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Archive for the 'studio tales' Category

‘Belle and Sebastian Write About Love’- album details, pre-order and mp3

By Belle and Sebastian on Tuesday, September 7th, 2010

We are now less than 5 weeks away from the release of ‘Belle and Sebastian Write About Love’ – so no matter how much we’d like the album to be a huge Christmas Day style surprise for everyone on the day of release, the details will start appearing on your favourite online retailers soon and no doubt bits of the music will be permeating various media outlets.

So – first off here is the lead track – “Write About Love” - for everyone to listen to (or, if you are one of the first 20,000 visitors, to download). We sent it off to our Twitter follower @recordingtime yesterday – and she posted about it here

We hope you like it! Along with the rest of the album, it was recorded in Los Angeles earlier this year and produced by Tony Hoffer. It also features a guest vocal by Carey Mulligan. For those in the USA, the song is available on iTunes from today – if you are elsewhere, it won’t be released officially until after the album – 25th October in the UK.

If that is confusing, then things are a little more straightforward with the album! It comes out on the 12th October in the USA and Canada and the day before in the UK and most of the rest of the world -we’ll post any variations on these release dates nearer the time.

It is, of course, our third album for Rough Trade and was recorded in April and May at Sound Factory Studio B. Stuart wrote the majority of the songs and one (“Sunday’s Pretty Icons”) with Mick; Sarah wrote and takes lead vocal on “I Didn’t See It Coming” and “I Can See Your Future”; Stevie wrote and sings “I’m Not Living In The Real World”. The are also some guests – as well as the aforementioned Carey Mulligan, Norah Jones duets with Stuart on “Little Lou, Ugly Jack, Prophet John” and some orchestration is added by members of LA’s The Section Quartet.


pre order CD/LP via the Matador Store

The album will be available on CD, Gatefold Vinyl and digitally. The full track listing is:

I Didn’t See It Coming
Come On Sister
Calculating Bimbo
I Want The World To Stop
Little Lou, Ugly Jack, Prophet John
Write About Love
I’m Not Living In The Real World
Ghost of Rockschool
Read The Blessed Pages
I Can See Your Future
Sunday’s Pretty Icons

In addition, two bonus tracks, “Last Trip” and “Suicide Girl”, will be available as a 7 inch with the vinyl edition in most countries, and with all editions from selected retailers in the USA [including the Matador Store. Pre-order now.] A further song, “Blue Eyes of A Millionaire”, will be a bonus track with selected digital outlets. Full localised details of variations and pre-sales will all be added in due course.

Shat In The (Linkin Park’s) Van!!

By Andrew Earles on Tuesday, November 6th, 2007

No square inch of scenery left to chew, no square inch of Shatner’s ass to kiss, and no clips of the interview on YouTube yet, but one can enjoy Mike Patton exploring everything that happened in music between The Infectious Grooves and Linkin Park!

YouTube Preview Image

Move Over Merzbow, Here Comes Lilly Allen

By Gerard on Monday, June 4th, 2007

From the Sun's Thomas Whittaker :

Music chiefs were blasted last night for using computer wizardry to make new albums louder than ever. Bosses are artificially enhancing sound levels as they believe the noisier a record is, the more copies it will sell.But music lovers say some tracks are now so distorted they can make listeners feel nauseous. And Britain’s leading studio engineers have launched a campaign to make records range in levels to avoid one loud blur.

Among records blasted by engineers is the Red Hot Chili Peppers’ Californication which some branded “unlistenable”. An online petition has even been launched to have it “remastered”.

Other albums slated by studio experts are works by Oasis, the Arctic Monkeys and Lily Allen.

Peter Mew, senior mastering engineer at London’s Abbey Road Studios — where The Beatles made many of their hits — said: “Record companies are competing in an arms race to make their album the loudest. The quieter parts are becoming louder and the loudest parts are just becoming a buzz. This could be the reason CD sales are in a slump.”

Geoff Emerick (above right, shown with George Martin), an engineer on the Beatles’ Sgt Pepper’s album, said: “A lot of what is released today is basically a scrunched up mess."

Though I sincerely doubt there is any concerted effort on the part of "music chiefs" to artificially boost noise levels, I must applaud any organized effort to categorize the Red Hot Chilli Peppers as "unlistenable". 

Dead Meadow speaks: report from the recording studio

By Patrick on Monday, January 22nd, 2007

Story and pictures from Steve of Dead Meadow

At the time of writing this paragraph we are in Sunset Sound recording our fifth studio album, third for Matador Records. Sunset Sound is definitely haunted by lots of history. Appearantly the ghost of Jim Morrison walks the secret storage rooms and echo chambers in the fifty-year old studio on the Sunset strip. A vibe and energy to this place that is totally unique and hopefully and energy that can color our new music. Even more than the vibes we have received in this sound temple was that of the energy and evp noises captured indiana.jpgduring our tracking a month earlier in Indiana. In trying to reach out to our more atmospheric side we returned to our drummers families farm/estate in rural Indiana. The natural setting and a chance to "get away from it all" that first brought us there to record "Howls from the Hills" took us back again for this creative endeavor. Instead of tracking in the barn the fall weather forced to move the operation into the nearby original inn/farmhouse that was the basis of the property. For years abandoned (his grandparents who own the land have always lived in a newer house they built on the other side of thefarm) the house was recently rebuilt to be used as a guest house project by our drummers uncle.

A totally empty, beautifully restored and warm farm house was definitely a gwell.jpgreat place to spend the next few weeks tracking the basic instruments. His uncle added some beautiful features that added to the sound and ambience. A huge greatroom with fourteen foot tall ceilings were perfect for the drum sounds. Old cuboards and closets were great isolation rooms. Even an architectual old well was built into the new kitchen floor. Instead of covering the well up with the new construction instead they covered it up with thick glass in a light at the bottom, a perfect reminder of the building past in the now modern updated kitchen, only if you did not watch "The Ring".

The location was perfect but the only problem was the constant haunting issues along the way. At first we did not think of it but as it became consistant there is hidden Evp sounds on some of the guitar sounds and buzzing bits. Even a violin noise from no where and walking when no one was upstairs. Luckily we were recording so we plan to throw some of the sounds on the final piece. I guess it will be something for the heads to trip out to. To add icing on the cake of the story we found out that the last renters of the home that were there before renovations or even Howls were recorded broke their lease do to apparitions. These guys were park rangers and one of them even pulled his gun on hand prints walking towards him in the carpet as he laid in bed… I hope the energy will come across and maybe the good vibes of our music helped this home. I always felt a good vibe even with the weird noises. I like to think as if something was there it was just trying to have it voice on the record.. like "I can play something too."

 sunsetvaults.jpg

the "haunted" vaults above Sunset with tons of old reels (Zippedoodah, Disney stuff and maybe a lost Doors reel????)

 recording1.jpg

Studio shot.

sunsetball.jpg

my favorite… basketball in the Sunset courtyard.. onthe left is Studio 1, the right Studio 3 and the photois taken from Studio 2..

— Steve Kille