Matablog

Savages – ‘Marshal Dear’ video

October 29th, 2013 at 8:32 am by Stuart
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Ahead of tomorrow’s Mercury Prize awards (get those bets in now!) Savages share their Slaughterhouse Five inspired video for ‘Marshal Dear’, taken from their debut album Silence Yourself (Matador Store, iTunes).

Inspired by a scene in Kurt Vonnegut’s classic novel about a disillusioned American soldier recounting his experiences of the Second World War and his adventures in time travel, guitarist Gemma Thompson scripted a rough version of the storyboard based upon one scene in particular with the intent on finding a young animator who had worked on animating by hand. After two months of watching portfolio reels, she eventually found the work of Gergely Wootsch, a London animation director just graduated from the RCA.

The scene from the novel occurs whilst main protagonist Billy believes he has become ‘‘unstuck in time.’‘ He turns on the TV and focuses on a scene in a movie about bombers in the Second World War. The aircraft take-off backwards from an airfield, flying backwards over cities in flame. The exploded bombs and shrapnel begin to piece themselves together and rise back into the bellies of the aircraft and the bullets are sucked out of the bodies of the fallen men. The bombs are eventually brought back to the factory in which they were constructed, dismantled and the elements placed back into the earth.

Speaking of the video, Gemma says “This scene would replay in my head and I could imagine it as an animation of lines flowing into each other, much like early hand-drawn animation created to accentuate a musical score. I also thought it was beautiful how Billy tries to right the process of destruction and how this echoed the true story of the character in the song Marshal Dear – Field Marshal Rommel’s attempted assassination of Hitler to end the Second World War which resulted in him being forced to take his own life to spare those of his family. We worked on bringing the character of the factory worker into the fore so that the animation now focused on the role of the woman working in the factory and the bomb itself as she realises her hand in the destruction.”

Credits:
Designed and animated by Gergely Wootsch – www.gergely-wootsch.com
Additional animation – Rosanna Wan
Produced by Beakus – www.beakus.com

October
31st Pitchfork Festival, Paris, France

November
2nd Iceland Airwaves, Reykjavik, Iceland
5th Concorde 2, Brighton, UK
6th The Forum, London, UK
7th Trinity, Bristol, UK
9th Ritz, Manchester, UK
10th Classic Grand, Glasgow, UK
11th Vox, Leeds, UK
16th Crossing Border, den Haag, The Netherlands
17th Crossing Border, Antwerp, Belgium
18th Doornroosje, Nijmegen, The Netherlands
20th Gebaude 9, Cologne, Germany
21st Zoom, Frankfurt, Germany
22nd Kesselhaus, Berlin, Germany
23rd Gruenspan, Hamburg, Germany
25th Strom, Munich, Germany
26th Flex, Vienna, Austria
28th Les Docks, Lausanne, Switzerland
29th Mexefest, Lisbon, Portugal

December
1st Sonic City Festival, Kortrijk, Belgium
2nd Den Atelier, Luxembourg, Luxembourg
3rd, Paradiso, Amsterdam, The Netherlands

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