thursday, September 12 3S Artspace, Portsmouth, NH ##
Saturday, September 14 Grand Point North Festival, Burlington, VT
Sunday, September 15 Ottawa Cityfolk Festival, Ottawa, ONT
Monday, September 16 L’Astral, Montreal , QC ##
Tuesday, September 17 Lee’s Palace, Toronto, ONT ##
Thursday, September 19 El Club, Detroit, MI ##
Friday, September 20 Mr Small’s, Pittsburgh, PA ##
Saturday, September 21 Bristol Rhythm & Roots, Bristol, TN
Wednesday, October 9 Headliner’s, Louisville, KY !
Thursday, October 10 Park West, Chicago, IL !
Friday, October 11 Majestic, Madison, WI !
Saturday, October 12 Cedar Cultural Center, Minneapolis, MN !
Monday, October 14 Slowdown, Omaha, NE !
Wednesday, October 16 The Rialto , Bozeman, MT !
Thursday October 17 Top Hat Lounge, Missoula, MT !
Friday October 18 The Olympic, Boise, ID !
Saturday October 19 The Bartlett, Spokane, WA !
Monday October 21 Hollywood Theatre, Vancouver, BC !
Tuesday October 22 Neumo’s, Seattle, WA !
Wednesday October 23 Aladdin Theater, Portland, OR !
Friday October 25 August Hall, San Francisco, CA !
Saturday October 26 Teregram Theater, Los Angeles, CA !
Monday October 28 Belly Up<, San Diego, CA !
Tuesday October 29 Crescent Ballroom, Phoenix, AZ !
Friday, November 1 Gothic Theatre, Englewood, CO !
Monday, November 4 Delmar Hall, St Louis, MO !
Tuesday, November 5 Woodward Theatre, Cincinnati, OH !
Wednesday, November 6 Covenant Fine Arts Center, Grand Rapids, MI
Sunday, November 17 Corona Capital Festival, Mexico City MX

@ w/ Julien Baker
* w/ Mitski
## w/ Quinn Christopherson
! w/ Liza Anne

Lucy Dacus Online
Website
Twitter
Instagram
Facebook

Snail Mail – ‘Habit’ Reissue Streaming Today, Vinyl/CD Coming August 30


(photo : Megan Schaller)

Baltimore-based singer/songwriter/guitar wiz Snail Mail, aka Lindsey Jordan, has re-issued the breakout 2016 EP, ‘Habit’, available now digitally, with the 12″ and CD versions available on August 30th. The re-mastered EP contains the six original songs, including the single, “Thinning,” as well as a cover of Lois Maffeo’s “The 2nd Most Beautiful Girl In The World,” an alternative version of which was previously  available as an Amazon exclusive.

ICYMI, Snail Mail contributed an original song to EA Games’ latest installment of The Sims, ‘The Sims 4: Living Island,’ which came out last Friday. “Rizbeen” is an original new recording of Snail Mail’s “Pristine,” with the lyrics translated into Simlish (NO REALLY, THAT’S WHAT I WAS ASKED TO TYPE).

“It was really hilarious working with the producer of Lush and trying to be serious the whole time! It came pretty naturally to me for some reason. Maybe i’m a sim.”

preorder ‘Habit’

Tracklist

1. Thinning
2. Habit
3. Static Buzz
4. Dirt
5. Slug
6. Stick

7. The 2nd Most Beautiful Girl In The World

Snail Mail on tour :

July 11-4 – Winnipeg Folk Fest, Winnipeg, MB
July 15 – First Avenue, Minneapolis, MN*
Wednesday, July 17 The Granada, Lawrence KS *
Thursday, July 18 Off Broadway, St. Louis MO *
Friday, July 19 Turner Hall, Milwaukee WI *
Saturdday, July 20, Thalia Hall, Chicago IL &
Sunday, July 21 – Pitchfork Fest, Chicago IL
Tuesday, July 23 Exit/In, Nashville TN *
Wednesday, July 24 Headliners, Louisville KY *
Thursday, July 25 Skully’s Music Diner, Columbus OH
Friday, July 26 Beachland Ballroom, Cleveland OH *
Saturday, July 27 – MoPop, Detroit, MI
Sunday, July 28 Rex Theater, Pittsburgh, PA
Wednesday, July 31 – Brooklyn Steel, Brooklyn, NY**
Thursday, August 1 – Webster Hall, NYC NY **
Thursday, August 15 Twilight Concert Series, Salt Lake City UT %#
Friday, August 16 MAHA Music Festival, Omaha NE
Saturday, August 17 Bluebird Theater, Denver CO
Sunday, August 18 Taos Vortex, Taos NM
Tuesday, August 20 Rebel Lounge, Phoenix AZ
Wednesday, August 21 Irenic, San Diego CA
Thursday, August 22 The Wiltern Theater, Los Angeles CA
Saturday, August 24 THING, Port Townsend WA
Thursday, September 5 Hopscotch Music Festival,  City Plaza, Raleigh [email protected]
November 16-17 Corona Capital, Mexico City MX

&  w/ Stereolab
* w/ Sasami
** w/ Duster, Sasami
& w/ Courtney Barnett
# w/ Choir Boy
@ w/ Sleater-Kinney, Kurt Vile & The Violators

Spoon – “No Bullets Spent” ; ‘Everything Hits At Once : The Best Of Spoon’ Coming July 26


(photo : Oliver Halfin)

Spoon today unleash their first new song since 2017’s acclaimed ‘Hot Thoughts’. “No Bullets Spent” showcases Spoon in full creative forward momentum, with its staccato rhythms and spooky film-noir guitar. The inimitable vocals of magnetic frontman Britt Daniel kicking off at the first note, Spoon’s signature is stamped on the track immediately while another level is achieved in Daniels’ seemingly infinite hot streak as a songwriter. Blending with the percussion wizardry of Spoon co-founder Jim Eno, the song is propelled from the doors of his own Public Hi Fi studio in Austin, TX and is produced by Mark Rankin. Alex Fischel (keyboard) and Gerardo Larios (guitar) add their own dimension to the band whose recent recording sessions point to, perhaps, a forthcoming new album.

(stream / preorder “No Bullets Spent”)

“No Bullets Spent” joins classics from the Spoon catalog on ‘Everything Hits at Once: The Best of Spoon’, the greatest hits compilation coming out July 26th. “No Bullets Spent” will also be available as a limited edition 7”, with the ‘A Series of Sneaks’ era rarity “Shake It Off” on the B-side.  Limited to a small pressing worldwide, the 7” will be sold exclusively via the Matador and Spoon webstores and on tour with the band this summer.  The album’s tracklist (complaints about what songs are missing
can be directed to the Twitter ether) and Spoon’s full list of summer tour dates can be found below the physical and digital artwork, and the Rob Sheffield-penned bio.

(preorder ‘Everything Hits At Once : The Best Of Spoon’)

How many rock bands from the past 25 years could get away with a greatest-hits album? Spoon stand alone, with a career-spanning retrospective culled from all over their unique songbook. It’s a flawless compilation of their best-known, best-loved tunes, yet it’s still full of
surprises—the only thing you could expect from a band that’s spent their whole career taking people by surprise.

“The idea of doing a best-of came to us a couple times,” Britt Daniel says. “First I wasn’t sure how I felt about it but at some point I remembered that when I got my first Cure record it was ‘Standing on a Beach’. When I got my first New Order record, it was ‘Substance’. That was how I met those bands, and I moved backwards from there but I still listen to those comps. I
love a greatest hits LP when it’s done well. It can be a thing unto itself.”

If you were the betting type in 1996, and you were taking odds on which bands would still be on top of their game in 2019—still thriving, creating, evolving, sitting on top of a catalog so rich it could produce a compilation like this—it’s safe to say you could have bought a house betting a quarter on Spoon. They did not seem the likeliest band to make history. Yet they’ve achieved this by refusing to concede a thing to fashion, refusing to pander, declining to repeat themselves, resisting the impulse to play it safe. When they dropped ‘Kill the Moonlight’ in 2002, it already seemed bizarre this underdog band had turned out to be so freakishly prolific and creative. But Spoon were just getting started. They have kept going their own way, moving past their original blueprint and building something new one album at a time.

When you hear Spoon has a greatest-hits record, you instantly think of your pet favorites. Every fan would assemble a totally different lineup—that’s the beauty of it. They’ve built the kind of ridiculously vast catalog where people love to argue for hours over their favorite highlights. Are you a ‘Girls Can Tell’ diehard or a ‘Transference’ cultist? Do you prefer ‘Gimme
Fiction’ or ‘Ga Ga Ga Ga Ga’? ‘Hot Thoughts’? ‘They Want My Soul’?
Certain artists like Al Green, Blondie or Creedence spend years making individual albums that stand up as fully realized works of art—but they spawn a perfect greatest-hits record that makes its own statement. That’s the classic level Spoon are on here. So how did this complex and diverse string of albums boil down to one disc? “Honestly, it was a struggle,”
Daniel says. “I was listening to the old records and jotting down the songs—if you wanna turn the volume up, that’s a good sign. The list really got whittled down, so these are the best. ‘I Summon You’ was never a huge song, wasn’t for the radio, but it had to be on there. It’s one of the best things we’ve done. I wanted to represent ‘Transference’, even though it’s not really a ‘hit’ type of album—‘Got Nuffin’ was the closest thing. It did get to a point where I started feeling like, ‘We gotta represent this album in some way, we’ve gotta represent this change in some way.’ ‘Everything Hits at Once’ was a turning point for us—a minimal new wave soul type of rock song.’”

That’s part of what makes this a classic greatest-hits album—we will keep arguing over the selections for years to come. “It’s a small collection trying to cover a lot of years, but I hope it does what ‘The Singles’ record by the Pretenders or ‘Hot Rocks’ did for me—cover a lot of ground and then if you want to find out more, you can find out more.” It’s a conversation starter, like any great group’s best-of should be.  But it’s also a map to the work of a band that’s still full of surprises—and more yet to come. – Rob Sheffield

Everything Hits At Once Tracklist
01. I Turn My Camera On
02. Do You
03. Don’t You Evah
04. Inside Out
05. The Way We Get By
06. The Underdog
07. Hot Thoughts
08. I Summon You
09. Rent I Pay
10. You Got Yr. Cherry Bomb
11. Got Nuffin
12. Everything Hits At Once
13. No Bullets Spent

Spoon on tour  :
Thursday, July 11 Sunlight Supply Amphitheater, Ridgefield WA
Saturday, July 13 Gorge Amphitheater, George WA
Monday, July 15 Virginia Street Brewhouse, Reno NV *
Tuesday, July 16 Shoreline Amphitheatre, Mountain View CA
Wednesday, July 17 FivePoint Amphitheater, Irvine CA
Friday, July 19 Park Theater, Las Vegas NV
Saturday, July 20 North Island Credit Union Amphitheatre, Chula Vista CA
Sunday, July 21 Ak-Chin Pavilion, Phoenix AZ
Tuesday, July 23 Fiddler’s Green Amphitheater, Denver CO
Friday, July 26 Austin360 Amphitheater, Austin TX
Saturday, July 27 The Dos Equis Pavilion, Dallas TX
Sunday, July 28 The Cynthia Woods Mitchell Pavilion, Houston TX
Tuesday, July 30 Hollywood Casino Amphitheater, St. Louis MO
Wednesday, July 31 Huntington Bank Pavilion at Northerly Island, Chicago IL
Friday, August 2 Riverbend Music Center, Cincinnati OH
Saturday, August 3 DTE Energy Music Theater, Detroit MI
Sunday, August 4 Ruoff Home Mortgage Music Center, Indianapolis IN
Sunday, August 11 Budweiser Stage, Toronto ON
Monday, August 12 Saratoga Performing Arts Center, Saratoga Springs NY
Tuesday, August 13 Darien Lake Amphitheater, Darien Center NY
Thursday, August 15 Xfinity Center, Mansfield MA
Friday, August 16 Bank of New Hampshire Pavilion, Gilford NH
Saturday, August 17 Forest Hills Stadium, Queens NY
Tuesday, August 20 PNC Bank Arts Center, Holmdel, NJ
Wednesday, August 21 BB&T Pavilion, Camden NJ
Thursday, August 22 Merriweather Post Pavilion, Columbia MD
Saturday, August 24 Coastal Credit Union Park at Walnut Creek, Raleigh NC
Sunday, August 25 PNC Music Pavilion, Charlotte NC
Tuesday, August 27 Oak Mountain Amphitheater, Birmingham AL
Thursday, August 29 Midflorida Credit Union Amphitheatre, Tampa FL
Friday, August 30 Coral Sky Amphitheatre, West Palm Beach FL

(all dates except 7/15 with Beck and Cage The Elephant)

Spoon online :

Facebook
Twitter
Instagram
Official Site

Julien Baker – “Red Door” b/w “Conversation Piece” Now Available Digitally

Previously only available as a Record Store Day exclusive 7″, Julien Baker’s first new solo recordings in two years, “Red Door” and “Conversation Piece” can now be heard on all streaming services.

A fan-favorite during live shows, “Red Door” is a lush and atmospheric track driven by Baker’s complex fingerpicking and a hint of slide guitar, her voice soaring as she pleads “set me on fire in the middle of the street / bend my knees, paint the concrete / the color of my bloody knuckles / pulling splinters form the chapel door.” A previously unreleased cut begun during the Turn Out the Lights sessions, “Conversation Piece” is a meditation on loneliness, backed by delicate percussion and chiming guitars.

stream / download “Red Door” / “Conversation Piece”

Julien Baker on tour :

June 19-June 23, Sled Island Music & Arts Festival, Calgary AB
Saturday, June 29 American Family Insurance Amphitheater, Milwaukee WI
Thursday, July 4 Roskilde Festival, Roskilde DK
Friday, July 5 Oetinger Villa, Darmstadt DE (sold out)
Sunday, July 7 Auditorium Stravinski, Montreux CH  (with Bon Iver)
Wednesday, July 31, Paramount Theatre, Austin TX (with Lucy Dacus)
Wednesday, August 7 Oya Festival, Oslo NO
August 8-10, Haldern Pop Festival, Haldern DE
August 8-10 Stay Out West 2019, Gothenburg SE
Monday, August 12 Lwl Museum Für Kunst Und Kultur, Münster DE
Tuesday, August 13 Congés Annulés, Luxembourg
Thursday, August 15 Vodafone Paredes de Coura, Paredes de Coura PT

Julien Baker Online
Website
Facebook
Twitter
Instagram

Coming June 17 : Car Seat Headrest – ‘Commit Yourself Completely’

(‘Commit Yourself Completely’ album sleeve photo by Veronica Anderson)

“Fill In The Blank” (Live at Newport Music Hall, Columbus, OH)

Car Seat Headrest today announces Commit Yourself Completely – a new nine-track live album that will be released only via digital means June 17th. Culled from performances across the UK, US and France, the nine-track album spans material from 2016’s breakout Teens Of Denial and 2018’s reimagined epic Twin Fantasy – as well as the first officially released recording of longtime live staple ‘Ivy’ by Frank Ocean. A filmed version of the performance of ‘Fill In The Blank’ which appears on the album, recorded in Columbus, Ohio, can be seen now above.

“This is a compilation of songs from shows we played in 2018,” says Will Toledo. “We recorded every show we did that year, and I went through about 50 of them to get the final tracklist for this album. This isn’t necessarily the best possible version of each track, but it’s some of the most fun we’ve had on stage. I particularly remember the show we did in the small French town of Amiens, maybe the smallest show we did that year, and how great it felt to be up in people’s faces with everyone plugging in to the music right away. The recordings we made of the shows came out very clean, so rather than try to artificially recreate how it sounded in the different venues night to night, I tried to give the whole album that in-your-face feeling, like we’re playing the songs right in front of you. When you’re onstage with everything happening at once, you never really know what it sounds like in the room anyways; all you know is how the music is feeling. Hopefully this will give you a sense of what these shows felt like.”

A snapshot of the 7-person lineup featuring members of Naked Giants experienced by crowds worldwide over the last two years, Commit Yourself Completely offers a visceral, loose and ebullient take on these much-loved songs, as well as an an incandescent capstone of a formative touring period as Car Seat Headrest readies his next studio album. Musicians featured on the album are Will Toledo (vocals), Seth Dalby (bass), Ethan Ives (guitar, vocals), Andrew Katz (drums, vocals), Grant Mullen (guitar, vocals) Gianni Aiello (guitar, keyboards, vocals), Henry LaVallee (additional percussion).

Photo by Mikeal Beland

Tracklist
1. Cosmic Hero (Live at the Tramshed, Cardiff, Wales)
2. Fill In The Blank (Live at Newport Music Hall, Columbus, OH)
3. Drugs With Friends (Live at La Lune des Pirates, Amiens, France)
4. Bodys (Live at La Lune des Pirates, Amiens, France)
5. Cute Thing (Live at O2 Forum Kentish Town, London, England)
6. Drunk Drivers/Killer Whales (Live at O2 Forum Kentish Town, London, England)
7. Destroyed By Hippie Powers (Live at the Crystal Ballroom, Portland, OR)
8. Ivy (live at the Capitol Theater, Olympia, WA)
9. Beach Life-in-Death (Live at Crossroads, KC, Kansas City, MO)

Car Seat Headrest on tour :

Saturday, June 22nd College Street Music Hall, New Haven CT
Sunday, June 23rd Firefly Festival, Dover DE
Tuesday, June 25th Asbury Hall at Babeville, Buffalo NY
Wednesday, June 26th House of Blues, Cleveland OH
Thursday, June 27th Deluxe at Old National Centre, Indianapolis IN
Friday, June 28th Cannery Ballroom, Nashville TN
Saturday, June 29th Bogart’s, Cincinnati OH
Tuesday, July 2nd Wooly’s Des Moines IA
Wednesday, July 3rd The Waiting Room, Omaha NE
Sunday, August 11th Hollywood Bowl, Los Angeles CA *
Thursday, August 15 Paredes de Coura Festival, Tábua PT
Saturday. August 17 Green Man Festival, Crickhowell UK
Friday, September 6 Oregon Zoo, Portland OR * (SOLD OUT)
Saturday, September 7 Marymoor, Redmond WA *
Sunday, September 8 Marymoor, Redmond WA *
November 16-17 Corona Capital – Mexico City MX

* with Death Cab For Cutie

Car Seat Headrest Online

Facebook
Twitter
Instagram
Car Seat Headrest at Matador

Out Today : Sonic Youth – ‘Battery Park, NYC: July 4, 2008’ ; ‘The Eternal’ 25% Off Sale Thru June 14

Sonic Youth’s live LP, ‘Battery Park, NYC: July 4, 2008’ is available today on LP and via all streaming services.  In addition, the band’s final studio album and lone recording for Matador, 2009’s ‘The Eternal’, is the subject of a 25% off sale now thru June 14 (LP or download).   ‘The Eternal’ or ‘Battery Park’ orders from the Matador Store (US/UK/EU customers only) receive a Matador Revisionist History slipmat while supplies last.

Stream / order ‘Battery Park, NYC : July 4, 2008’
Stream/order ‘The Eternal’

Sonic Youth online :
Sonic Youth.com
Matador Records / Sonic Youth
Faceook
Twitter
Instagram

Coming June 7 : Sonic Youth – ‘Battery Park, NYC: July 4, 2008’

On June 7, we’ll be reissuing Sonic Youth’s ‘Battery Park, NYC: July 4, 2008’. Initially sold as a bonus item alongside the 2009 release of the band’s final album, ‘The Eternal’, the live recording will now be available on streaming services and as a stand-alone physical package for the first time ever. Culled from their show at Battery Park’s River To River Festival (and broadcast live on WFMU), the setlist spans the band’s 30-year career.

The live version of “Bull In The Heather” is now available to stream HERE.

Coinciding with the full release of the live album on June 7th, ‘The Eternal’ will be 25% off on the Matador Store from that date to June 14th.

Orders from the Matador Store include a Matador Records Revisionist History Slipmat (while supplies last).

preorder ‘Battery Park, NYC : July 4, 2008’

Tracklist
01 She Is Not Alone
02 The Sprawl
03 World Looks Red
04 Jams Run Free
05 Hey Joni
06 The Wonder
07 Hyperstation
08 Bull In The Heather
09 100%
10 Making The Nature Scene

Sonic Youth online :
Sonic Youth.com
Matador Records / Sonic Youth
Faceook
Twitter
Instagram

Out Today : INTERPOL – ‘A Fine Mess’


(photo credit : Kalpesh Lathigra)

Interpol today release a new 5 song EP, ‘A Fine Mess’, including the sought-after live favorite “Real Life,” first heard during the band’s ‘Turn On The Bright Lights’ 15th anniversary tour in 2017.  Recorded during time spent in upstate New York with Dave Fridmann, the five songs that make up ‘A Fine Mess’ gradually emerged as a body of work with a narrative and flow unto itself. The title track, “Fine Mess,” then received further production from Kaines & Tom A.D. and mixing from Claudius Mittendorfer, who had first worked with Interpol as engineer on ‘Our Love To Admire’. The resulting set is a living, breathing postcard from the band to their fans as they tour the world throughout 2019, and a linear continuation of the visceral and contagious energy set loose with ‘Marauder’.

Echoing its title, the artwork for ‘A Fine Mess’ is illustrated by a series of lost images, recovered from an abandoned police station in Detroit, MI. In a crumbling evidence room – amongst the rubble – an undeveloped roll of film, dated “1-20-96”, featured latent images of a breaking and entering scene, the rooms in chaos.

From the beguiling refrain of the title track, to the soulful topsy-turvy of “No Big Deal,” cathartic chorus of long sought-after live favourite “Real Life,” anthemic swell of “The Weekend,” and angular shades of “Thrones,” ‘A Fine Mess’ is a bracing and distinct entry in Interpol’s oeuvre.

stream / purchase ‘A Fine Mess’
stream / purchase ‘Marauder’

Interpol on tour :

Saturday, May 18 Festival Pulso, Queretaro MX
Saturday, May 25 All Points East Festival, London UL
Thursday, May 30 Primavera Sound, Barcelona ES
Saturday, June 1 Heartland Festival Kvaerndrup DK
Sunday, June 2 Best Kept Secret, Hilvarenbeek NE
Tuesday, June 4 Palladium, Cologne DE
Wednesday, June 5 Schlachthof, Wiesbaden DE
Friday, June 7 Nos Primavera Sound Festival, Porto PT
Monday, June 10 Adrenaline Stadium, Moscow RS
Wednesday, June 12 Green Theatre, Kyiv UA
Friday, June 21 Southside Festival, Neuhausen CH
Sunday, June 23 Hurricane Festival, Scheessel DE
Tuesday, June 25 02 Academy Leeds, Leeds UK +
Wednesday, June 26 Brighton Dome, Brighton UK +
June 26-30, Glastonbury Festival, Glastonbury UK
Sunday, June 30 Garorock, Marmande Nouvelle-Aquitaine FR
Tuesday, July 2 L’Olympia, Paris FR
Thursday, July 4 Les Eurockeennes De Belfort, Belfort FR
Saturday, July 6 Rock Zottegem Festival, Zottegem BE
Sunday, July 7 Beauregard Festival, Caen FR
Friday, August 2 Osheaga Festival, Montreal QC
Saturday, August 3 Area 506 Festival, St. John AB
Sunday, August 4 State Theatre, Portland ME $
Tuesday, August 6 Town Ballroom, Buffalo NY $
Friday, August 9 Rock & Roll Hall of Fame, Cleveland OH $
Saturday, August 10 Stage AE, Pittsburgh PA $
Wednesday, September 4 Sprint Pavilion, Charlottesville VA
Thursday, September 5 Merriweather Post Pavilion, Columbia MD *
Saturday, September 7 Forest Hills Stadium, Queens NY *
Monday, September 9 BB&T Pavilion, Philadelphia PA *
Wednesday, September 11 Fraze Pavilion, Kettering OH *
Friday, September 13 Meadow Brook Amphitheatre, Detroit MI *
Saturday, September 14 Ravinia Amphitheater, Chicago IL *
Sunday, September 15 Holland Center, Omaha NE
Tuesday, September 17 The Criterion, Oklahoma City OK
Wednesday, September 18 Verizon Theatre, Dallas TX *
Friday, September 20 Frank Erwin Center, Austin TX *
Saturday, September 21 White Oak Outdoor Lawn, Houston TX *
Tuesday, September 24 Sunshine Theater, Albuquerque NM
Saturday, September 28 SaltAir, Salt Lake City UT *
Monday, September 30 Theatre of the Clouds, Portland OR *
Thursday, October 3 Bill Graham Auditorium, San Francisco CA *
Friday, October 4 The Chelsea at The Cosmopolitan, Las Vegas NV
Saturday, October 5 Five Point Amphitheatre, Irvine CA *
Sunday, October 6 Pechanga Arena, San Diego CA *

+ w/ Pixx
$ w/ Surfbort
* w/ Morrissey

Interpol online :
Official Site
Facebook
Twitter
Instagram
YouTube Channel

Iceage – Limited Japanese Edition Of ‘Beyondless’


A very limited Japanese edition of Iceage’s ‘Beyondless’ has been pressed on smokey grey vinyl complete with OBI strip, to commemorate the band’s upcoming Tokyo tour date (June 11). It’s available now in very limited quantity.

Iceage on tour

Thursday ,April 18 – Club Congress, Tucson, AZ *
Sunday April 21 – Coachella Festival, Indio CA
Tuesday, April 23 – The New Parish, Oakland, CA *
Thursday, April 25 – Doug Fir Lounge, Portland, OR
Friday, April 26 – The Vera Project, Seattle, WA
Saturday, April 27 – Distrikt, Victoria, BC
Sunday, April 28 – The Astoria, Vancouver, BC
Tuesday, April 30 – Dicken’s Pub, Calgary, AB +
Wednesday, May 1 – Amigo’s Cantina, Saskatoon, SK +
Thursday, May 2 – Temple, Edmonton, AB +
Saturday, May 4 – The Good Will Social Club, Winnipeg, MB +
Sunday, May 5 – The Aquarium, Fargo, ND +
Monday, May 6 – Turf Club, St. Paul, MN +
Tuesday, May 7 – Lincoln Hall, Chicago, IL +
June 7-8, DMZ Peace Trail Festival, Seoul KR
Tuesday, June 11 WWW, Shibuya JP
Sunday, June 23 Loose Ends 2019 at NDSM, Amsterdam NE
Friday July 5 Electric Fields, Dumfries & Galloway UK

* – with Shame

+ with Nadah El Shazly

stream/purchase ‘Beyondless’

Iceage online :
website
Facebook
Instagram

Coming May 17 : Interpol – A FIne Mess EP

(photo by Kalpesh Lathigra)

Interpol today announce a new EP, ‘A Fine Mess’, which will be released May 17th. The new track “The Weekend,” is available to stream and purchase today.

Recorded during time spent in upstate New York with Dave Fridmann, the five songs that make up ‘A Fine Mess’ gradually emerged as a body of work with a narrative and flow unto itself. The previously released title track, “Fine Mess,” then received further production from Kaines & Tom A.D. and mixing from Claudius Mittendorfer, who had first worked with Interpol as engineer on ‘Our Love To Admire’. The resulting set is a living, breathing postcard from the band to their fans as they tour the world throughout 2019, and a linear continuation of the visceral and contagious energy setloose with ‘Marauder’.

Echoing its title, the artwork for A Fine Mess is illustrated by a series of lost images, recovered from an abandoned police station in Detroit, MI. In a crumbling evidence room – amongst the rubble – an undeveloped roll of film, dated “1-20-96,” featured latent images of a breaking-and-entering scene, the rooms in chaos. From the beguiling refrain of the title track, to the soulful topsy-turvy of “No Big Deal,” cathartic chorus of long sought-after live favorite “Real Life,” anthemic swell of “The Weekend,” and angular shades of ‘Thrones,” A Fine Mess is a bracing and distinct addition to Interpol’s oeuvre.

While supplies last, all pre-orders of the A Fine Mess EP will receive a bonus “All At Once” 7”, available only on vinyl, not on streaming services. This value add is available exclusively on Matador’s webstores worldwide. Orders have the option to bundle the “A Fine Mess” t-shirt, and to purchase the t-shirt separately. This bundle is available only on the US Matador webstore and on Interpol’s online store.

preorder / stream ‘A Fine Mess’
stream / download “The Weekend”
stream / purchase ‘Marauder’

Thursday, March 28 Teatro Vorterix, Buenos Aires AR
March 28-April 2 Asuncionico, Asuncion PY
March 29-March 31 Lollapalooza Argentina, Buenos Aires AR
March 29-March 31 Lollapalooza Chile, Santiago CL
April 5-April 7 Lollapalooza Brasil, Sao Paolo BR
April 5-April 7 Festival Estereo, Bogota CO
Tuesday, April 9 Domos Art, Lima PE
Wednesday, May 1 Red Rocks Amphitheater, Morrison CO #
Thursday, May 2 Arvest Bank Theatre at The Midland, Kansas City MO %
May 3-May 5 Shaky Knees Festival, Atlanta GA @
Saturday, May 25th All Points East Festival, London UL
May 30-June 1 Heartland Festival Kvaerndrup DK
Sunday, June 2 Best Kept Secret, Hilvarenbeek NE
Tuesday, June 4 Palladium, Cologne DE
Wednesday, June 5 Schlachthof, Wiesbaden DE
Friday, June 7 Nos Primavera Sound Festival, Porto PT
Monday, June 10 Adrenaline Stadium, Moscow RS
Wednesday, June 12 Green Theatre, Kyiv UA
June 21-June 23 Southside Festival, Neuhausen CH
June 21-June 23 Hurricane Festival, Scheessel DE
Tuesday, June 25 02 Academy Leeds, Leeds UK +
Wednesday, June 26 Brighton Dome, Brighton UK +
June 27-30, Glastonbury Festival, Glastonbury UK
Sunday, June 30 Garorock, Marmande Nouvelle-Aquitaine FR
Tuesday, July 2 L’Olympia, Paris FR
Thursday, July 4 Les Eurockeennes De Belfort, Belfort FR
Sunday, July 7 Beauregard Festival, Caen FR
Friday, August 2 Osheaga Festival, Montreal QC

# w/ Car Seat Headrest, Japanese Breakfast, Sunflower Bean
% w/ Foals
@ w/ Lucy Dacus, Liz Phair
+ w/ Pixx

Interpol online :
Official Site
Facebook
Twitter
Instagram
YouTube Channel

Matador Revisionist History: Pavement’s ‘Crooked Rain, Crooked Rain’

(Illustration: Jeff Mahannah)

Crooked Rain, Crooked Rain is Pavement’s record-of-many transitions. From Louder Than You to Random Falls. From Gary Young to Steve West. From indier-than-thou (Matador) to FAKE INDIE (Matador/Atlantic). But most importantly, it’s the album where Pavement would flex the sort of musical and lyrical range that would later make some of you deeply resent everything else the band members ever did solidify their status as a once-in-a-generation phenomena. Except we’re still here talking about it.

Today marks the 25th anniversary of Crooked Rain, Crooked Rain’s 1994 release, and I believe it was George Santayana who said “those who cannot remember the past are condemned to repeat it.” Good thing we’ve got a goddamn photographic memory, because there’s some stuff we went thru trying to get radio stations to play “Cut Your Hair” that NO ONE SHOULD EVER BE FORCED TO RELIVE. So let’s focus on the good times and not get bogged down in gloomy stuff like the journalist last week who asked me (seriously) if Billy Corgan or Scott Weiland still bore a grudge over “Range Life”. I’m sure you think my job is super fucking easy but there’s no simple way of answering a question like that without getting the person on the other end of the phone very very angry, so if you’re ever in that situation, I suggest you handle it exactly the way I did (pretend you’re been stung by a wasp).

Stream Crooked Rain, Crooked Rain / Purchase from the US Matador Webstore HERE.

All orders received today through Thursday, February 21st from the U.S. Matador Webstore that include Crooked Rain, Crooked Rain will receive a free MATADOR REVISIONIST HISTORY slip mat and a reproduction of Pavement’s 1994 press photo (credit: Gail Butensky). Random orders will receive a press photo signed by Stephen Malkmus. UPDATE: press photos are now OUT OF STOCK, orders will still receive the slip mat.

Lucy Dacus – ‘2019’ EP ; “La Vie En Rose” Premiere

2018 was a milestone year for Richmond, VA’s Lucy Dacus.  Her widely celebrated sophomore record, ‘Historian’, was met by a chorus of critical acclaim, with NPR, Rolling Stone, Pitchfork, NBC News, Slate, The Atlantic, Billboard, Paste, Stereogum, and others calling one of the best albums of the year.  Her collaborative EP as 1/3 of boygenius (with Julien Baker and Phoebe Bridgers) landed on many of those same lists, plus Newsweek, The New Yorker, Esquire, and the New York Times.  She played revelatory sold-out shows at clubs and festivals alike, and made network TV appearances  on “CBS This Morning”, “Late Night with Seth Meyers”, and “Last Call With Carson Daly”.

A cursory glance at her worldwide touring schedule in 2019 (below) shows little sign that Dacus is slowing down, and in fact, she will release a EP titled ‘2019’ to celebrate.  Recorded in here-and-there studio spurts over the last two years, ‘2019 ‘will be released later this year, and will be made up of originals and cover songs tied to specific holidays, each of which will drop around their respective date: Valentine’s Day, Mother’s Day (and Taurus season!), Independence Day, Springsteen’s Birthday (not an official holiday, though we’re told Chris Christie often took that day off), Halloween, Christmas, and New Year’s.

Dacus uses her gift as a songwriter to help understand and cope with the world around her, including making sense of national holidays, often more geared towards social media boasts and manufactured consumerism than authentic celebration.  “What is going on,” she asks herself on these days, retreating from the heightened expectations of holidays to figure out what to make of them and to find her own meaning.  “I’ve collected some songs from trying to answer that question,” she says, and “this EP seems like the right place to put them next to each other.  These songs are self-contained, not indicative of a new direction, just a willingness to do something different and sometimes even out of character.”

stream/download “La Vie En Rose” (Edith Piaf)
stream/purchase ‘Historian’ (25% off sale via the Matador Store thru Valentine’s Day)


Lucy Dacus on tour :

Friday, February 1st Motorco Music Hall, Durham NC * (SOLD OUT)
Saturday, February 2nd Charleston Pour House, Charleston SC *
Monday, February 4th Saturn, Birmingham AL *
Tuesday, February 5th Proud Larry’s, Oxford MS *
Thursday, February 7th Ruins, Dallas TX * (SOLD OUT)
Friday, February 8th White Oak Music Hall, Houston TX *
Saturday, February 9th Barracuda, Austin TX * (SOLD OUT)
Monday, February 11th Opolis, Norman OK *
Tuesday, February 12th The Bottleneck, Lawrence KS *
Wednesday, February 13th Rose Music Hall, Columbia MO *
Thursday, February 14th Cosmic Charlie’s, Lexington KY *
Friday, February 15th Thalia Hall, Chicago IL ^
Thursday, March 7th Savannah Stopover, Savannah GA
Friday, March 8th Barley’s Tap Room, Knoxville TN &
Saturday, March 9th The Basement East, Nashville TN &
Monday, March 11th The Basement, Columbus OH &
Tuesday, March 12th Ninth Ward, Buffalo NY & (SOLD OUT)
Thursday, March 14th The Haunt, Ithaca NY &
Friday, March 15th Colony, Woodstock NY &
Saturday, March 16th Pearl Street Club, Northampton MA &
Sunday, March 17th SPACE Gallery, Portland ME &
Tuesday, March 19th Columbus Theatre, Providence RI &
Wednesday, March 20th White Eagle Hall, Jersey City NJ &
Thursday, March 21st Union Transfer, Philadelphia PA &
Friday, March 22nd The Black Cat, Washington DC & (SOLD OUT)
Wednesday, March 27th Oxford Art Factory, Sydney AU
Thursday, March 28th Black Bear Lodge Brisbane AU
Friday, March 29th Northcote Social Club, Melbourne AU
Saturday, March 30th By The Meadow, Bambra AU
May 3-5 Shaky Knees Festival, Atlanta GA
Friday, May 31 Primavera Festival, Barcelona ES

* w/ Illuminati Hotties
^ w/ Sharon Van Etten
& w/ Mal Blum, Fenne Lily

Lucy Dacus online:

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