Radio free Mogadishu. Watch this.
Radio free Mogadishu. Watch this.
Photo courtesy of Sound Opinions
Kurt Vile recently stopped by Sound Opinions (WBEZ91.5 Chicago) to perform some songs from Wakin On A Pretty Daze. While there Kurt chatted with hosts, Jim DeRogatis & Greg Kot, about the new album, shredding solos, rock mythology, Tusk, and so much more. It’s a great (and informative) listen that you can check out right here.
And don’t forget Kurt Vile & The Violators will be out at Coachella this Sunday bringing the heat.
And elsewhere across this land through the Spring and Summertime.
Sun-Apr-21 – Indio, CA – Coachella Valley Music & Arts Festival
Sun-May-05 – Atlanta, GA – Shaky Knees Festival
Tue-May-07 – Los Angeles, CA – Echoplex ***SOLD OUT
Wed-May-08 – San Francisco, CA – Independent ***SOLD OUT
Fri-May-10 – Portland, OR – Doug Fir ***SOLD OUT
Sat-May-11 – Vancouver, BC – Biltmore ***SOLD OUT
Sun-May-12 – Seattle, WA – Neumos
Tue-May-14 – Chicago, IL – Lincoln Hall ***SOLD OUT
Thu-May-16 – New York, NY – Bowery Ballroom ***SOLD OUT
Fri-May-17 – Boston, MA – The Sinclair ***SOLD OUT
Sat-May-18 – Philadelphia, PA – Union Transfer
Fri – May 24 – Barcelona ES – Primavera Sound Festival
Sat – May 25 – London GB – Field Day
Sun – May 26 – Brussels BE – AB
Mon – May 27 – Amsterdam NL – Paradiso
Tue - May 28 – Hamburg DE – Knust
Wed – May 29 – Copenhagen DK – Amager Bio
Sat-Jun-29 New York, NY 4 Knots Festival
Sun-Jul-07 Toronto, ON Toronto Urban Roots Festival
Tue-Jul-09 Cleveland, OH Grog Shop
Wed-Jul-10 Detroit, MI Magic Stick
Thu-Jul-11 Chicago, IL Metro
Fri-Jul-12 Indianapolis, IN The Vogue
Sat-Jul-13 Louisville, KY Forcastle Music Festival
Sun-Jul-14 Nashville, TN Mercy Lounge
Mon-Jul-15 Birmingham, AL The Bottletree
Wed-Jul-17 Asheville, NC The Grey Eagle
Thu-Jul-18 Carrboro, NC Cats Cradle
Fri-Jul-19 Charlottesville, VA Jefferson Theatre
Sat-Jul-20 Washington, DC 9:30 Club
Sat-Jul-27 Edmonton, AB Interstellar Rodeo
Sun-Jul-28 Calgary, AB Calgary Folk Music Festival
Fri-Aug-2 Happy Valley, OR Pickathon#
Sat-Aug-3 Happy Valley, OR Pickathon#
Sun-Aug-4 Happy Valley, OR Pickathon#
Fri-Aug-9 San Francisco, CA Outside Lands*
Sat-Aug-10 San Francisco, CA Outside Lands*
Sun-Aug-11 San Francisco, CA Outside Lands*
# and * = Performing on one of these dates (exact dates TBC)
The Fresh & Onlys supporting 5/7-5/12
Angel Olsen supporting 5/16-5/18
Steve Gunn supporting 5/7-5/18
Pick up Wakin On A Pretty Daze on the Matador Store
We’re told this might be footage from Come’s first public performance. Perhaps you thought this would be the post where we’d announce the presale for the May reissue of Come’s debut album, ‘Eleven : Eleven’. Or maybe even the post where some live dates would be unveiled. If you should know anything by now, it’s that we have a tendency to drag this shit out. “Are they being paid by the post?” you might well wonder, and why yes, in fact WE ARE. (video courtesy Chunklet)
On this historic day in rock history, let’s recall the moment nearly 3 years ago when (Sir?) Paul attempted to explain to his adoring fans, the difference between a record store, a rock concert and an art space as world renowned as the Wentworth Gallery of the Short Hills Mall (Short Hills, NJ). Though it is truly sad that not everyone can respect such boundaries, please look at the bright side ; at least this didn’t take place at a Ron Wood art show.
(above : angry mob reacts to the news that at least two or 3 people didn’t even mention the Total Control 7″)
Around this time every year, your
overpaid overworked editor attempts to coax a list of favorite recordings, books, television programs, life events, etc. out of the label’s artist roster and our rock biz colleagues. In the past, the exercise has been an arduous process, fraught with nagging, teeth-gnashing and no shortage of reluctant participants. In more recent times, however, the serial oversharing epidemic that’s run rampant throughout all online activity has infected our bands and staff alike. The rhetorical question, “who fucking asked you?” cannot be applied in this instance, because they were all asked. For some historical perspective, here’s last year’s pile. Questions or comments about our lousy tastes and/or blatant omissions are welcome (but not necessarily appreciated). And away we go!
Far be it for me to suggest that Hall of Famer (well, Long Island Music Hall Of Famer) Dee Snider’s new career turn is the worst idea in the entire history of civilization. For instance, it’s not nearly as bad an idea as Ft. Worth’s Complete playing a tiny club instead of the hockey arenas they were destined to headline. And there’s New Coke. Or
the soundtrack to ‘Brain Candy’ the Bay Of Pigs Invasion. I could probably go on for at least another two or three minutes, but I think you have the idea. Some people are gonna give Dee Snider a lot of grief over this, but I bet it’s not even in the top 20 worst ideas of all time.
(funny, when you type “Boston the band” into Google Image Search, the above Negative FX jpg comes up pretty close to the top of the entries)
Though I have MORE THAN A FEELING (sorry) we’ve not seen the last of this dispute, the Boston Herald’s Joe Dwinell reported yesterday a Superior Court judge rejected claims by Boston guitarist/founder Tom Scholz the Herald had defamed the one-time AOR radio fixture.
Scholz is suing the Herald over three 2007 Inside Track columns that he claims imply he drove fellow band member Brad Delp to commit suicide in March 2007. In May of 2010, the Herald published several articles reporting on Scholz’s lawsuit and the parties’ respective litigation positions in it. Scholz claimed that the Herald’s May 2010 articles had defamed him and caused him emotional distress.
Massachusetts Superior Court Judge John C. Cratsley previously ruled that the Herald’s articles accurately reported on the litigation. After the case was reviewed by an Appeals Court judge, Scholz argued that the articles were “unfair” and published with “malice.”
However, after review, Judge Cratsley reiterated that the articles were not only accurate, but that Scholz had “come up empty handed” in presenting evidence that the articles were unfair or published for a reason other than to inform the public.
Amateur rock historians will recall that Scholz is no stranger to litigation, and a few years back, Boston sued the now-defunct Artemis label alleging the band’s ‘Corporate America’ album was poorly marketed and promoted. Had any legal precedent been established, there’s no telling how many Matador artists from the early 1990′s would have a case.
July 26 marks the 5th anniversary of the Matablog’s public debut (after MONTHS of beta-testing), truly a day in that will go down in rock / internet history as the moment blogging finally came to fruition as
letting you know about record release parties in cities thousands of miles away a force for social change. Over these past 5 years, the Matablog has gone from being the #7 or #8 most widely read source for news and information about this label to being somewhere in the top 3 or 4. It is, however, the number one source of information concerning whatever Patrick has concocted in his well-stocked kitchen that weekend, and if you think you’re gonna get that kind of content from Paste or Metal Sludge.com, think again.
Though I realize many of you would like to credit me alone for the Matablog’s wild success (and I thank each of you for the cards, letters and fruit baskets that arrived today, especially the videogram from former NY Gov. Elliot Spitzer) it couldn’t have happened without the hard work, insight, and passion for THE TRUTH the Matador and Beggars staffs bring to the table, nor without the contributions from our family of recording artists. It is my fervent hope that in the days to come, the Matablog will continue to serve as a beacon of light in the otherwise dreary world of rock biz puffery. Frankly, I’d settle for Todd Netter not referring to it as “Mata-blog”, but perhaps that’s something we can target after the 10th anniversary.
Anyhow, enough with all of that insider-baseball bullshit. There’s no point celebrating a big anniversary without a party, and this weekend Matador has Thurston Moore, Cold Cave and Kurt Vile all appearing at our Matablog 5th Anniversary Bash in Chicago’s Union Park. I realize there’s a bunch of non-Matador artists on the bill ; there might even be banners atop the stages that fail to mention the actual name of the festival, but that’s ok. Not every record label blog is magnanimous enough to share their weekend in the sun with others, but after all this time you oughta know that we’re all about inclusion. Here’s to five (hundred) more years!
You know the old saying, “those who forget the past are condemned to repeat it?” No? Well, it’s a pretty good saying. The above Pussy Galore bio pic by Michele O’Mara, however brings to mind the truism “history is best retold by persons who don’t give a shit about accuracy or likenesses” (OK, I made that up myself). With all due respect to meme-tastic crazes like keyboard kitties and Alexyss Tylor, I see no reason why this video shouldn’t top a million or more views by the end of the week. (thanks to Linda Wolfe for the heads-up about this astonishing video)
This week Magic Kids released their record, played a symphony accompanied show for 500 of their hometown friends and fans, and left for a week-long instore tour. But the news doesn’t stop here. Happy to share this new video for “Superball” directed by Jack Ferry. Evokes some simple classic vids, faces, instruments, soft-focus lights…eternally into it.
Order Magic Kids “Memphis” HERE (and get an instant mp3 download of the album)
So we got more than 1200 entries to the Pavement Guess The Track Listing contest for the Quarantine The Past best-of collection. As you may recall, first prize was for the track listing closest to the actual track listing. The actual track listing is:
1. Gold Soundz (CROOKED RAIN, CROOKED RAIN)
2. Frontwards (WATERY, DOMESTIC EP)
3. Mellow Jazz Docent (PERFECT SOUND FOREVER EP)
4. Stereo (BRIGHTEN THE CORNERS)
5. In The Mouth A Desert (SLANTED & ENCHANTED)
6. Two States (SLANTED & ENCHANTED)
7. Cut Your Hair (CROOKED RAIN, CROOKED RAIN)
8. Shady Lane / J Vs. S (BRIGHTEN THE CORNERS)
9. Here (SLANTED & ENCHANTED)
10. Unfair (CROOKED RAIN, CROOKED RAIN)
11. Grounded (WOWEE ZOWEE)
12. Summer Babe (Winter Version) (SLANTED & ENCHANTED)
13. Range Life (CROOKED RAIN, CROOKED RAIN)
14. Date w/ IKEA (BRIGHTEN THE CORNERS)
15. Debris Slide (PERFECT SOUND FOREVER EP)
16. Shoot The Singer (1 Sick Verse) (WATERY, DOMESTIC EP)
17. Spit On A Stranger (TERROR TWILIGHT)
18. Heaven Is a Truck (CROOKED RAIN, CROOKED RAIN)
19. Trigger Cut/Wounded-Kite At :17 (SLANTED & ENCHANTED)
20. Embassy Row (BRIGHTEN THE CORNERS)
21. Box Elder (SLAY TRACKS 1933-1969 EP)
22. Unseen Power Of The Picket Fence (NO ALTERNATIVE COMP)
23. Fight This Generation (WOWEE ZOWEE)
All tracks are fully remastered from the original tapes (including for the early material) and will be available on mid-priced CD and mid-priced dbl LP as well as digital album. Low-priced vinyl reissues of all five Matador LPs plus the Watery, Domestic EP will land on the same date – March 9 – and keep your eyes peeled for other interesting Pavement issues to come over the course of this year.
Winner of the first prize expenses-paid trip to NYC to see Pavement in Central Park next September is Flavio Seixlack of São Paolo, who submitted this sequence, hitting 17 out of the 23 tracks:
1. Gold Soundz (CROOKED RAIN, CROOKED RAIN)
2. In The Mouth A Desert (SLANTED AND ENCHANTED)
3. You’re Killing Me (SLAY TRACKS 1933-1969 EP)
4. Heaven Is a Truck (CROOKED RAIN, CROOKED RAIN)
5. AT&T (WOWEE ZOWEE)
6. Shady Lane / J Vs. S (BRIGHTEN THE CORNERS)
7. Major Leagues (TERROR TWILIGHT)
8. Date w/ IKEA (BRIGHTEN THE CORNERS)
9. Frontwards (WATERY, DOMESTIC EP)
10. Painted Soldiers (KIDS IN THE HALL: BRAIN CANDY OST)
11. The Hexx (TERROR TWILIGHT)
12. Cut Your Hair (CROOKED RAIN, CROOKED RAIN)
13. Range Life (CROOKED RAIN, CROOKED RAIN)
14. Grounded (WOWEE ZOWEE)
15. Debris Slide (PERFECT SOUND FOREVER EP)
16. Spit On A Stranger (TERROR TWILIGHT)
17. Here (SLANTED AND ENCHANTED)
18. We Dance (WOWEE ZOWEE)
19. Summer Babe (Winter Version) (SLANTED AND ENCHANTED)
20. Box Elder (SLAY TRACKS 1933-1969 EP)
21. Trigger Cut/Wounded-Kite At :17 (SLANTED AND ENCHANTED)
22. Stereo (BRIGHTEN THE CORNERS)
23. Fight This Generation (WOWEE ZOWEE)
Second prize will be awarded to the most imaginative track listing – which will be pressed up into a limited-edition double vinyl LP for Record Store Day (April 17). We will be announcing this later this week, along with the 3 runner-up winners of complete sets of Pavement Matador vinyl.
Keep your eyes on this spot.
Preorder Quarantine The Past with a 15% discount
Quarantine The Past: The Best Of Pavement comes out on March 9, 2010. This fully remastered 23-track compilation will be available on MID-PRICED double LP, CD and digital album formats. The tracks span the entirety of Pavement’s career from 1989 to 1999, from the scratchy and mysterious sounds of their early vinyl-only releases to the rich, multilayered warmth of their final recordings. Although the compilation does not include any unreleased material, it definitely digs deeper than the hits.
Preorder (with 15% discount) direct from Matador HERE
Simultaneously, we will be re-releasing Pavement’s complete Matador LP catalog (the 5 albums including the “Watery, Domestic” 12″ EP) on L(ow) P(rice) vinyl. (The premium deluxe vinyl we have released on the first four albums will continue to be available.)
Quarantine The Past lands in stores as Pavement embark on their first live appearances since the fall of 1999. Dates begin in New Zealand on March 1 and continue through Australia and Europe over the spring and summer, with 4 dates in New York’s Central Park next September. More US shows will be announced shortly.
We are holding a Guess The Track Listing Contest. The album contains 23 tracks, all previously released, and the first track is “Gold Soundz” (MP3 of remastered version below). Prizes will be awarded as follows:
FIRST PRIZE for the track listing closest to the actual track listing
SECOND PRIZE for the most imaginative track listing
FOUR RUNNERS-UP in either of the above two categories (4 runner-up prizes total)
First prize will be a pair of tickets, with flights and hotel rooms, to see Pavement at Central Park Summerstage on Tuesday, September 21,
2009 2010. Plus a complete set of Pavement Matador 12″ vinyl.
Second prize will be having your track listing pressed up in a special limited-edition vinyl double LP for Record Store Day (April 17). You will receive 5 copies of your best of selection. Plus a complete set of Pavement Matador 12″ vinyl.
Runner-up prizes will be complete sets of Pavement Matador 12″ vinyl.
To participate, please make your choice of 23 tracks (remember, the first one is “Gold Soundz”) below – click on the ALBUM COVER to get started:
A few more clues: 3 pre-Matador tracks are included, plus one song that originally came out on a compilation. Every Matador album is represented, plus Watery, Domestic.
Deadline for entries is 2 weeks from today: TUESDAY, JANUARY 19.
Entry is open to anyone worldwide, with the exception of those listed under the contest rules and restrictions.
Download the remastered MP3 of “Gold Soundz”:
Gold Soundz (160k mp3)
Pavement 2010 dates announced so far:
Mon Mar 01, 2010 – Auckland – Auckland Town Hall
Thu Mar 04, 2010 – Sydney – Enmore Theatre
Fri Mar 05, 2010 – Sydney – Enmore Theatre
Sat Mar 06, 2010 – Meredith – Golden Plains Festival
Sun Mar 07, 2010 – Adelaide – Thebarton Theatre
Mon Mar 08, 2010 – Perth – Metro City
Wed Mar 10, 2010 – Brisbane – Tivoli Theatre
Fri Mar 12, 2010 – Melbourne – Palace Theatre
Tue May 04, 2010 – Dublin – Tripod SOLD OUT
Wed May 05, 2010 – Glasgow – Barrowland Ballroom SOLD OUT
Fri May 07, 2010 – Paris – Le Zenith
Sat May 08, 2010 – Amsterdam – Paradiso
Mon May 10, 2010 – London – Brixton Academy
Tue May 11, 2010 – London – Brixton Academy SOLD OUT
Wed May 12, 2010 – London – Brixton Academy SOLD OUT
Thu May 13, 2010 – London – Brixton Academy SOLD OUT
Fri May 14, 2010 – Minehead, West Somerset – All Tomorrow’s Parties SOLD OUT
Sat May 15, 2010 – Minehead, West Somerset – All Tomorrow’s Parties SOLD OUT
Sun May 16, 2010 – Minehead, West Somerset – All Tomorrow’s Parties SOLD OUT
Tue May 18, 2010 – Brussels – Ancienne Belgique SOLD OUT
Wed May 19, 2010 – Berlin – Astra
Thu May 20, 2010 – Praha – Palac Akropolis
Fri May 21, 2010 – Vienna – Arena
Sat May 22, 2010 – Munich – Muffathalle
Mon May 24, 2010 – Rome – Atlantico
Tue May 25, 2010 – Bologna – Estragon
Thu Jul 01, 2010 – Roskilde – Roskilde Festival
Fri Jul 02, 2010 – Roskilde – Roskilde Festival
Sat Jul 03, 2010 – Roskilde – Roskilde Festival
Sun Jul 04, 2010 – Roskilde – Roskilde Festival
Thu Aug 12, 2010 – Oslo – Oyafestival
Sat Aug 14, 2010 – Gothenburg – Way Out West Festival
Tue Sep 21, 2010 – New York, NY – Central Park Summerstage SOLD OUT
Wed Sep 22, 2010 – New York, NY – Central Park Summerstage SOLD OUT
Thu Sep 23, 2010 – New York, NY – Central Park Summerstage SOLD OUT
Fri Sep 24, 2010 – New York, NY – Central Park Summerstage SOLD OUT
More info at:
And yes, a deluxe version of Terror Twilight is planned for next fall, to complete the deluxe editions of each Pavement album that we have been issuing every two years.
(sure, we’re allowed to have an annual holiday party, but who’s supposed to pay for the cleanup?)
Once upon a time — when the bulk of our internet activity was longer than 140 characters — the Matador website feature periodic news updates (almost all of ‘em brutally late in arrival), along with an informal selection of staff and roster listening favorites. Said feature fell by the wayside when we made the fateful transition to the Matablog some 3 1/2 years ago. But fuck it, it’s the holiday season, and what better way to embrace the spirit of sharing than with a ferocious onslaught of grandstanding, oneupmanship and elitist self-fellatio?
But enough about our plans for Matador’s 21st Anniversary celebrations. Without further Freddy Adu, here’s an impressive array of ’09/decade favorite records, events & things from some of your most beloved Matador artists and the people who enable them. Dig in, after the jump :
File this under “totally fascinating blasts from the past”. Gerard is that a category?
Jon Spencer talks to Ian Svenonius (I figured they’d be nemeses for the similar territory they mined during my youth) on VBS. Seriously interesting stuff:
In addition to Tuesday’s release of Mission Of Burma’s 5th (!) studio album, ‘The Sound, The Speed, The Light’ and Sunday’s free outdoor concert at M.I.T., Boston’s City Council have wisely declared October 4, 2009, “Mission Of Burma Day”. Y’know, the City Council gets a bad rap every now and then, but for one day at least, our cynicism about local politics has been replaced by whole-hearted enthusiasm (and a desire to sell more copies of a fantastic new Burma 7″ hardly enough of you have checked out).
Just got back from a trip to London and am happy to report that it is still one of the record shopping capitals of the world. I’ve had many memorable visits there before, especially to the great Beano’s in Croydon when it was still three stories of original UK ’60s and ’70s pressings at reasonable prices, and of course rummaging around in the back room of Minus Zero for folk private pressings, and a memorably expensive (but totally worth it) trawl through the boxes at Intoxica that netted me original 7″es by the Poets and the Mockingbirds as well a mint Parlophone 1st/2nd matrix original mono Rubber Soul.
But this trip was mostly about shopping for new records. I visited the (relatively) new Rough Trade East in Brick Lane, which is London’s answer to Amoeba. Totally great experience – nice people, huge selection (esp of dubstep and funky 12″es), interesting books, lots of space. I bought several singles by the great Ramadanman (thanks Dean) as well as a super-cavernous 12″ from Aardvarck (recommended by staff), and a £5.99 CD of Richard & Linda Thompson in concert in 1975 that I somehow missed when it came out last year. Also scored double vinyl of the latest Benin comp from Samy Ben Redjeb’s Analog Africa label.
The original Rough Trade shop in Talbot Road off Portobello Market is also still great, though I remain stymied by the cramped upstairs. Downstairs is a different matter though – the vinyl is extremely well chosen and guaranteed to appeal to American buyers who are used to paying through the nose on eBay for decent copies of UK original rock and folk. I decided to spend £10 on Genesis’s Selling England By The Pound, and also picked up a dead mint Scott 3 in its gorgeous laminated Philips gatefold. Unfortunately the £30 original UK (with insert!) of The Hangman’s Beautiful Daughter was not mint.
On to Stand Out / Minus Zero, which remains as mindblowing as ever. I didn’t have a chance to talk to the ever friendly Bill Forsyth, but on the Stand Out side of the shop, Bill Allerton still presides over the greatest collection of UK freakbeat and psych still being offered in a physical location. I spotted a copy of The Hush 7″ Grey on the wall, one of my longest-term wants, and correctly guessed its price as being £500. Oh well – pass. Bill immediately remarked, “I have boxes and boxes of that sort of thing under the counter.”
On for a quick visit to Intoxica, where they were playing some insanely over the top British humor record that could have been a Vivian Stanshall solo album – I wasn’t sure. Crazy Latin records I’d never seen before, plus the Turkish alternate sleeve for Led Zep II on the wall – also for £500, in VG. Pass. Didn’t go behind the counter here… the stock is incredible, but I don’t have that kind of money to spend at the moment.
Finally up to the top of Portobello Road to Honest Jon’s, the best world / dub / ethnic store on earth. The genial Alan Scholefield was behind the counter spinning unbelievable deep reggae cuts and coming out to discuss Trikont comps of Vietnamese street music (“total Bo Diddley”). We grabbed a bunch of the latest Honest Jon’s comps – including one compiling ’70s bands from Upper Volta – and I scored a Tabu Ley Rochereau record from 1969 and a clean original Fela Ikoyi Blindness Nigerian pressing for £25.
Great day? ABSOLUTELY.
Fucked Up, who by all accounts pulled together the most ferocious set of Pitchfork weekend (two of them if you happened to be at Subterranean on Friday night), also found time to interview fellow fourth-wall breakers the Jesus Lizard.
Watch Pink Eyes hold his own with the heavyweights, and also see an outstanding version of “Crusades” from the festival.
Pink Eyes interviews the Jesus Lizard