The Saints – “(I’m) Stranded”
The rest of the week is totally downhill from here.
The Saints – “(I’m) Stranded”
The rest of the week is totally downhill from here.
As Yo La Tengo’s North American tour is well underway (with a gala performance taking place just a stone’s throw from the old Tube Bar just an hour or two away), the following shows have just been confirmed :
October 1 – Babylon Club, Ottawa, Canada
October 11 – Belly Up Aspen, Aspen, CO
October 12 – In The Venue, Salt Lake City, UT
In honor of this exciting announcement, I thought about posting a YouTube clip of Ira and Georgia performing at Waterfront Records in 1988, but you’re probably gonna get plenty of that sort of thing in Jersey City tonight.
So instead, here’s Dr. Gene Scott. Have a wild weekend!
Perhaps not, but Early Mike’s gonna serve it up, anyway.
Early Man have the following gigs planned for October :
October 13 – Neumos, Seattle, WA
October 15 – Hell’s Kitchen, Tacoma, WA (with 3 Inches Of Blood)
And some shirts never go out of style.
November 21, Electric Factory, Philadelphia, PA
November 22, Hammerstein Ballroom, New York, NY
November 24, Majestic Theatre, Detroit, MI
November 25, Rivera Theater, Chicago, IL
November 26, Mississippi Nights, St. Louis, MO
November 28, Meridian, Houston, TX
November 29, Gypsy Ballroom, Dallas, TX
(Silversun Pickups play 1st on all dates, Dead Meadow 2nd)
Touring with Mason Jennings in support of her magnificent Matador debut, ‘Over the Mountain, Across the Valley, and Back to the Stars’, Jennifer O’Connor has the following free instore gig coming up :
Tuesday, September 26th at 7PM
466 Moreland Avenue
In addition, there’s a post-show meet & greet par-tay happening tomorrow night at the Independent Bar, 3rd and Central, St. Petersberg, FL. If you’re an old friend of Jennifer’s, be sure to stop by. If you’re a new friend, you’re equally welcome to come ’round (except you might have to buy your own drink).
If you were wondering what to get Mogwai’s Stuart Braithwaite for Christmas this year, here’s a hint : Lego Star Wars for the PSP.
(from left to right : Braithwaite, Ewok)
An interview with Stuart can be found at the official Star Wars website
Mogwai’s contributions to the original score of Darren Aronofsky’s “The Fountain” can be heard next week when the long awaited followup to “Requiem For A Dream” is screened at Austin’s Alamo South as part of the 2006 Fantastic Fest. Aronofsky will be on hand for a little Q and A, and prior to “The Fountain”, they’ll be showing René Laloux’s “Fantastic Planet”.
Mogwai headline Glasgow’s Barrowlands tomorrow night, and they’ll be at the Manchester Academy on Sunday.
Rarely do we break into regular programming around here to toot our own horn when it comes to something as crass as actual-record-sales, but this is kind of a special occasion. The new Yo La Tengo CD / 2 X LP / digital wacky-pack ‘I Am Not Afraid Of You And I Will Beat Your Ass’ enters this week’s Billboard Top 200 at no. 66, making it the highest chart entry and best first-week seller of the band’s illustrious career.
Though I’d like congratulate Ira, Georgia and James on this commercial achievement, clearly, a big share of the credit is due to Matador’s hard working street team.
If you had any difficulty finding copies of Mastodon’s excellent ‘Blood Mountain’ last week, I sincerely apologize. We’re just doing our job.
If you’d like to join the celebration from the comfort of your own lonely hovel, we’re accepting video submissions at iamnotafraidofyouandiwillbeatyourass.com. This could be your big chance to become as big a global internet sensation as these guys.
Not since Mo Levy had John Lennon round to the barn for some beers has a record label been nearly as vault-plundering as Matador’s treatment of Pavement’s classic oeuvre. Well, I suppose Mystic and Cog Sinister come to mind, but as neither have blogs (or crack art deparments), I’ll leave them out of the discussion.
In the rich tradition of our mega-deluxxxe reissues of ‘Slanted & Enchanted’ and ‘Crooked Rain, Crooked Rain’, we’re pleased to announce the November 7 re-release of Pavement’s widely misunderstood 3rd album, ‘Wowee Zowee’, henceforth entitled, ‘Wowee Zowee : Sordid Sentinels Edition’
the full track listing :
01 We Dance
02 Rattled by the Rush
03 Black Out
04 Brinx Job
06 Serpentine Pad
07 Motion Suggests Itself
08 Father to a Sister Of Thought
10 Best Friend’s Arm
11 Grave Architecture
12 AT & T
13 Flux = Rad
14 Fight This Generation
15 Kennel District
17 Half a Canyon
18 Western Homes
19 Sordid [previously unreleased Wowee Zowee session outtake]
20 Brink of the Clouds [Rattled by the Rush b-side]
21 False Skorpion [Rattled by the Rush b-side]
22 Easily Fooled [Rattled by the Rush b-side]
23 Kris Kraft [Father to a Sister of Thought b-side]
24 Mussle Rock [Father to a Sister of Thought b-side]
25 Give It a Day [Pacific Trim EP]
26 Gangsters & Pranksters [Pacific Trim EP]
27 Saganaw [Pacific Trim EP]
28 I Love Perth [Pacific Trim EP]
29 Sentinel [previously unreleased Wowee Zowee session outtake]
01 Sensitive Euro Man [I Shot Andy Warhol soundtrack]
02 Stray Fire [previously unreleased Wowee Zowee session outtake]
03 Fight This Generation [recorded March 3, 1994 at Hilversum, Holland]
04 Easily Fooled [recorded March 3, 1994 at Hilversum, Holland]
05 Soul Food [Wowee Zowee jam session w/Doug Easley on piano]
06 It’s a Hectic World [from Homage to Descendents tribute album]
07 Kris Kraft [BBC in-studio; Steve Lamacq Evening Session, March 15, 1995]
08 Golden Boys/Serpentine Pad [BBC in-studio; Steve Lamacq Evening Session, March 15, 1995]
09 Painted Soldiers [BBC in-studio; Steve Lamacq Evening Session, March 15, 1995]
10 I Love Perth [BBC in-studio; Steve Lamacq Evening Session, March 15, 1995]
11 Dancing With the Elders [from Medusa Cyclone/Pavement split 7″]
12 Half a Canyon [live; Wireless JJJ Radio, Australia, July 7, 1994]
13 Best Friend’s Arm [live; Wireless JJJ Radio, Australia, July 7, 1994]
14 Brink of the Clouds/Candylad [live; Wireless JJJ Radio, Australia, July 7, 1994]
15 Unfair [live; Wireless JJJ Radio, Australia, July 7, 1994]
16 Eaily Fooled [live; Wireless JJJ Radio, Australia, July 7, 1994]
17 Heaven Is a Truck [live; Wireless JJJ Radio, Australia, July 7, 1994]
18 Box Elder [live; Wireless JJJ Radio, Australia, July 7, 1994]
19 No More Kings [from Schoolhouse Rock! Rocks comp]
20 Painted Soldiers [from Kids in the Hall in Brain Candy soundtrack]
21 We Dance (alternate mix) [previously unreleased Wowee Zowee session outtake]
The sort of lavish, jaw-dropping packaging that you’ve come to expect from our previous Pavement reissues? We’re on it. Cryptic hints of a band reunion that may or may not occur this decade? You can get them somewhere else, we’re not trading in such conjecture. But there’s more than enough meat to chew on here, and I for one am looking forward to a nifty trip down memory lane to the day in 1996 when Larry Clark suggested (with a straight face) that Tom Surgal “should be put in jail” for the “Rattled By The Rush” video.
Tom of course, had the last laugh. He wasn’t the one who directed “Bully”.
The LA Times’ Lorenza Muño on Fox’s new Christian film division.
In February, Yordy unveiled the FoxFaith logo at the National Religious Broadcasters convention in Nashville, bringing the normally skeptical crowd to its feet. Seeing the label on the big screen formalized the commitment from Fox, Yordy said.
Three years earlier, the idea of launching a Christian label at Fox was considered a joke, but Yordy said the use of humor helped win the convention-goers’ trust this time around.
“The approach we took was … ‘At Fox, you may know us for our quality family programming,’ ” Yordy said he told the audience, against a backdrop of video clips from Paris Hilton’s “The Simple Life” and the reality show “Temptation Island.”
“The room just died laughing,” he said. “I said to them, ‘That is exactly what you expect from Fox. But that is not what we at FoxFaith are”
FoxFaith’s biggest splash came in July at the International Christian Retail Show in Denver, the largest annual gathering of Christian retailers in the nation.
Inside a massive white tent across from the Denver Convention Center, a studio-sponsored event had all the earmarks of a Hollywood fete: a lavish buffet, an exclusive movie preview of 20th Century Fox’s upcoming family-friendly horse drama “Flicka” and acrobats from Cirque du Soleil. Because it was a Christian convention, no alcohol was served and the performers’ costumes were inspected to ensure demure necklines.
Yo La Tengo’s Ira Kaplan is being interviewed on WNYC’s “Soundcheck” at this very moment by John Schaefer.
Earlier in the program, a researcher from the University of Leicester was asked to characterize the typical Yo La Tengo fan. He presumed that he or she would be highly educated, not particuarly highly-paid, and most curiously, not a pet owner.
With all due respect, what the fuck?
Surely you don’t need an excuse to read Blabbermouth.net several times a day?
Producer Bob Rock recently told Reuters that he feels “20 years younger” after his split with METALLICA, whose albums he had produced since 1991.
The Canadian producer parted company with the metal titan earlier this year and is now devoting his energies to other artists and a return to his own recording career.
According to the 52-year-old Rock, “My life is now about my wife and kids, and recording other bands.”
Rock first teamed with METALLICA for its self-titled 1991 album (aka “The Black Album”). The Elektra set debuted at No. 1 on the Billboard 200 and stayed on the chart for 281 weeks. Rock helmed METALLICA’s subsequent albums, through 2003’s “St. Anger”.
A behind-the-scenes look at that tumultuous project was featured in the following year’s unflinching documentary “Metallica: Some Kind of Monster”. A petition that some 1,500 fans signed subsequently was posted online calling for METALLICA to dump Rock, claiming he had too much influence on the band’s sound.
“The criticism was hurtful for my kids, who read it and don’t understand the circumstances,” Rock says. “Sometimes, even with a great coach, a team keeps losing. You have to get new blood in there.”
Stanley confirms that one of the ideas being discussed is a traveling version of the orchestral shows Kiss played in 2003 in Australia, which resulted in the “Kiss Symphony” CD and DVD releases.
“It’s not out of the realm of possibility,” says Stanley, who welcomed his second son, Colin, with wife Erin on Sept. 6. “Anything’s possible, but we’re far away from conforming or committing to something like that. I’ll let you know when it’s true.”
New Kiss music is another matter, however. Stanley says as far as he’s concerned, trying to make a new album in the shadow of Kiss’ classic repertoire is, at the very least, a challenge. “The fact is, [fans] may tolerate the new songs, but it’s the old ones you want to hear,” he notes. “I think Jimmy Page and Robert Plant found that out. The [Rolling] Stones certainly know it. The Who certainly know it. So unless you’re willing to go into the studio accepting that how your album will be received will never match your expectations, I’m not sure it’s worth the effort.”
(poster art from an LA show that was rescheduled, designed by Francesca Montanari)
Cat Power and The Memphis Rhythm Band are hitting my adopted hometown of Austin, TX for this weekend’s sprawling Austin City Limits Festival (Cat Power on Friday, The New Pornographers on Sunday. Not appearing : Color Me Badd) with an addition show at Stubbs’ Barbecue Sunday evening.
And like they say during the daily casualty briefings, “but wait, there’s more.” Chan and the Memphis Rhythm Band will be taping a studio performance for PBS’ “Austin City Limits” this coming Monday (September 18) at 8pm. A limited number of tickets are being made available to the public this Friday at noon at the studios of KLRU.
KLRU is located on the University of Texas campus at the corner of Dean Keeton and Guadalupe. Tickets will be distributed on a first come, first served basis. There is a limit of two tickets per person. Please note that Austin City Limits cannot guarantee admission, even if you hold a ticket, probably because they’re smart and would like to avoid liability.
Britain celebrated its first Roald Dahl Day on Wednesday to mark the 90th birthday of the much-loved author of children’s classics “Charlie and the Chocolate Factory,” “Matilda” and “James and the Giant Peach.”
Children and parents across Britain participated with parties and book-readings this week to celebrate the writer, who died in 1990.
A special train ferried fans from London to Great Missenden, 35 miles west of the city, where Dahl lived for more than 30 years.
Guides from the Roald Dahl Museum conducted tours of the town, stopping to read passages from stories and pointed out landmarks that inspired scenes from Dahl’s books, including the library where Matilda reads and Sophie’s orphanage from the “BFG,” the Big Friendly Giant.
Second Life, the fast-growing online site where hundreds of thousands of people play out fantasy lives online, has suffered a computer security breach that exposed the real-world personal data of its users.
Linden Lab, the San Francisco-based company behind the Second Life site, said in a letter to its 650,000 users this weekend that its customer database, including names, addresses, passwords and some credit card data, had been compromised.
Blurring the line between a multiplayer game and an online business, the popularity of the site has spurred Fortune 500 corporations such as Coca-Cola Co. and Wells Fargo & Co., along with architects, authors, and musicians to erect virtual outposts of their organizations or personas.
Retailer American Apparel has created a business to sell clothing for the Second Life avatars users create to represent themselves inside the online world. Musicians such as Duran Duran and Suzanne Vega have held concerts inside Second Life.
I’m not sure which part of the above I find more troubling — the massive potential for identity theft, or the fact that Matador bands have such a terribly low profile in virtual worlds. Seriously, fuck your ACL, Vegoose, ATP, etc., call me back when you’re headlining Planet Dork.
Biopic of iconic figures from our own lifetime are usually fraught with peril. In the rare case of an interesting reading (Gary Oldham as Sid Vicious, Anthony Hopkins as Richard Nixon), it’s almost impossible to escape the shadow of the real persona. In the more common example of a poorly conceived, badly written, sloppily directed and hopelessly miscast project (Michael Chiklis as John Belushi, Dwayne Adway as Dennis Rodman, Powers Boothe as Jim Jones, Steve Railsback as Charles Manson) even the lowest of expections are left unfullfilled.
VH1’s “Meat Loaf : To Hell & Back” — witnessed on a JetBlue flight from New York to Austin the other night — doesn’t just fall into the latter category, it might be the Grandaddy Of All Shit Made-For-Cable movies. Factual mistakes galore. Lots of screaming. Inexplicable plot twists. The biggest collection of crap haircuts ever displayed outside of Williamsburg.
(Incredibly, the film is not redeemed one iota by the small screen prescence of David Kleiler, the former Sorry/Volcano Suns guitarist turned video and film director.)
Anyhow, with this black mark on the reputation of Marvin Lee Aday squarely in mind, I share with you the EPK for the new Meat Loaf opus, ‘Bat Of Out Hell III : The Monster Is Loose’ (quicktime required).
Though he couldn’t pack Chris Lombardi’s lunch when it comes to gourmet journalism, the New York Post’s Steve Cuozzo (above) did a fine job yesterday of imposing a death sentence on Bamn!, St. Marks Place’s attempt at recalling the Automats of yesteryear.
If its mostly vile $1-$2 delicacies – from chicken nuggets to peanut-butter-and-jelly empanadas – were sold in a deli, they wouldn’t draw a fruit fly. They are possibly the worst foodstuffs ever offered for human consumption outside a famine zone.
But automats have a Freudian hold on New Yorkers’ imaginations, even among those too young to have ever seen one. Bamn!’s clever owners saw how popular automats are in Japan and some European cities. Let’s launch a 24/7 operation serving instant junk food to boozers from the ‘burbs! Let’s put the stuff behind a wavy pink wall of plastic windows! Let’s use an exclamation point!
Chicken “teriburgers,” devoid of teriyaki flavor, come slathered in pink, mayo-like goo; roast pork buns conceal ghastly pools of pig matter.
Beware above all peanut-butter-and-jelly empanadas. Bite into the leaden dough with utmost care, lest a tide of purple-brown matter spew forth like a backed-up toilet.
Bamn! has a “consulting chef” – poor Kevin Reilly, who once did a good job at SoHo’s Zoe, but whose most recent local gig was comically bad Silverleaf Tavern, which gave up and converted itself into a lounge.
Bamn! should convert, too – perhaps to a phone booth, which could take your quarters but not pay you back with acid reflux.
No mention of the original artwork for Cat Power’s ‘The Greatest’, however.