Coming August 24 : Interpol – ‘Marauder’


(Interpol by Jamie-James Medina)

“Marauder is a facet of myself. That’s the guy that fucks up friendships and does crazy shit. He taught me a lot, but it’s representative of a persona that’s best left in song. In a way, this album is like giving him a name and putting him to bed.” -Paul Banks

Months of speculation come to an end today as details of the new Interpol album can finally be confirmed: One of the most critically acclaimed bands of this generation will release their sixth album, Marauder, August 24th on Matador Records.

As you read this, Interpol is currently revealing all details (Themes! Making-of! Album art! Producer! Visuals!) to a convergence of their most fervent fans and media, live from General Prim 30 in Mexico City via a live-streamed press conference. (Update: see the archived video of Interpol’s press conference below)

Marauder’s first single, “The Rover”, can be heard HERE, and will be performed live on CBS’ “The Late Show with Stephen Colbert” tomorrow night, June 8 (11:35 eastern airtime).

Interpol have also confirmed an initial run of worldwide tour dates, in addition to previously announced appearances at London’s BST Hyde Park with The Cure, Glasgow’s TRNSMT Festival, NYC’s House of Vans and Chicago’s Riot Fest. Those that preorder Marauder directly from the Interpol store will get first access to ticket presales for the new shows, which include London’s Royal Albert Hall, New York City’s Madison Square Garden and Los Angeles’ Hollywood Bowl. The full list of tour dates can be found below.

Tracklist
1. If You Really Love Nothing
2. The Rover
3. Complications
4. Flight of Fancy
5. Stay in Touch
6. Interlude 1
7. Mountain Child
8. NYSMAW
9. Surveillance
10. Number 10
11. Party’s Over
12. Interlude 2
13. It Probably Matters


(photo by Jamie-James Medina)

Special Vinyl Editions
The standard black vinyl edition of Marauder will be available from the Matador Store, Interpol band store, and all good independent music retailers.

The red vinyl edition is only available through the Matador Store or the Interpol band store.

The cream vinyl edition will only be available for purchase through independent retailers.

Preorder Marauder direct from The Interpol Store to get first access to ticket presales.

Stream/preorder ‘Marauder’

Preorder ‘Maurader’ from The Matador Store

Stream / download “The Rover”

Interpol on tour (new dates in bold)
Monday, June 25th – Arena Wien Open Air – Wien, AU
Tuesday, June 26th – Sexto Nplugged – Sesta Al Reghena, IT
Wednesday, June 26th – INmusic Festival – Zagreb, HR
Sunday, July 1st – TRNSMT Festival – Glasgow, UK
Saturday July 7th – British Summer Time, Hyde Park, London, UK (with The Cure) (SOLD OUT)
Thursday, July 5th – Roskilde Festival – Roskilde, DK
Friday, August 24th – House Of Vans, Brooklyn, NY
September 14-16, Riot Fest, Douglas Park, Chicago IL
Thursday, October 4th – Hollywood Bowl – Los Angeles, CA
General On Sale – 10am local time, June 15th
Saturday, October 6th – Greek Theatre – Berkeley CA
General On Sale – 10am local time, June 15th
Tuesday, November 6th – Akasaka Blitz – Tokyo, JP

General On Sale – 10am JST, June 23rd
Wednesday, November 14th – Royal Albert Hall – London, UK
General On Sale – 10am BST, June 15th
Saturday, November 24th – TAP1 – Copenhagen, DK
General On-Sale – 10am CEST, June 15th
Thursday, November 29th – La Salle Pleyel – Paris, FR
General On Sale – 10am CEST, June 15th
Saturday, February 16th – Madison Square Garden, NYC NY *

General On Sale – 10am EST, June 15th

* w/ Car Seat Headrest, Snail Mail

Interpol has announced plans to perform at Madison Square Garden on February 16th, featuring support from Car Seat Headrest and Snail Mail.

Interpol – official site
Interpol – Facebook, Twitter, Instagram
Interpol – YouTube channel

It finally happened; somebody called the cops on Interpol.

The long arm of the law caught up with Daniel Kessler, Paul Banks, and Sam Fogarino in 2017, as they worked on a new album inside the Yeah Yeah Yeahs’ rehearsal space in Manhattan. Even in its infancy, Marauder was shaping up to be a beast; an early practice session was so vigorous, it resulted in Sam hitting the drums so hard that he busted his kick drum. “That rarely happens, even with heavy-hitters,” says Sam.

Eventually, the trio were playing with such force and volume, that a neighbor called the boys in blue on the boys in black, forcing them out of the practice space. “We ruined it for everyone,” reflects Daniel. “It seemed like you’re picking on the wrong rock band,” adds Sam with a laugh. “It’s not like we’re Mastodon. I mean, in certain circles, we’re considered wimps!”

If that was ever the case, the Interpol captured on their sixth album are nothing of the sort. While many fans took time over the last 18 months to read about the band’s vital part in New York City’s early 21st century rock renaissance, or bask in the glory of their hugely successful 15th anniversary tour celebrating the seminal 2002 debut Turn On the Bright Lights, the trio have been quietly (sorry, LOUDLY) working on making sure they’re not just a cultural timepiece for music historians to study. The result is Marauder: an album that sways as well as it seduces, that pounds as well as it pouts, and that batters as well as it broods.

They’ve had some help along the way. For the first time since 2007’s Our Love to Admire, Interpol have opened themselves up to the input of a producer. For two-week spells between December of 2017 to April of 2018, they travelled to upstate New York to work with Dave Fridmann – famed for recording with Mercury Rev, Flaming Lips, MGMT, Spoon, Mogwai, and countless more.

The New Yorkers arrived at his remote and frequently snowbound Tarbox Studios with most of Marauder tightly rehearsed and worked out. Fridmann made sure that their meticulous work in crafting a virile and visceral set of songs didn’t get flattened during recording. It was his suggestion to skip the Pro Tools, and record directly two-inch tape. “That meant there was a limitation to the amount of things you could track,” explains Daniel. “You couldn’t add more overdubs because you would have to erase something else. You couldn’t really over-think too much of it.” It’s a decision that allows a leaner and more muscular Interpol to flex throughout the album.

In the run up to writing and recording, Sam found himself immersed in soul drummers such as Al Jackson Jr (Otis Redding’s drummer) and 80’s funk producers Jimmy Jam and Terry Lewis. “How can I make shit swing?” was the question Sam repeatedly asked himself, and the answer is in the striding gallop of opener “If You Really Love Nothing,” the embellished skip ‘n’ bounce of “Stay in Touch” and the R&B swagger of closer “It Probably Matters.” Interpol have always been world-beaters at creating a feeling, but Marauder is where the feel is just as crucial.  – Hardeep Phull