New Algiers Track/Video, “Void”, Now Streaming, In-Store Tour In January

(director : Ian Cone)


(photo : Christian Högstedt)

Today, Algiers release “Void”, the second track, from the forthcoming album ‘There Is No Year’ , following Tuesday’s premiere via the Adult Swim Singles Club.  The song is also available as a flexi-disc as part of the vinyl edition of ‘There Is No Year’, out January 17

stream / download “Void”
preorder ‘There Is No Year’

To mark the release of ‘There Is No Year’, Algiers will perform in several U.S. record stores  including Atlanta’s Criminal Records, Philadelphia’s Repo and Brooklyn’s Rough Trade in mid January. See below and visit algierstheband.com/instoretour for further details. In February, the band will kick off a European tour, returning stateside in March.

Algiers on tour (new dates in bold):

Friday, January 17 Criminal Records, Atlanta GA
Saturday, January 18 Schoolkids Records, Raliegh NC
Monday, January 20 The Sound Garden, Baltimore MD
Tuesday, January 21 Repo Records, Philadelphia PA
Wednesday, January 22 Rough Trade NYC, Brooklyn NY
Monday, February 3 The Haunt, Brighton UK

Wednesday, February 5 Village Underground, London UK
Thursday, February 6 YES, Manchester UK
Friday, February 7 Stereo, Glasgow UK
Saturday, February 8 Whelans, Dublin IE
Monday, February 10 Brudenell, Leeds UK
Wednesday, February 12 Botanique Rotonde, Brussels BE
Thursday, February 13 Paradiso Upstairs, Amsterdam NE
Friday, February 14 Club Volta, Cologne DE
Saturday, February 15 Manufaktur, Schorndorf DE
Monday, February 17 Zoom, Frankfurt DE
Tuesday, February 18 Beatpol, Dresden DE
Thursday, February 20 Hybrydy, Warsaw PO
Friday, February 21 Lucerna Music Bar, Prague CZ
Saturday, February 22 Flex, Vienna AU
Monday, February 24 Strom, Munich DE
Wednesday, February 26 Monk, Rome IT
Thursday, February 27 Ohibo, Milan IT
Saturday, February 29 La 3 Razzmatazz, Barcelona ES
Sunday, March 1 Cafe Berlin, Madrid ES
Tuesday, March 3 Rock School Barbey, Bordeaux FR
Wednesday, March 4 Stereolux, Nantes FR
Thursday, March 5 La Maroquinerie, Paris FR
Wednesday, March 11 Johnny Brenda’s, Philadelphia PA
Thursday, March 12 Black Cat, Washington DC
Friday, March 13 Mothlight, Asheville NC
Saturday, March 14 529, Atlanta GA
Friday, March 20 Club Congress, Tucson AZ
Saturday, March 21 Casbah, San Diego CA
Tuesday, March 24 The Echo, Los Angeles CA
Wednesday, March 25 Slim’s, San Francisco CA
Saturday, March 28 Polaris Hall, Portland OR
Sunday, March 29 The Crocodile, Seattle WA
Wednesday, April 1 Turf Club, St. Paul MN
Thursday, April 2 Cactus Club, Milwaukee WI
Friday, April 3 Empty Bottle, Chicago IL
Saturday, April 4 Rumba Club, Columbus OH
Sunday, April 5 Deluxx Fluxx, Detroit MI
Monday, April 6 The Baby G, Toronto ON
Tuesday, April 7 Bar Le Ritz, Montreal QC
Thursday, April 9 Saint Vitus, Brooklyn NY
Tuesday, April 21 Knust, Hamburg DE
Friday, April 24 Nalen Klubb, Stockholm SE
Saturday, April 25 Mejeriet, Lund SE
Monday, April 27 Lido, Berlin DE
Wednesday, April 29 Morze, St. Petersberg RU
Thursday, April 30 Aglomerat, Moscow RU
Sunday, May 3rd ISC, Bern CH
Monday, May 4th Bogen F, Zurich CH

Algiers Online :

There Is No Year
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Twitter
Instagram
Website

Spoon – “Is This The Last Time” (Demo)


(photo : Marika Ripke)

continuing Spoon’s vault-plundering series of rarity-unleashing, here’s a demo version of 2002’s b-side “Is This The Last Time”, now available for streaming or download.

stream/order ‘Everything Hits At Once : The Best Of Spoon’

Spoon on tour :
Wednesday, December 4th McMenamins Christal Ballroom, Portland OR
Thursday, December 5th Knitting Factory Boise, Boise ID
Saturday, December 7 Intersect, Las Vegas NV

Spoon online :

Facebook
Twitter
Instagram
Official Site

Win The Next Decade’s Worth Of Matador Vinyl – IS THAT ENOUGH BANALITY FOR YOU?

Submit a playlist of your favorite Matador songs from 2010-2019 for a chance to win a copy of every vinyl album from the next decade: features.matadorrecords.com/decade (Contest is U.S. only). Today is the last day to save 25% on (almost) everything at the Matador Webstore, worldwide.  (Illustration by William Stout). #banalitymeetsfinality

Matador’s End Of Decade Sale : 2010-2019 – Banality Meets Finality

(art : William Stout)

anyone can do a Black Friday or Cyber Monday sale. Only the truly insane (h/t Crazy Eddie) will pull something like this on a random Tuesday, however. Now thru December 2, we’re offering 25% off everything at the Matador Store (save for Lucy Dacus’ ‘2019′, and new titles from Desert Sessions and Algiers) w/ code “25offeverything” (HIGH FIVE, CREATIVE COPY TEAM) . LP’s, CD’s, MP3’s, hey, maybe even a few ill-advised cassettes from the greatest catalog in modern musical history from all of your favorites – Yo La Tengo, Snail Mail, Interpol, Belle and Sebastian, Steve Gunn, Spoon, Julien Baker, Car Seat Headrest, Perfume Genius, Stephen Malkmus (with and without The Jicks), Queens of the Stone Age, Kim Gordon, Lucy Dacus, Algiers, the New Pornographers, Cat Power, Ceremony, Liz Phair, Unsane, Guided By Voices, Darkside, Pavement, the New Pornographers, Sonic Youth, Fucked Up…I could go on but YOU GET THE IDEA.

Let the gifting / hoarding commence!

Spoon – “Inside Out” (demo)


This morning we’re pleased to make available the demo version of Spoon’s much-beloved “Inside Out”, the studio version of which appeared on 2014’s ‘They Want My Soul’.   Speaking with Entertainment Weekly, Britt Daniel recalled, “I wrote that on piano. It was just the chords and a melody, and I remember singing it for my girlfriend and at the time and she was not impressed. I was like ‘Are you kidding me? I know this is fucking great! And then it kind of just existed as this piano vocal song for a long time. I knew something was good about it but we were making  ‘I Want Your Soul’ and I didn’t want to have just a vocal and piano song on there, it felt we had done that too much already. So we put a beat to it that was sort of stolen from this Dr. Dre song. Then we used that kick-snare pattern and Alex [Fischel, keyboards and guitar] came up with the idea of a harp sound on a keyboard. Then it sounded like something we’d never done before.”

There’s a lesson of some sort in here but our office is already awash in “I-told-you-so”-isms already (if that’s a thing) but the important part to focus on is that during a period in which we’re shining a spotlight on Spoon’s past works, more cool artifacts from the band’s vault will be unleashed in the days ahead (November 19, December 3 and December 10, to be exact). Play along by utilizing hashtag #spoontbt if you’re inclined.

(photo : Oliver Halfin)

stream/downnload “Inside Out” (demo)
stream/order ‘Everything Hits At Once : The Best Of Spoon’

Spoon on tour :
Wednesday, December 4th McMenamins Christal Ballroom, Portland OR
Thursday, December 5th Knitting Factory Boise, Boise ID
Saturday, December 7 Intersect, Las Vegas NV

Spoon online :

Facebook
Twitter
Instagram
Official Site

Lucy Dacus – ‘2019’ EP Out Today

Lucy Dacus’ hotly anticipated (well, slowly released over the course of this year, anyway) ‘2019’ EP is available in full today via your favorite streaming service or on 12″ vinyl at your local record shop or thru the Matador Store.

Tracklist :
1. Fool’s Gold
2. La VIe En Rose
3. My Mother & I
4. Forever Half Mast
5. Dancing In The Dark
6. In The Air Tonight
7. Last Christmas

stream/purchase ‘2019’
stream / order ‘Historian’ on clear vinyl

Lucy Dacus on tour :

Sunday, November 17 Corona Capital Festival, Mexico City MX
Wednesday, December 4 Royale, Boston, MA%
Thursday, December 5 Webster Hall New York, NY%
Saturday, December 7 9:30 Club, Washington, DC%
Sunday, December 29 Johnny Brenda’s, Philadelphia PA *
Monday, December 30 Johnny Brenda’s, Philadelphia PA +
Tuesday, December 31 Johnny Brenda’s, Philadelphia PA &
January 17-19 , Songwriters Festival, South Walton FL
Friday, March 6 Ryman Auditorium, Nashville TN ^

% w/ Haley Heynderickx
* w/ McKinley Dixon
+ w/ Angelica Garcia
& w/ Addy & Mal Blum
^ w/ Ruston Kelly

Lucy Dacus Online
Website
Twitter
Instagram
Facebook

Lucy Dacus – “Fools Gold”

(photo : Elizabeth Weinberg)

Marking the final instalment from her 2019 EP, out November 8th on Matador Records, Lucy Dacus has shared New Years-inspired original song “Fool’s Gold”

An arresting showcase of Dacus’ emotionally incisive songwriting, “Fool’s Gold” sees rhythmic acoustic guitar and Lucy’s crystalline vocals sketch with poignant brushstrokes the latent ambiguity and soul-searching that often accompanies this period of the year, moving deftly to a chorus of goosebumps-inducing emotional gravitas.

“I started writing ‘Fool’s Gold’ the moment after the last person left a New Year’s Eve party I hosted in 2018,” says Dacus, “I did what I said – drank the last of the champagne alone, felt anxious, and locked the door behind everyone. New Year’s has grown to be my favorite holiday, and this may be my favorite song on the EP.”

Dacus performed the song live in session for Seattle’s KEXP, who exclusively premiered the track. Watch the performance below :

stream/download “Fools Gold”
stream/purchase ‘2019’
stream / order ‘Historian’ on clear vinyl

Lucy Dacus on tour :

Sunday, November 17 Corona Capital Festival, Mexico City MX
Wednesday, December 4 Royale, Boston, MA%
Thursday, December 5 Webster Hall New York, NY%
Saturday, December 7 9:30 Club, Washington, DC%
Sunday, December 29 Johnny Brenda’s, Philadelphia PA *
Monday, December 30 Johnny Brenda’s, Philadelphia PA +
Tuesday, December 31 Johnny Brenda’s, Philadelphia PA &
January 17-19 , Songwriters Festival, South Walton FL
Friday, March 6 Ryman Auditorium, Nashville TN ^

% w/ Haley Heynderickx
* w/ McKinley Dixon
+ w/ Angelica Garcia
& w/ Addy & Mal Blum
^ w/ Ruston Kelly

Lucy Dacus Online
Website
Twitter
Instagram
Facebook

Out Today : Desert Sessions – ‘Vols. 11 & 12’, “Crucifire” Video

(directed by Anthony Francisco Schepperd)

Ending a 16-year hiatus since its last installment, the most mythical, longest running rock n roll mixtape odyssey in existence, Desert Sessions has finally returned: The most ambitious entries yet in its expansive and elusive catalog: ‘Vols. 11 & 12′ (a/k/a respectively as ​’Arrivederci Despair​’ and ‘Tightwads & Nitwits & Critics & Heels​’) are now available on LP, CD and via all streaming services.

Highlights of the eight-song two-session collection include the creeping slowburn boogie of “Move Together” with its sublime Billy Gibbons (ZZ Top) vocal, the propulsive rocker “Crucifire” fueled by an incendiary vocal performance from Mike Kerr (Royal Blood), the self-explanatory “Chic Tweetz” featuring the enigmatic Töôrnst Hülpft, and the lush melodies of grand finale “Easier Said Than Done” featuring a showstopping vocal from ringleader Joshua Homme (Queens of the Stone Age).

Desert Sessions ‘Vols. 11 & 12’also arrive in a limited edition first vinyl pressing including a one of a kind custom mix & match body swap booklet. Exclusive merchandise bundles are available now.

‘Vols. 11 & 12’ were recorded (mostly) in December 2018 at Rancho De La Luna studios in Joshua Tree, CA, with Queens of the Stone Age founder and Desert Sessions ringleader/producer Joshua Homme enlisting a cast of players including:

Billy Gibbons (ZZ Top)
Stella Mozgawa (Warpaint)
Jake Shears (Scissor Sisters)
Mike Kerr (Royal Blood)
Carla Azar (Autolux, Jack White)
Les Claypool (Primus)
Matt Sweeney (Chavez, Superwolf, Endless Boogie)
Matt Berry (What We Do in the Shadows, Toast of London)
Libby Grace
Töôrnst Hülpft

The resulting eight songs embody the legacy of freedom from expectations and inhibitions that stretches back to 1997, when Homme led a first retreat to the Joshua Tree desert. What began as a casual writing and recording session amongst friends—isolated from daily distractions and comforts—has since become a possibly infinite body of work. Now spanning 12 volumes over the course of two decades (and a total of two documented live performances), The Desert Sessions has featured some of music’s most cherished icons—past players have included Polly Harvey, Mark Lanegan, Josh Freese, Dean Ween, among many others—deliberately removing themselves from their comfort zones and working together to create some of their most relaxed yet challenging work.

The tracklist for Desert Sessions ‘Vols. 11 & 12′ (a/k/a ​’Arrivederci Despair’​ and ​’Tightwads & Nitwits & Critics & Heels’)​ is:
Move Together (lead vocal: Billy F. Gibbons)
Noses in Roses Forever (lead vocal: Joshua Homme)
Far East for the Trees
If You Run (lead vocal: Libby Grace)
Crucifire (lead vocal: Mike Kerr)
Chic Tweetz (vocals: Töôrnst Hülpft, Matt Berry)
Something You Can’t See (lead vocal: Jake Shears)
Easier Said Than Done (lead vocal: Joshua Homme)


(photo : Andreas Neumann

STREAM/ORDER : Desert Sessions – Vols. 11 and 12

Desert Sessions Online :
desertsessions
Facebook
Twitter
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New From Perfume Genius – “Pop Song”

(photo : Andrew J.S.)

Earlier this month, Perfume Genius (Mike Hadreas), choreographer Kate Wallich and Dance Company The YC debuted their project, The Sun Still Burns Here in Seattle. Today, Perfume Genius shares “Pop Song,” another work from the immersive dance piece and a follow up to the previously released “Eye In The Wall.” “It’s the sound of dancefloor euphoria,” said Pitchfork. “The color of lights flashing as you move through a crowd, the touch of skin damp and warm against everyone else’s.” Both songs, included in the full performance, can be seen live when the production arrives at the Joyce Theatre in NYC on November 13th. Additional performances will take place in Minneapolis in December and Boston in January. Full details below.

“Pop Song” is a riveting exploration of one’s physical form as an emotional conduit. “I imagined an ecstatic pile of bodies preparing to be consumed by the gods,” Hadreas says of the track. “A joyous communal sacrifice of the physical to spiritually level up. The lyric is like a conjuration spell to be sung when the mountain of bodies settles in position and is held still as an offering.” The track premiered yesterday on Sirius/ XMU and is available today at all streaming services.

stream / download “Pop Song”
stream/download “Eye In The Wall”

Perfume Genius with Kate Wallich + The YC Performing The Sun Still Burns Here :
November 13-17 The Joyce Theater, New York NY
December 5-7, Liquid Music X Walker Art Center, McGuire Theater, Minneapolis MN
January 17-18, ICA Boston, Boston MA

Perfume Genius Online
Website
Facebook
Twitter
Instagram

Steve Gunn – ‘Acoustic Unseen’

(photo : Bobby Fisher)

Steve Gunn today releases ‘Acoustic Unseen’, a new EP of acoustic versions of songs from his critically acclaimed, ‘The Unseen In Between’. Following a year of worldwide touring and road testing the songs with a full band and in solo performances, the 7-song collection presents a spellbinding perspective on this stately set – disclosing the songs’ rich individual elements in Gunn’s dexterous and lyrical guitar style.

“After being on the road with the band since January,” says Gunn, “I wanted to spend an afternoon capturing the songs from ‘The Unseen In Between’ as I originally wrote them, with just me and my acoustic. Mid-year, I went back to the great Strange Weather Studio in Brooklyn, and played through the songs in their most basic form. It felt good.”

Accompanying the EP release is short compilation film “Unseen Anthology”. Directed by The Mitcham Submarine and edited by James Harman, the 12-minute film weaves together footage from touring, live sessions, official and unofficial music videos – including a breathtaking session for Toutpartout in a transformed convent in Ghent, on the road footage captured on a Fisher Price camera by Steve and his band, and acoustic videos filmed across London, including a Cecil Court bookshop. Taken together, it’s an engrossing, one-stop-shop live document of an artist in need of little more than a guitar and his voice to conjure a transfixing atmosphere, and an arresting visual companion to the EP.

stream/download ‘Acoustic Unseen’

Acoustic Unseen – Tracklist
1. New Moon
2. Vagabond
3. Chance
4. Luciano
5. New Familiar
6. Lightning Field
7. Paranoid

STREAM/BUY The Unseen In Between

Steve Gunn on tour :

Friday, October 18 Lambert’s, Austin TX %
Sunday, October 20 Duet Jazz ,The Bob Dylan Center Presents: An Evening with Steve Gunn, Tulsa OK
Wednesday, October 23 Showbox Theater, Seattle WA @%
Thursday, October 24 Commodore Ballroom, Vancouver BC @%
Friday, October 25 Wild Buffalo, Bellingham WA @%
Saturday, October 26 Wonder Ballroom, Portland OR @%
Monday, October 28 Slim’s, San Francisco CA @%
Tuesday, October 29 Slim’s, San Francisco CA @%
Wednesday, October 30 Slim’s, San Francisco CA @%
Sunday, November 3 Shibuya 7th Floor Tokyo JP %
Wednesday, November 6 Tuning Fork, Auckland NZ %
Thursday, November 7 Blue Smoke, Christchurch NZ %
Friday, November 8 Dog With Two Tails, Dunedin NZ %
Saturday, November 9 The Plant, Blenheim NZ %
Sunday, November 10 Moon, Wellington NZ %
Wednesday, November 13 Sitting Room Session, Hawkes Bay NZ %
November 16 + 17 Mullum Music Festival %
Monday, November 18 Junk Bar, Brisbane AU %
Wednesday, November 20 Altar, Hobart AU %
Thursday, November 21 Theatre Royal, Castlemaine AU + %
Friday, November 22 Melbourne Music Week, State Library, Melbourne AU + %
Saturday, November 23 Coalchella, Wombarra Bowlo, Wombarra AU %
Sunday, November 24 Red Rattler, Sydney AU + %

% indicates solo performance
@ w/ Dinosaur Jr.
+ w/ Tiny Ruins

Steve Gunn online :
Facebook
Twitter
Instagram
Steve Gunn.com

Out Today : Kim Gordon – ‘No Home Record’

Today Kim Gordon releases her highly anticipated, ‘No Home Record’, an album already being heralded as “provocative, challenging and effortlessly cool” and “a superb genre-spanning solo debut.”  Those who purchase the CD or LP at Amoeba Hollywood (6400 Sunset Blvd, Los Angeles, CA 90028) today can celebrate with Gordon in-person  at an in-store signing event starting at 7pm.

Earlier today, Gordon released a clip for “Hungry Baby”, which is the latest in a short video series the legendary musician and Berlin-based artist and filmmaker Loretta Fahrenholz created to accompany the album

 stream/order ‘No Home Record’ (t-shirt / tote bag bundles available from The Matador Store)


Kim Gordon Online :
Official Website
Twitter
Instagram
Facebook

Kim Gordon – “Hungry Baby”

(photo : Natalia Mantini)

“Hungry Baby” is the latest single from Kim Gordon’s forthcoming solo album, ‘No Home Record’, out this Friday (October 11). Early praise for ‘No Home Record’ has been fairly over the top (“everything a Kim Gordon record should be: provocative, challenging and effortlessly cool” –DIY,
“a bold mix of industrial noise, art-punk poetics and wry wit” – The Guardian, “sharp, savvy and engagingly subversive” – Uncut), and there will be more to talk about later this week.

stream / download “Hungry Baby”

 preorder ‘No Home Record’

Kim Gordon Online :
Official Website
Twitter
Instagram
Facebook

Coming October 25 : Desert Sessions – Vols. 11 and 12

(directed by Liam Lynch)


(photo by Andreas Neumann)

Ending a 16-year hiatus since its last installment, the most mythical, longest running rock n roll mixtape odyssey in existence, Desert Sessions will return this October with the most ambitious entries yet in its expansive and elusive catalog: Vols. 11 & 12 (a/k/a respectively as ‘Arrivederci Despair’ and ‘Tightwads & Nitwits & Critics & Heels’) will be released October 25th. A limited edition first vinyl pressing will include a one of a kind custom mix & match body swap booklet. Exclusive merchandise bundles are available for pre-order now

Vols. 11 & 12 were recorded mostly in a six-day span in December 2018 at Rancho De La Luna studios in Joshua Tree, CA, with Queens of the Stone Age founder and Desert Sessions ringleader/producer Joshua Homme enlisting a cast of players including:

Billy Gibbons (ZZ Top)
Stella Mozgawa (Warpaint)
Jake Shears (Scissor Sisters)
Mike Kerr (Royal Blood)
Carla Azar (Autolux, Jack White)
Les Claypool (Primus)
Matt Sweeney (Chavez, Superwolf, Endless Boogie)
Matt Berry (What We Do in the Shadows, Toast of London)
Libby Grace
Töôrnst Hülpft

The results are eight new songs that embody the legacy of freedom from expectations and inhibitions that stretches back to 1997, when Homme led a first retreat to the Joshua Tree desert. What began as a casual writing and recording session amongst friends—isolated from daily distractions and comforts—has since become a possibly infinite body of work. Now spanning 12 volumes over the course of two decades (and a total of two documented live performances), The Desert Sessions has featured some of music’s most cherished icons—past players have included Polly Harvey, Mark Lanegan, Josh Freese, Dean Ween, among many others—deliberately removing themselves from their comfort zones and working together to create some of their most relaxed yet challenging work.

The tracklist for Desert Sessions ‘Vols. 11 & 12’ (a/k/a ‘Arrivederci Despair’ and ‘Tightwads & Nitwits & Critics & Heels’) is:

Move Together (lead vocal: Billy F. Gibbons)
Noses in Roses Forever (lead vocal: Joshua Homme)
Far East for the Trees
If You Run (lead vocal: Libby Grace)
Crucifire (lead vocal: Mike Kerr)
Chic Tweetz (vocals: Töôrnst Hülpft, Matt Berry)
Something You Can’t See (lead vocal: Jake Shears)
Easier Said Than Done (lead vocal: Joshua Homme)

PREORDER Desert Sessions – Vols. 11 and 12

Desert Sessions Online :

desertsessions
Facebook
Twitter
Instagram

OUT TODAY : Snail Mail – ‘Habit’ reissue

Just a reminder that today marks the release date for the LP and CD versions of our reissue of Snail Mail’s 2016 EP ‘Habit’, also featuring a cover of Lois Maffeo’s “The 2nd Most Beautiful Girl In The World” as a bonus track.  Order/stream here.

Snail Mail on tour :

Thursday, September 5 Hopscotch Music Festival, Raleigh NC
Friday, September 13 NextNOW Fest, College Park MD
Friday, October 4 Middle of the Map Festival, Kansas City MO
Sunday, October 6 Red Rocks Amphitheater, Morrison CO
November 16-17 Corona Capital Music Festival, Mexico City MX

Snail Mail Online
Facebook
Twitter
Instagram
Website

Algiers – “Can the Sub_Bass Speak”, New UK / European Dates In 2020

(photo : Christian Högstedt)

stream/download “Can The Sub_Bass Speak”

ALGIERS have released a collaborative audiovisual piece, “Can the Sub_Bass Speak?”, a new work from the band and production duo Randall Dunn and Ben Greenberg. The new piece pits charged language and free jazz collage by ALGIERS multi-instrumentalist Franklin James Fisher, saxophonics pioneer Skerik and drummer D’Vonne Lewis against a maelstrom of visuals by award-winning filmmaker Sam Campbell and typographer Farbod Kokabi.

Inspired by a chance encounter with artists Moor Mother and Harrga at Wysing Polyphonic in 2018, “Can the Sub_Bass Speak?” contorts ALGIERS’ post-punk deconstruction of racial and class sonic politics into new collaborative directions. “Can the Sub_Bass Speak?” is the centerpiece of a larger web installation thereisnoyear
.
The film recalls the ‘visual abstraction’ and political radicalism of Lis Rhodes and John Akomfrah, situating Fisher’s lyrical examination of structural racism within the disorienting resurgence of fascism across Europe and the United States.

Fisher writes :

“Who has the cultural authority to designate origin and authenticity? 
’Can the Sub_Bass Speak?’ is a frustrated regurgitation; a
re-contextualization; a re-appropriation; a shield and a mirror that
projects back onto the world a lifetime of interpellating language
rooted in weaponized ignorance and supremacist privilege.

The improvised punctuation is provided by Skerik on the tenor
saxophone and D’Vonne Lewis on drums and percussion.
The underlying cacophony traces the evolution of African-American
music, experience and identity.

This is not for the mercenary architects: the Jacks and Queens of
simulated experience.
This is for anyone who has found themselves on the sharp end of
insidious, rhetorical prying: ‘Where are you from?’ ‘What are you?’ 
This is for anyone who has had their identity assigned and determined
by the agents of patriarchy.
This is for the Subaltern.”

 

In addition, ALGIERS have announced UK & European headline tour dates for 2020, Kicking off in Brighton on February 3rd, the band headline London’s Village Underground on February 5th, before continuing to further stops in the UK and Europe. Tickets for the 2020 shows go on sale Friday, August 30th, at 10am. A full list of current and upcoming dates can be found below.

BUY/STREAM THE UNDERSIDE OF POWER

Algiers On Tour, New 2020 Dates in Bold On Sale Friday at 9am GMT

Wednesday, August 28 Acquaviva, Montepulciano IT
Thursday, August 29 AMA Festival 2019, Bassano IT
Saturday, September 14 Soundsnoise Festival 2019, Dornbirn AT
Tuesday, September 17 Lido, Berlin DE
Friday, September 20 Reeperbahn Festival, Hamburg DE
Friday, September 27 Street Mode Festival 2019, Thessaloniki GR
Sunday, September 29 Route 66, Ioannina GR
Monday, February 3 The Haunt, Brighton UK
Wednesday, February 5 Village Underground, London UK
Thursday, February 6 YES, Manchester UK
Friday, February 7 Stereo, Glasgow UK
Saturday, February 8 Whelans, Dublin IE
Monday, February 10 Brudenell, Leeds UK
Wednesday, February 12 Botanique Rotonde, Brussels BE
Friday, February 14 Club Volta, Cologne DE
Saturday, February 15 Manufaktur, Schorndorf DE
Monday, February 17 Zoom, Frankfurt DE
Tuesday, February 18 Beatpol, Dresden DE
Thursday, February 20 Hybrydy, Warsaw PO
Friday, February 21 Lucerna Music Bar, Prague CZ
Saturday, February 22 Flex, Vienna AU
Monday, February 24 Strom, Munich DE
Wednesday, February 26 Monk, Rome IT
Thursday, February 27 Ohibo, Milan IT
Saturday, February 29 La 3 Razzmatazz, Barcelona ES
Sunday, March 1 Cafe Berlin, Madrid ES
Tuesday, March 3 Rock School Barbey, Bordeaux FR
Wednesday, March 4 Stereolux, Nantes FR
Thursday, March 5 La Maroquinerie, Paris FR

Algiers Online
There Is No Year
Facebook
Twitter
Instagram
Website

Coming October 11 : Kim Gordon – ‘No Home Record’

“Sketch Artist” (director – Loretta Fahrenholz)


(photo by Natalia Mantini)

Multi-disciplinary artist Kim Gordon‘s first solo album, No Home Record is being released worldwide October 11th on Matador Records.  No Home Record follows the recent opening of Gordon’s solo exhibition “She Bites Her Tender Mind” at IMMA (Irish Museum of Modern Art) in Dublin and “Lo-Fi Glamour” at Warhol Museum in Pittsburgh, PA. Among its nine tracks, No Home Record features the new single “Sketch Artist” accompanied by a video directed by Berlin-based experimental artist Loretta Fahrenholz and includes a cameo from actress and writer Abbi Jacobson. Fahrenholz notes, notes ‘Sketch Artist’ is a haunted car ride. Kim drives as ‘Unter’ Pool summons passengers throughout nighttime LA. The city drifts by, passengers intermingle in the back seat and Kim’s deadly stare shocks pedestrians along her route.”

No Home Record
was produced largely by Justin Raisen (Charli XCX, Ariel Pink, Sky Ferreira) at Sphere Ranch in Los Angeles, along with contributions from Shawn Everett (Jim James, The War on Drugs) and composer/filmmaker Jake Meginsky (L’appel Du Vide, ‘Milford Graves Full Mantis’). Gordon’s solo debut album’s title is a nod to the French-Belgian director Chantal Akerman’s film No Home Movie .

‘Why a solo record? And why now?,’” Gordon mused of the upcoming solo debut. “I don’t know, but it wouldn’t have happened without the persistence of Justin Raisen.  Living in LA the last few years it feels like home, but the transience of the place makes it feel sometimes like no home.”

Since co-founding Sonic Youth in 1981, Kim Gordon has remained at the nexus of music, fashion, art and (more recently) books and film.  In the past few years alone, Gordon has debuted in the #1 spot on the NY Times Bestseller List with her 2015 memoir Girl In A Band, acted alongside Joaquin Phoenix and Jonah Hill under the direction of Gus Van Sant (in 2018’s “Don’t Worry, He Won’t Get Far On Foot”), released music and performed as one half of Body/Head alongside Bill Nace, and opened multiple solo-exhibitions at internationally renowned museums.

stream/preorder ‘No Home Record’
stream “Sketch Artist”
stream “Murdered Out”

Tracklist

1. Sketch Artist
2. Air BnB
3. Paprika Pony
4. Murdered Out
5. Don’t Play it
6. Cookie Butter
7. Hungry Baby
8. Earthquake
9. Get Yr Life Back

‘No Home Record’ will be available on standard black vinyl, limited edition white vinyl, CD, or cassette. Get 15% off your order when you bundle the record with a tee (featuring stills from the “Sketch Artist” video directed by Loretta Fahrenholz) or album art tote.

|

Kim Gordon Online :
official Website
Twitter
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With a career spanning nearly four decades, Kim Gordon is one of the most prolific and visionary artists working today. A co-founder of the legendary Sonic Youth, Gordon has performed all over the world, collaborating with many of music’s most exciting figures including Tony Conrad, Ikue Mori, Julie Cafritz and Stephen Malkmus. Most recently, Gordon has been hitting the road with Body/Head, her spellbinding partnership with artist and musician Bill Nace. Despite the exhaustive nature of her résumé, the most reliable aspect of Gordon’s music may be its resistance to formula. Songs discover themselves as they unspool, each one performing a test of the medium’s possibilities and limits. Her command is astonishing, but Gordon’s artistic curiosity remains the guiding force behind her music.

Gordon continues this pursuit on No Home Record, her first-ever solo release, produced by Justin Raisen (Angel Olsen, Yves Tumor, John Cale, Charli XCX, etc.) and recorded at Sphere Ranch in Los Angeles. Borrowing its name from a Chantal Akerman film, No Home Record is, in many ways, a return as much as it is a departure. When Gordon first began playing music in the early 1980s, she used a guitar, a drum machine, and some lyrics sniped from magazine advertisement copy. No Home Recordcontains echoes of that setup, in both form and concept.  On Cookie Butter (produced by Shawn Everett), Gordon’s vocals jut out insistently over a tinny raindrop beat: “You fucked / You think / I want / You fell.” The song continues, hectic and driving, until finding resolution in the lines “Industrial metal supplies / Cookie butter,” perfectly illustrating Gordon’s singular lyric capacity to meld cultural critique, divulgence and humor.

This captivating ability is further exemplified by Don’t Play it Back (produced by Jake Meginsky) where Gordon’s wiry vocals slice the track’s circling electric floor: “You don’t own me / Golden Vanity / You can pee in the ocean / It’s Free.” This nod—with a wink—towards culture’s increasingly fraught (and increasingly commodified) relationship with identity and the self is one of No Home Record’s central themes. “Shopping off a cliff / You’re a breath on my eye / To lose a compass of teeth / Hash away at twitter,” Gordon recites, phosphorescent and dirge-like, on the album’s stunning closer Get Yr Life Back Yoga,” Everydayeveryday, everyday / I feel bad for you / I feel bad for me.”

It makes sense that this “American idea” (as Gordon says on the agitated rock track Air BnB) of purchasing utopia permeates the record, as no place is this phenomenon more apparent than Los Angeles, where Gordon was born and recently returned to after several lifetimes on the east coast. It was a move precipitated by a number of seismic shifts in her personal life and undoubtedly plays a role in No Home Record’s fascination with transience. The album opens with the restless Sketch Artist, where Gordon sings about “dreaming in a tent” as the music shutters and skips like scenery through a car window. Even Earthquake, perhaps the record’s most straightforward track embodies this mood; Gordon’s voice wavering like watercolor: “If I could cry and shake for you / I’d lay awake for you / I got sand in my heart for you,” guitar strokes blending into one another as they bleed out across an unstable page. Front to back, No Home Record is an expert operation in the uncanny. You don’t simply listen to Gordon’s music; you experience it. – Elaine Kahn

 

Out Today : Spoon – ”Everything Hits At Once – The Best Of Spoon’


(photo : Oliver Halfin)

‘Everything Hits At Once : The Best Of Spoon’ — featuring the new single, “No Bullets Spent” —  is out today.  LP and CD editions are now shipping from the Matador and Spoon webstores ; The album will be available at most independent record stores on August 2, and everywhere by August 16. Contact your local store for details.


Prior to Spoon’s show tonight at Austin’s 360 Ampitheater, the band will be signing copies of ‘Everything Hits At Once’ and the “No Bullets Spent” 7″ at Waterloo Records at 1pm.

(stream / download “No Bullets Spent”)
(stream/order ‘Everything Hits At Once : The Best Of Spoon’)

Spoon on tour :

Friday, July 26 Austin360 Amphitheater, Austin TX
Saturday, July 27 The Dos Equis Pavilion, Dallas TX
Sunday, July 28 The Cynthia Woods Mitchell Pavilion, Houston TX
Tuesday, July 30 Hollywood Casino Amphitheater, St. Louis MO
Wednesday, July 31 Huntington Bank Pavilion at Northerly Island, Chicago IL
Friday, August 2 Riverbend Music Center, Cincinnati OH
Saturday, August 3 DTE Energy Music Theater, Detroit MI
Sunday, August 4 Ruoff Home Mortgage Music Center, Indianapolis IN
Sunday, August 11 Budweiser Stage, Toronto ON
Monday, August 12 Saratoga Performing Arts Center, Saratoga Springs NY
Tuesday, August 13 Darien Lake Amphitheater, Darien Center NY
Thursday, August 15 Xfinity Center, Mansfield MA
Friday, August 16 Bank of New Hampshire Pavilion, Gilford NH
Saturday, August 17 Forest Hills Stadium, Queens NY
Tuesday, August 20 PNC Bank Arts Center, Holmdel, NJ
Wednesday, August 21 BB&T Pavilion, Camden NJ
Thursday, August 22 Merriweather Post Pavilion, Columbia MD
Saturday, August 24 Coastal Credit Union Park at Walnut Creek, Raleigh NC
Sunday, August 25 PNC Music Pavilion, Charlotte NC
Tuesday, August 27 Oak Mountain Amphitheater, Birmingham AL
Thursday, August 29 Midflorida Credit Union Amphitheatre, Tampa FL
Friday, August 30 Coral Sky Amphitheatre, West Palm Beach FL

(all dates  with Beck and Cage The Elephant)

Spoon online :

Facebook
Twitter
Instagram
Official Site

Coming September 13 : Belle and Sebastian – ‘Days of the Bagnold Summer’

“Sister Buddha” video, directed by Stuart Murdoch

(photo by Marisa P. Murdoch)

‘Days of the Bagnold Summer’ began life as a 2012 award-winning graphic novel by Joff Winterhart, was turned into a feature film and the directorial debut of Simon Bird (“The Inbetweeners”, “Friday Night Dinner”), and is now a wonderful, rich, bittersweet, and warmly welcoming original soundtrack album by Belle and Sebastian, to be released September 13.



The announcement arrives with first single “Sister Buddha’” and its accompanying video (above).. The anthemic song is led by shards of melodic guitar and Stuart Murdoch’s compassionate lyrics and soaring vocals, telling of a protagonist in search of an escape from “the thrills, the pills, the circus ring” of daily life, brimming with a message of inner strength and solidarity.

‘Days Of The Bagnold Summer’ features eleven brand new Belle and Sebastian songs, as well as re-recorded versions of classics “Get Me Away From Here I’m Dying,” originally appearing on 1996’s If You’re Feeling Sinister, and “I Know Where The Summer Goes,” from 1998’s ‘This Is Just a Modern Rock Song’ EP.

‘Days Of The Bagnold Summer’ is set for release in 2020 and features Monica Dolan, Earl Cave, Rob Brydon, Alice Lowe, Tamsin Greig and Elliot Speller-Gillot. It’s a tender, touching and acutely observed coming-of-age story, which tells of a heavy-metal-loving teenager’s holiday plans falling through at the last minute, leading to him having to spend the summer with the person who annoys him most in the world: his mum. The film is set for release in 2020. 


preorder ‘Days of The Bagnold Summer’
stream / download “Sister Buddha”

‘Days of the Bagnold Summer’ is the latest outside-the-box accomplishment from storied Glasgow 6-piece Belle and Sebastian, comprised of Stuart Murdoch, Stevie Jackson, Sarah Martin, Chris Geddes, Richard Colburn, Dave McGowan, and Bobby Kildea. The last two years have seen them go against conventional practice by releasing a trilogy of EPs to some of the best reviews of their career, and launch and curate their own four-day music festival at sea in The Boaty Weekender, continuing the individualist streak that has characterized them from day one.

Did Stuart Murdoch, Belle and Sebastian’s lead singer and songwriter, know the comic book before Bird, a longtime fan, approached the band to write the soundtrack? “No, I didn’t,” he admits. “But its style and its atmosphere set me off straight away. I read it on a Friday, and by Monday I pretty much had all my ideas lined up. What was great was that Simon hadn’t shot anything then.” He laughs. “You want to get in early, because that way you can start having late night conversations with the director about The Graduate, or whatever. We all have fantasies about those great movies of the Sixties and the Seventies. If you going to get involved with a project like this, you want to do it right.”

Interspersing some of their most casually gorgeous songs in recent memory with wildly transportal instrumentals, ‘Days of the Bagnold Summer’ is something of a scenic detour from the band’s recent work, largely exchanging the funk, soul and psych of the How To Solve Our Human Problems triptych for more pastoral and acoustic textures. Ones that make lyrical use of strings, French horn, banjo and the occasional trumpet.

Some inspiration may have stemmed from revisiting past plains: “‘Get Me Away From Here I’m Dying’ is a song from our second LP [the seminal If You’re Feeling Sinister from 1996],” says Murdoch. “Simon was adamant he wanted to use it. He’s a proper fan of the group.” The former was re-recorded for the soundtrack along with another B&S classic, “I Know Where The Summer Goes,” originally appearing on 1998 EP This Is Just A Modern Rock Song. Bird also went for a song called “Safety Valve,” (“I wrote a song to you/ I poured my soul in it/ now I’m feeling flat/ I want my soul back”), not knowing he’d stumbled upon Belle and Sebastian collector’s gold dust. “That one’s ancient,” says Murdoch. “It predates the band; it’s maybe 25 years old. The only time I can remember ever playing it was in a coffee shop with a friend of mine, and people scratching their heads. There was only a verse and a chorus, so I went back to it, and revised the words. It’s a simple song about being over-reliant on a particular person – probably my girlfriend at the time. But it seems to work okay here, too.”

The single “Sister Buddha” serves as a loose ‘theme’, appearing at the beginning and towards the end of the album. While not originally written for the film, it struck a chord with Bird: “It just came from my present interest in Buddhism. Simon picked up on it, wanting to have something uplifting at the end of movie, and we were happy for him to have it”.

Another new track, written by Murdoch specifically for the film this time, is “Did The Day Go Just Like You Wanted?” (“Did the day go just like you wanted?/ Or did you hold on with your fingernails?”). “That came out so quickly. It’s based on the relationship between the mum and the son. I guess I used my own experience a bit, feeling it: the situation they are in.”

The brief and spacious “Another Day, Another Night” (“Another day, another night/ I spend my life not-thinking about you”) was written by Sarah Martin. “In the screenplay, the mum is a richer character than in the book, and I was taken by that,” she says. “This is really her song: she doesn’t have much of a facade; she’s not robust. There’s a point when she thinks about an old boyfriend, and her whole past, with all its regrets, suddenly opens up before her. I love her character.”

“Jill Pole,” an instrumental waltz of windswept harmonica and violin, contributes an almost prairie-like expanse and melancholy, while the baroque-tinged “We Were Never Glorious” draws down the curtain with wistful clarinet and snippets of dialogue from the film.

Is releasing a soundtrack a different prospect from releasing a regular album? Would a Belle and Sebastian fan notice the difference if they didn’t know? “Everything we do that becomes an album is a big deal for us,” says Murdoch. “We’re quietly pleased with how the collaboration went, but the truth is that you don’t know what’s going to happen when it goes out into the world, and people hear it.” Martin thinks it is slightly different from other records they’ve put out. “It’s more consistent, probably, than most of our albums. Soundtracks are a deeper cut. They’re not a big pop statement.” But is making music for film that different than making it for a listener? “The whole thing with music is to make a good moment better,” Murdoch says. “Deeper, more thrilling, more heartfelt.” – Rachel Cooke

Belle and Sebastian on tour :

Tuesday, July 2 The Leadmill, Sheffield UK (SOLD OUT)
Wednesday, July 3 Albert Hall, Manchester UK (SOLD OUT)
Thursday, July 4 O2 Academy, Oxford UK (SOLD OUT)/

Wednesday, July 10, Brooklyn Steel, Brooklyn NY
Thursday, July 11 Sprint Pavilion, Charlottesville VA
Friday, July 12 Union Transfer, Philadelphia PA
Saturday, July 13 House of Blues, Boston MA
Monday, July 15 M Telus, Montreal QC
Tuesday, July 16 Danforth Music Hall, Toronto ON
Thursday, July 18 The Warhol at Carnegie Music Hall, Pittsburgh PA
Friday, July 19 House Of Blues, Cleveland OH
Saturday, July 20, Pitchfork Music Festival, Chicago IL *
Sunday, July 21 Royal Oak Music Theatre, Royal Oak MI
Tuesday, July 23 Weesner Family Amphitheater, Minnesota MN
Thursday, July 25 Calgary Folk Music Festival, Calgary AB
Thursday August 8 The Boaty Weekender, Barcelona ES
Friday, November 1 Pitchfork Music Festival, Paris FR
Saturday, November 2 Le Krakatoa, Mérignac FR
Sunday, November 3 Le Bikini, Toulouse FR
Monday, November 4 Baluarte, Pamplona ES
Wednesday, November 6 Aula Magna, Lisbon PT
November 8-9, Primavera Weekender, Benidorm ES

* performing If You’re Feeling Sinister 

Belle & Sebastian online :

Official site
Facebook
Twitter
Instagram

Lucy Dacus – “Forever Half Mast”



In honor of Independence Day, Lucy Dacus has released a new single titled “Forever Half Mast,” . The third installment of her 2019 holiday song series, “Forever Half Mast” follows her Valentine’s Day-inspired  “La Vie En Rose” cover and her ode to Mother’s Day and Taurus Season, an original song titled “My Mother & I.” Lucy’s ongoing 2019 singles series will also include tracks tied to Bruce Springsteen’s birthday, Halloween, Christmas, and New Year’s, with a physical EP coming in the fall.

In “Forever Half Mast,” the twang of a steel guitar compliments Lucy’s gentle strumming and lends a distinctly ‘American’ sound to the song — yet the lyrics convey an attitude towards her home country that is decidedly more ambivalent. Lucy drew inspiration for the song from her experiences touring in Europe, where she was starkly confronted by the complexities of her American identity, and by what it means to be a proud American in these trying times.

In Lucy’s words, “There is a daily dissonance one endures as an American wherein much of our joy is counterweighted by shame, where much of our pride lives in tandem with injustice and suffering. ‘Forever Half Mast’ is about confronting this unavoidable culpability as an American citizen and consumer.  Instead of allowing this guilt to paralyze us, we should try to let it influence us in positive ways.”

stream/download “Forever Half Mast”

Lucy Dacus on tour :
Friday, June 28 Friday Cheers at Brown’s Island, Richmond VA
Tuesday, July 2 FZW, Dortmund DE
Wednesday, July 3 MarX, Hamburg DE
July 4 Roskilde Festival, Roskilde DK
Saturday, July 6 Chapeau Rouge, Prague CZ
Sunday, July 7 Flex Cafe, Vienna AT
Monday, July 8 Conrad Sohm, Dornbirn AT
Saturday, July 27 Newport Folk Festival, Newport RI
Sunday, July 28 Xpnential Music Festival, Camden NJ
Wednesday, July 31, Paramount Theatre, Austin [email protected]
Thursday, September 5 Hopscotch Festival, Raleigh NC
Saturday, September 7 Central Park Summerstage, New York NY * (SOLD OUT)
Sunday, September 8 Central Park Summerstage, New York NY *
Tuesday, September 10 Chameleon Club, Lancaster, PA ##
Wednesday, September 11 Space Ballroom, Hamden, CT ##
Thursday, September 12 3S Artspace, Portsmouth, NH ##
Saturday, September 14 Grand Point North Festival, Burlington, VT
Sunday, September 15 Ottawa Cityfolk Festival, Ottawa, ONT
Monday, September 16 L’Astral, Montreal , QC ##
Tuesday, September 17 Lee’s Palace, Toronto, ONT ##
Thursday, September 19 El Club, Detroit, MI ##
Friday, September 20 Mr Small’s, Pittsburgh, PA ##
Saturday, September 21 Bristol Rhythm & Roots, Bristol, TN
Wednesday, October 9 Headliner’s, Louisville, KY !
Thursday, October 10 Park West, Chicago, IL !
Friday, October 11 Majestic, Madison, WI !
Saturday, October 12 Cedar Cultural Center, Minneapolis, MN !
Monday, October 14 Slowdown, Omaha, NE !
Wednesday, October 16 The Rialto , Bozeman, MT !
Thursday October 17 Top Hat Lounge, Missoula, MT !
Friday October 18 The Olympic, Boise, ID !
Saturday October 19 The Bartlett, Spokane, WA !
Monday October 21 Hollywood Theatre, Vancouver, BC !
Tuesday October 22 Neumo’s, Seattle, WA !
Wednesday October 23 Aladdin Theater, Portland, OR !
Friday October 25 August Hall, San Francisco, CA !
Saturday October 26 Teregram Theater, Los Angeles, CA !
Monday October 28 Belly Up<, San Diego, CA !
Tuesday October 29 Crescent Ballroom, Phoenix, AZ !
Friday, November 1 Gothic Theatre, Englewood, CO !
Monday, November 4 Delmar Hall, St Louis, MO !
Tuesday, November 5 Woodward Theatre, Cincinnati, OH !
Wednesday, November 6 Covenant Fine Arts Center, Grand Rapids, MI
Sunday, November 17 Corona Capital Festival, Mexico City MX

@ w/ Julien Baker
* w/ Mitski
## w/ Quinn Christopherson
! w/ Liza Anne

Lucy Dacus Online
Website
Twitter
Instagram
Facebook

Snail Mail – ‘Habit’ Reissue Streaming Today, Vinyl/CD Coming August 30


(photo : Megan Schaller)

Baltimore-based singer/songwriter/guitar wiz Snail Mail, aka Lindsey Jordan, has re-issued the breakout 2016 EP, ‘Habit’, available now digitally, with the 12″ and CD versions available on August 30th. The re-mastered EP contains the six original songs, including the single, “Thinning,” as well as a cover of Lois Maffeo’s “The 2nd Most Beautiful Girl In The World,” an alternative version of which was previously  available as an Amazon exclusive.

ICYMI, Snail Mail contributed an original song to EA Games’ latest installment of The Sims, ‘The Sims 4: Living Island,’ which came out last Friday. “Rizbeen” is an original new recording of Snail Mail’s “Pristine,” with the lyrics translated into Simlish (NO REALLY, THAT’S WHAT I WAS ASKED TO TYPE).

“It was really hilarious working with the producer of Lush and trying to be serious the whole time! It came pretty naturally to me for some reason. Maybe i’m a sim.”

preorder ‘Habit’

Tracklist

1. Thinning
2. Habit
3. Static Buzz
4. Dirt
5. Slug
6. Stick

7. The 2nd Most Beautiful Girl In The World

Snail Mail on tour :

July 11-4 – Winnipeg Folk Fest, Winnipeg, MB
July 15 – First Avenue, Minneapolis, MN*
Wednesday, July 17 The Granada, Lawrence KS *
Thursday, July 18 Off Broadway, St. Louis MO *
Friday, July 19 Turner Hall, Milwaukee WI *
Saturdday, July 20, Thalia Hall, Chicago IL &
Sunday, July 21 – Pitchfork Fest, Chicago IL
Tuesday, July 23 Exit/In, Nashville TN *
Wednesday, July 24 Headliners, Louisville KY *
Thursday, July 25 Skully’s Music Diner, Columbus OH
Friday, July 26 Beachland Ballroom, Cleveland OH *
Saturday, July 27 – MoPop, Detroit, MI
Sunday, July 28 Rex Theater, Pittsburgh, PA
Wednesday, July 31 – Brooklyn Steel, Brooklyn, NY**
Thursday, August 1 – Webster Hall, NYC NY **
Thursday, August 15 Twilight Concert Series, Salt Lake City UT %#
Friday, August 16 MAHA Music Festival, Omaha NE
Saturday, August 17 Bluebird Theater, Denver CO
Sunday, August 18 Taos Vortex, Taos NM
Tuesday, August 20 Rebel Lounge, Phoenix AZ
Wednesday, August 21 Irenic, San Diego CA
Thursday, August 22 The Wiltern Theater, Los Angeles CA
Saturday, August 24 THING, Port Townsend WA
Thursday, September 5 Hopscotch Music Festival,  City Plaza, Raleigh [email protected]
November 16-17 Corona Capital, Mexico City MX

&  w/ Stereolab
* w/ Sasami
** w/ Duster, Sasami
& w/ Courtney Barnett
# w/ Choir Boy
@ w/ Sleater-Kinney, Kurt Vile & The Violators