(photo : Jesse Peretz)
Here at Matador Records and Filmworks, we’ve long lived by the credo established by our founder, Chris Lombardi, who once declared, “give the people what they want. Especially if it’s easily accomplished and/or lucrative for us.” And with that in mind, we have listened to the pleas and threats of YOU, the music fans still devoted to paying for physical goods, and can finally announce that after 12 long years in the out-of-print wilderness, we’re reissuing both of Chavez’ Matador albums on vinyl on January 20, 2015
(“Break Up Your Band”, from ‘Gone Glimmering’, directed by Scott Marshall)
“It’s not like we’re out to desconstruct rock, but when we started the band, we had an agreement that we wouldn’t play anything that sounded like something we’d heard before.” – MATT SWEENEY (speaking to Billboard in 1996)
“For me, Chavez was this perfect creative beast. We had all these annoyingly strong ideas about what we wanted to do, and we did them. We did them exactly.”
– CLAY TARVER (speaking to The New York Times Magazine in 2011)
(“Unreal Is Here”, from ‘Ride The Fader’, directed by Clay Tarver and Scott Marshall)
The quartet of Tarver, Sweeney and crack rhythm section James Lo and Scott Masciarelli never quite broke up — they just take many years inbetween gigs (and many more years making us wait for a third album). But there’s an awful lot to be said for leaving a flawless recorded legacy behind, and 1995’s ‘Gone Glimmering’ and 1996’s ‘Ride The Fader’ are unbeatable slabs of thinking-person’s loud rock from an era where such sounds were not in short supply. To say both albums have grown in stature and influence years after their release would not be an exaggeration, but that’s precisely why we’re taking brutal advantage of the situation at this very moment.
Preorder from The Matador Store :
‘Ride The Fader’
(via Amazon :
‘Ride The Fader’
OK, we missed Black Friday by a few days, but if that means ONE LESS TRAMPLING this holiday shopping season, it was totally worth it. On December 3, we’re releasing a limited edition, one-time pressing of a $5.99 list LP , ‘It’s Been A Business Doing Pleasure With You‘, featuring 9 songs from (most of) our 2013 releases. In addition to album tracks from Chelsea Light Moving, Majical Cloudz, Body/Head, Lee Ranaldo & The Dust, Iceage and Kurt Vile, there’s a live version of Queens of the Stone Age performing “If I Had A Tail” at the 2013 iTunes Festival (Roundhouse, London), Savages’ “City’s Full” from last summer’s KEXP session, and Yo La Tengo performing “Before We Run” in those same KEXP studios.
We don’t have any copies for mail order, sadly, but hopefully you’ll find one at your favorite record store after they’re done sweeping up all the broken glass, blood, etc. from Black Friday. If you prefer, you can order a digital version of the comp. right now at the Matador Store.
(I really don’t see the resemblance)
Back in early January WE SHOCKED THE MUSIC WORLD with news of a $1.98 Matador/True Panther Sounds sampler LP including (mostly) new songs from The Young, Ceremony, Lee Ranaldo Tanlines, Perfume Genius, Stephen Malkmus & The Jicks, Fucked Up, Girls, Cold Cave, Esben and The Witch and Kurt Vile. It’s come to our attention that a) there’s a few stragglers out there who’ve yet to order this limited edition LP, and b) some of you either trashed your record players or simply prefer music in digital form.
So here’s the deal —
you can still order the vinyl version from The Matador Store or hound your local retailer who might’ve filed it in THE $2 BIN. Failing that, here’s a free download of the entire compilation. You’re welcome!
V/A – Intended Play (zip)
July 26 marks the 5th anniversary of the Matablog’s public debut (after MONTHS of beta-testing), truly a day in that will go down in rock / internet history as the moment blogging finally came to fruition as
letting you know about record release parties in cities thousands of miles away a force for social change. Over these past 5 years, the Matablog has gone from being the #7 or #8 most widely read source for news and information about this label to being somewhere in the top 3 or 4. It is, however, the number one source of information concerning whatever Patrick has concocted in his well-stocked kitchen that weekend, and if you think you’re gonna get that kind of content from Paste or Metal Sludge.com, think again.
Though I realize many of you would like to credit me alone for the Matablog’s wild success (and I thank each of you for the cards, letters and fruit baskets that arrived today, especially the videogram from former NY Gov. Elliot Spitzer) it couldn’t have happened without the hard work, insight, and passion for THE TRUTH the Matador and Beggars staffs bring to the table, nor without the contributions from our family of recording artists. It is my fervent hope that in the days to come, the Matablog will continue to serve as a beacon of light in the otherwise dreary world of rock biz puffery. Frankly, I’d settle for Todd Netter not referring to it as “Mata-blog”, but perhaps that’s something we can target after the 10th anniversary.
Anyhow, enough with all of that insider-baseball bullshit. There’s no point celebrating a big anniversary without a party, and this weekend Matador has Thurston Moore, Cold Cave and Kurt Vile all appearing at our Matablog 5th Anniversary Bash in Chicago’s Union Park. I realize there’s a bunch of non-Matador artists on the bill ; there might even be banners atop the stages that fail to mention the actual name of the festival, but that’s ok. Not every record label blog is magnanimous enough to share their weekend in the sun with others, but after all this time you oughta know that we’re all about inclusion. Here’s to five (hundred) more years!
….but if you were cleaning up all the jpgs on your desktop and happened to come across a photo of Matmos’ Drew Daniel a) wearing a Burzum tee and b) standing in front of what appears to be A BURNED DOWN CHURCH, what would you do?
That’s right. You’d post the pic to the Matablog. Enjoy your monday.
Carry your Matador records around town with fear of dog-earing NO LONGER. We’ve done a lot of vinyl specials recently so now we’re doing a special vinyl container deal.
The bags are size large Dickies record bags with front clip and flap closure, inner and outer pockets and organizers, top handle and adjustable strap. Featuring a high quality embroidery of the Matador logo. They come in black, powder blue, and steel blue.
If you order one of our new, really awesome record bags, plus a piece of vinyl from the store you get free shipping anywhere in the US or Canda. Just enter “lovevinyl” in the promo code line during checkout and you’ll be good to go.
Here are both sides of a label catalog that was published on LP innersleeves in our early days. Click on the images to see a larger and more readable version.
Click on image for larger view.
This is the one-sheet for Superchunk‘s second album, OLE-035, No Pocky For Kitty, now available on Merge. A one-sheet is industryspeak for a retail sell-sheet. They are to be distinguished from bios, which are directed at press and tend to be more serious (and more frequently vetted by bands, if not actually written by them). A one-sheet is supposed to grab a frazzled buyer’s attention and say “order this record in quantity” with quick and catchy reasons why. It is not a place to meditate on music or art, which is not to say we haven’t done that on occasion.
This one-sheet was probably written by Johan Kugelberg, Matador’s first sales director.
Here is part one of an occasional series on Matador artifacts from our history. The Matador Profiles ad series (recently resurrected) ripped off the Creem Profiles ads from the 1970s, which in turn ripped off the Dewars Profiles ads from that period and earlier. Click on the image for a legible version.
Here you can see the ultra-suave Michael Cudahy, singer and main songwriter in Boston’s Christmas, whose album Vortex we released in 1993 (by which time the band had relocated to Las Vegas). Later he was in Combustible Edison, over whom we will politely draw a curtain. He also nearly beat Jeopardy contestant Ken Jennings, the 17-show champ, on June 25, 2004. In the early 1980s he helped start the legendary artist-owned label Propeller Records, which released important records by the Dangerous Birds, V;, the Neats, Art Yard, CCCP-TV and many others. (Sadly the Propeller masters were all destroyed in a disastrous fire at Cudahy’s house in Allston many years ago, so HA HA there will be no digital reissues.)