It’s been six years since Kurt Vile played a solo show in Europe. That’s soon to change as the Philadelphian songsmith announced this morning a run of 9 dates to take place across May & June of this year.
Tickets go on sale at 10:00 CET on Wednesday, January 15th
Tickets for Kurt Vile’s 2020 spring tour with Cate Le Bon go on sale this Friday (December 20) at 10am local time (links below). The shows — featuring the accompaniment of Stella Mozgawa and Stephen Black — are billed as “solo and together” and that seems self-explanatory but perhaps you might inquire with Reddit or the Maytag repair person in your neighborhood if you need to know more.
Kurt Vile’s Childish Prodigy celebrates 10 years this month. In commemoration, a limited blue edition of Vile’s Matador debut is available today at the Matador webstore and independent record stores. The reissue includes a limited purple edition of the “He’s Alright” 7″, back in print for the first time since it accompanied the original release in 2009.
In case you missed it, this past week Kurt Vile released a new film, (bottle back), documenting a week of rehearsals in the Catskill Mountains ahead of the release of his 2018 LP Bottle It In. The documentary, along with a link to stream “Baby’s Arms feat. The Sadies” from the filming is available HERE. Save 25% when purchasing Bottle It In through the end of today (Oct 11) at the Matador Webstore.
In early September 2018, on the eve of the announcement of his latest album, ‘Bottle It In’ (celebrating its one-year anniversary this October), Kurt Vile – along with friends and fellow musicians – decamped to the Catskill Mountains in upper state New York to rehearse, prepare and ponder the year’s road ahead.
The brief getaway, which included Matt Sweeney and Toronto friends The Sadies, is captured in the short documentary film (bottle back), directed by Ryan Scott.
In between hanging out and exploring the remote and rainy surroundings, (bottle back) catches a solo acoustic adaptation of “Bassackwards”, a performance of “Check Baby” with The Violators, and a special backyard rendition of “Baby’s Arms” featuring The Sadies.
Somewhere between pre-tour workshop and countryside retreat, (bottle back) is an intimate and insightful glimpse into the creative process of one of the most prolific and celebrated singer-songwriters of his generation.
Having capped off an extensive North American tour this summer, Vile plays further festivals this autumn, including Levitation and Corona Capital, as well as a small handful of US headline shows. A list of upcoming dates can be found below.
Ahead of The Violators’ forthcoming North American tour, including a night at Central Park Summerstage with Dinosaur Jr. and Cate Le Bon, Kurt Vile has announced three additional dates alongside Dinosaur Jr. slated for November of this year. A full list of Vile’s upcoming tour dates is below, new dates in bold are on sale at 10am local time this Friday July 12th.
This morning KEXP has released Kurt Vile’s new session live at the station’s Gathering Space in Seattle WA. Vile performs two cuts from his new LP Bottle It In, as well as “Ghost Town” from Smoke Ring For My Halo and “Slow Talkers” from his debut album ConstantHitmaker.
Kurt Vile continues on the endless world tour with The Violators in support of Bottle It In this Month in Australia and New Zealand. Tickets for all shows listed below are on sale now.
With their massive global tour in support of ‘Bottle It In’ continuing this week in Burlington VT, Kurt Vile & The Violators reconvened in New York City last night for an appearance on NBC’s “Late Night With Seth Meyers”, performing “Yeah Bones”. Still photography courtesy NBC’s Lloyd Bishop.
Early today, NPR released Kurt Vile’s new Tiny Desk Concert, containing performances of two Bottle It In tracks “Bassackwards” and “Loading Zones,” as well as “Peeping Tomboy,” from Smoke Ring for My Halo and covered by Courtney Barnett on their 2017 collaborative album Lotta Sea Lice.
Kurt Vile’s 2019 dates kick off on Monday, February 11 in Harrisburg PA before performing on Late Night with Seth Meyers on February 12th.
Kurt Vile premiered a new song earlier today, “Timing Is Everything (And I’m Falling Behind)” and it’s exclusively available from Amazon Music. If you’re lucky enough to share your living space with an Alexa-enabled device, simply utter the phrase, “Alexa, play the new Kurt Vile song,” and VOILA, your life with be enriched thru the miracle of A-L-E-X-A. Kurt calls the song, “a candid snapshot of KV & the Violators ‘at home’; where we like it: sparse and jangly and as live as possible. Ok, fine, with some additional accoutrements (including a sick b bender overdub by Rob!). Jesse swells and chimes beautiful guitar as well. KV fingerpicks and sings. The lyrics are country blues. “Open the flood gates of a down pouring rain… in my brain.” Masterfully recorded in Athens, GA by our drummer Kyle somewhere inside a cluster of hazy band rehearsals on the roundabout way to a festival in Denver. Mixed by Peter Katis. This jam was one of many contenders for the last album, but we gonna start peeling em off for ya now instead.”
Kurt Vile and The Violators appear tonight on ABC’s “Jimmy Kimmel Live” (11:35 pm eastern, 10:35 central). In addition, a previously recorded session Kurt recorded for WXPN’s “World Cafe” airs today at 2pm eastern time.
As we reach the end of 2018, it would not be an exaggeration to say we’re in the midst of many difficult moments in human history. The icecaps are melting. America is on the brink of a constitutional crisis. You can’t walk 15 feet in any major metropolis without breaking your neck on a discarded scooter. Your personal data (including everything we collect in this campaign) is being used for nefarious means. Nearly 15% of the public believes we actually told someone to “sound more like Adele.” Nearly $40 million was spent to produce “The Hurricane Heist”
All of that said, there is still beauty, mystery, and grandeur in what’s left of the fine arts. And when you’re done with the fine arts, there’s Matador’s incredible array of 2018 titles from Belle and Sebastian, Body/Head, boygenius, Car Seat Headrest, Lucy Dacus, Iceage, Interpol, Stephen Malkmus & The Jicks, Liz Phair, Snail Mail, Kurt Vile and Yo La Tengo. Will these records help you sort out a world gone mad? hey, they’re great, but not THAT GREAT. Almost certainly, and that’s why your friends at Matador —a label as magnanimous as it is humble — are offering an unprecedented 25% OFF when you use the code, “terribletimes” thru December 13. Orders of $40.00 and above receive a free tote bag and take it from me, a tote bag skeptic, you’re way less likely to drop shit all over the sidewalk when you have a stylish bag.
Kurt Vile’s Bottle It In is here in just two days. Until then, hear two new performances from Kurt’s recent session at SiriusXM, performing “Bassackwards” from the new album, as well as a cover of Tom Petty & The Heartbreakers’ track, “Learning To Fly.” Listen to the full session on SiriusXM’s webplayer here at 9pm ET tonight. Kurt Vile & The Violators embark on their massive world tour beginning on release day in Germany. See their full itinerary below.
The latest single from songwriting powerhouse Kurt Vile’s album-of-the-year contender ‘Bottle It In’ is a banjo-propelled, instant classic that belies the author’s claim, “I’ve always had a soft spot for repetition.” While peers real and imagined tip-toe on the periphery of Americana, folk and classic rock, not for the first or last time, Philadelphia’s Vile renders such considerations moot — if he’s not 2018’s wittiest, most evocative storyteller, we’d like to meet whoever else holds the crown.
(Video by Marisa Gesualdi
Original Footage directed by Aurora Glassock)
Weeks of speculation come to an end today as details of the new Kurt Vile album can finally be confirmed: One of the most critically and commercially acclaimed artists of the last decade will release ‘Bottle It In’ on October 12th. Today’s announcement is accompanied by the release of a new song titled “Bassackwards”, the album’s beating heart and Vile’s most compelling evocation of how he sees the world: “I was on the ground circa Planet Earth, but out of sorts,” he sings over a gently psychedelic bed of backmasked guitars. “But I snapped back, baby, just in time to jot it down.”
Kurt Vile has also confirmed a lengthy run of worldwide tour dates for 2019 with backing band The Violators, in addition to previously announced tour dates coming up this fall. The 2019 North American shows traverse a multitude of East Coast, Midwest, Southwest, and Southern cities, with support from The Feelies. A special hometown show in Philadelphia has been added for December 29th 2018, which will take place at the newly rehabilitated historic Metropolitan Opera House (aka The Met Philadelphia) as part of their opening week celebration. The full list of tour dates can be found below.
Travel can inspire in surprising ways: Kurt Vile discovered as much making his first record in three years, the eclectic and electrifying Bottle It In, which he recorded at various studios around the country over two very busy years, during sessions that usually punctuated the ends of long tours or family road trips. Every song, whether it’s a concise and catchy pop composition or a sprawling guitar epic, becomes a journey unto itself, taking unexpected detours, circuitous melodic avenues, or open-highway solos. If Vile has become something of a rock guitar god—a mantle he would dismiss out of humility but also out of a desire to keep getting better, to continue absorbing new music, new sounds, new ideas—it’s due to his precise, witty playing style, which turns every riff and rhythm into points on a map and takes the scenic route from one to the next.
Using past albums as points of departure, Bottle It In heads off in new directions, pushing at the edges of the map into unexplored territory: Here be monster jams. These songs show an artist who is still evolving and growing: a songwriter who, like his hero John Prine, can make you laugh and break your heart, often in the same line, as well as a vocalist who essentially rewrites those songs whenever he sings them in his wise, laconic jive-talkin’ drawl. He revels in the minutiae of the music—not simply incorporating new instruments but emphasizing how they interact with his guitar and voice, how the glockenspiel evokes cirrocumulus clouds on “Hysteria,” how Kim Gordon’s “acoustic guitar distortion” (her term) engulfs everything at the end of “Mutinies,” how the banjo curls around his guitar lines and backing vocals from Lucius to lend a high-lonesome aura to “Come Again.”
These journeys took Vile more than two years to navigate, during which time he toured behind his breakout 2015 album b’lieve I’m goin’ down, recorded a duets album with Australian singer-songwriter-guitarist Courtney Barnett, opened for Neil Young in front of 90,000 people in Quebec, famously became a clue on Jeopardy, hung out with friends, took vacations with his wife and daughters.
In April 2017, he trekked out to Indio, California, to catch the Stagecoach Festival and sit in with his friends the Sadies (“my favorite modern band”). Inspired by Willie Nelson’s epic set, Vile spent a few days in Los Angeles working with producer Rob Schnapf at his Mant Sounds studio. The two had previously worked together on “Pretty Pimpin,” the leadoff track on b’lieve that became a number-one AAA radio hit. Their second collaboration was similarly inspired: Featuring backing vocals from Cass McCombs, the eleven-minute title track is full of ominous bass rumbles, hazy-steady drumbeats from Warpaint’s Stella Mozgawa, delicate harp stabs from Mary Lattimore, and what sounds like chewy distortion leaking out of a David Lynch flick.
Months later, when a lengthy Violators tour ended in Salt Lake City, Vile let the momentum carry him further west, where he recorded several more songs with engineer/producer Shawn Everett (Alabama Shakes, the War on Drugs) at The Beer Hole in Los Angeles. Other songs were put to tape during sojourns to Portland, Oregon, and to Greenpoint, Brooklyn, where fellow Violator Rob Laakso co-produced. The bulk of Bottle It In was bottled up at Tarquin Studios in Bridgeport, Connecticut, with Peter Katis (Interpol, the National) engineering and producing. Bottle It In captures the spontaneity of these impromptu sessions, revealing Vile as a diligent and singularly determined musician.
These recordings are the destinations, but the journeys were just as important, whether they gave him time with his wife and kids or an opportunity to get some writing done. “For a while I was terrified of flying, so I would be listening to whatever country songs I was obsessed with. I’d have George Jones blasting in my ears. Or, I would be reading something about country music. Or, I would start writing songs in that flash of being afraid, being swallowed by life. I’m up there on a plane drinking wine because like everybody else I’m afraid to die. And I wrote ‘Hysteria’ up there.” That new song, with its woozy guitar fanfare, captures mid-flight queasiness well, as Vile daydreams about escaping the flight: “Stop this plane ‘cause I wanna get off,” he sings. “Pull over somewhere on the side of a cloud.”
Bottle It In is about place only insofar as it is about the people in those places: friends and family, bandmates and music heroes, colleagues and collaborators. There’s a lot of love in these big-hearted songs, a lot of warmth toward everyone in Vile’s orbit and even toward those whose paths he’s yet to cross. “Loved you all a long, long while,” he sings on “One-Trick Ponies.” “Looked down into a deep dark well, called all of your names.” The jangly country-rock tune serves as a valentine to… he won’t say, but he and Mozgawa and Farmer Dave Scher deliver a beautifully sympathetic sing-along chorus that invites every one of us one-trick ponies to join in.
As Vile prepares for another round of lengthy tours and countless shows, these songs should prove good company, reminders of the love and responsibility he has toward those he leaves at home and those he meets along the way. That makes the sentiments resonate more strongly and lends Bottle It In an emotional weight. “It’s like that moment on the airplane,” Vile says, “when you’re on your way somewhere and you have that burst of panic. When you’re terrified of dying, that’s when you want people to know you love them.” – Stephen Duesner
01 Loading Zones
03 Yeah Bones
05 One Trick Ponies
06 Rollin With The Flow
07 Check Baby
08 Bottle It In
10 Come Again
11 Cold Was The Wind
12 Skinny Mini
13 (bottle back)
This morning, we’re pleased to present the Kurt Vile video, “Loading Zones,” the first new music to surface from him since 2015. Directed by Drew Saracco, the video is a paean to Kurt’s City of Brotherly Love, and a farcical tribute to the song’s lyrics, a loose account of his peculiar parking strategy. Law enforcement is played by Kevin Corrigan and Matt Korvette.
Kurt and The Violators (Rob Laakso, Kyle Spence, and Jesse Trbovich) hit the road this fall on an extensive global tour. Tickets are on-sale now for the full world tour, which commences in Hamburg, Germany on October 12th. The North American leg, where fans can expect a further taste of new music in addition to the band’s iconic catalogue, kicks off on November 24th in Boston. The band has partnered with PLUS1 so that $1 per ticket sold will go to support the ACLU’s work defending and protecting our individual rights and liberties. The full list of tour dates can be found below.