“We were thinking about remixers like Frankie Knuckles when we approached this one. A guy like that could take a song from any genre and make these incredible grooved out dub versions of his own. We looked at our remix of “The Rover” like that… just trying to build something that could be played in a club late at night.”+- DJDS
Interpol have shared a new remix of “The Rover” by electronic production duo DJDS aka DJ Dodger Stadium (Jerome LOL and Samo Sound Boy, known for their work with Kanye West, Khalid, Vic Mensa and others), the first in a series of remixes from their critically acclaimed new album ‘Marauder’. The infectious rework sees Balearic synth stabs and undulating rhythm serve as the backdrop to Paul Banks’ haunting vocals and lyrics of an elusive cult leader.
Kurt Vile’s Bottle It In is here in just two days. Until then, hear two new performances from Kurt’s recent session at SiriusXM, performing “Bassackwards” from the new album, as well as a cover of Tom Petty & The Heartbreakers’ track, “Learning To Fly.” Listen to the full session on SiriusXM’s webplayer here at 9pm ET tonight. Kurt Vile & The Violators embark on their massive world tour beginning on release day in Germany. See their full itinerary below.
Car Seat Headrest is excited to announce a newly confirmed run of headline tour dates for 2019. Kicking off on Valentine’s Day in Boston, the tour makes its way down the East Coast, making multiple stops in Florida, a first for the band, and winds its way through Texas, culminating in San Antonio on March 2nd. Car Seat Headrest’s electrifying seven-piece live band, including members of Naked Giants, has been on the road for the past month in the States, playing grandiose, sold-out shows in support of the recently released ‘Twin Fantasy’, the re-recorded and re-imagined return to the band’s 2011 Bandcamp classic. Previously only available physically as a Record Store Day exclusive, the remastered 2011 version of ‘Twin Fantasy’ (dubbed ‘Twin Fantasy – Mirror To Mirror’) will be available on all digital services on November 2nd and on vinyl on November 9th.
The latest single from songwriting powerhouse Kurt Vile’s album-of-the-year contender ‘Bottle It In’ is a banjo-propelled, instant classic that belies the author’s claim, “I’ve always had a soft spot for repetition.” While peers real and imagined tip-toe on the periphery of Americana, folk and classic rock, not for the first or last time, Philadelphia’s Vile renders such considerations moot — if he’s not 2018’s wittiest, most evocative storyteller, we’d like to meet whoever else holds the crown.
Prior to tomorrow’s show at LA’s Greek Theatre with Courtney Barnett and Waxahatchee, Stephen Malkmus & The Jicks visit KCRW’s “Morning Becomes Eclectic” for a live session today at 11:15 pacific time.
Snail Mail’s ridiculous global touring run in support of ‘Lush’ has been augmented with a December 29 Philadelphia date with Kurt Vile and The Feelies, and 3 West Coast shows in January playing prior to Parquet Courts. Said dates in San Diego, Santa Ana and Los Angeles go on sale this Friday, October 5 at 10pm pacific time.
On Tuesday night, Interpol performed “If You Really Love Nothing” from ‘Marauder’ on NBC’s “Late Night With Seth Meyers”. The band’s global touring run re-commences tomorrow night in Dallas and a Chicago date has been added February 7 (tickets are on sale today ).
Algiers continue their global campaign in the wake of the monumental ‘The Underside Of Power’, now stretching into a 3rd calendar year with 2019 UK and European dates starting January 11 in Norwich (see Robyn Hitchcock’s “Listening To The Higsons” for more specific information on this city, or perhaps just consult wikipedia). Tickets are on sale today.
At last week’s close of Queens of the Stone Age’s massive, 129 date world tour in support of ‘Villains’, fans in Tasmania were treated to an intimate one-off acoustic set at MONA (Museum of Old and New Art) in Hobart – a benefit that generated $10,000 matched by QOTSA’s Joshua Homme’s own Sweet Stuff Foundation for a total of $20,000 to support the Royal Hobart Hospital Paediatrics Ward. The band visited the hospital the following day, presenting the donation to the hospital and gifts to its patients. Above – the band performing “The Way You Used To Do”.
Yo La Tengo’s annual series of Hanukkah shows to benefit their chosen charities resumed in 2017 at Lower Manhattan’s Bowery Ballroom and continues for another 8-night (duh) run at said venue running this December 2 thru the 9th. Tickets go on sale this Friday, September 14 at noon eastern time, and no-fee tickets are available in person at the Mercury Lounge box office starting the same day/time (cash only).
In addition, Yo La Tengo have been confirmed to participate in next August’s Belle and Sebastian curated Boaty Weekender. Tickets/info here.
(Video by Marisa Gesualdi
Original Footage directed by Aurora Glassock)
Weeks of speculation come to an end today as details of the new Kurt Vile album can finally be confirmed: One of the most critically and commercially acclaimed artists of the last decade will release ‘Bottle It In’ on October 12th. Today’s announcement is accompanied by the release of a new song titled “Bassackwards”, the album’s beating heart and Vile’s most compelling evocation of how he sees the world: “I was on the ground circa Planet Earth, but out of sorts,” he sings over a gently psychedelic bed of backmasked guitars. “But I snapped back, baby, just in time to jot it down.”
Kurt Vile has also confirmed a lengthy run of worldwide tour dates for 2019 with backing band The Violators, in addition to previously announced tour dates coming up this fall. The 2019 North American shows traverse a multitude of East Coast, Midwest, Southwest, and Southern cities, with support from The Feelies. A special hometown show in Philadelphia has been added for December 29th 2018, which will take place at the newly rehabilitated historic Metropolitan Opera House (aka The Met Philadelphia) as part of their opening week celebration. The full list of tour dates can be found below.
Travel can inspire in surprising ways: Kurt Vile discovered as much making his first record in three years, the eclectic and electrifying Bottle It In, which he recorded at various studios around the country over two very busy years, during sessions that usually punctuated the ends of long tours or family road trips. Every song, whether it’s a concise and catchy pop composition or a sprawling guitar epic, becomes a journey unto itself, taking unexpected detours, circuitous melodic avenues, or open-highway solos. If Vile has become something of a rock guitar god—a mantle he would dismiss out of humility but also out of a desire to keep getting better, to continue absorbing new music, new sounds, new ideas—it’s due to his precise, witty playing style, which turns every riff and rhythm into points on a map and takes the scenic route from one to the next.
Using past albums as points of departure, Bottle It In heads off in new directions, pushing at the edges of the map into unexplored territory: Here be monster jams. These songs show an artist who is still evolving and growing: a songwriter who, like his hero John Prine, can make you laugh and break your heart, often in the same line, as well as a vocalist who essentially rewrites those songs whenever he sings them in his wise, laconic jive-talkin’ drawl. He revels in the minutiae of the music—not simply incorporating new instruments but emphasizing how they interact with his guitar and voice, how the glockenspiel evokes cirrocumulus clouds on “Hysteria,” how Kim Gordon’s “acoustic guitar distortion” (her term) engulfs everything at the end of “Mutinies,” how the banjo curls around his guitar lines and backing vocals from Lucius to lend a high-lonesome aura to “Come Again.”
These journeys took Vile more than two years to navigate, during which time he toured behind his breakout 2015 album b’lieve I’m goin’ down, recorded a duets album with Australian singer-songwriter-guitarist Courtney Barnett, opened for Neil Young in front of 90,000 people in Quebec, famously became a clue on Jeopardy, hung out with friends, took vacations with his wife and daughters.
In April 2017, he trekked out to Indio, California, to catch the Stagecoach Festival and sit in with his friends the Sadies (“my favorite modern band”). Inspired by Willie Nelson’s epic set, Vile spent a few days in Los Angeles working with producer Rob Schnapf at his Mant Sounds studio. The two had previously worked together on “Pretty Pimpin,” the leadoff track on b’lieve that became a number-one AAA radio hit. Their second collaboration was similarly inspired: Featuring backing vocals from Cass McCombs, the eleven-minute title track is full of ominous bass rumbles, hazy-steady drumbeats from Warpaint’s Stella Mozgawa, delicate harp stabs from Mary Lattimore, and what sounds like chewy distortion leaking out of a David Lynch flick.
Months later, when a lengthy Violators tour ended in Salt Lake City, Vile let the momentum carry him further west, where he recorded several more songs with engineer/producer Shawn Everett (Alabama Shakes, the War on Drugs) at The Beer Hole in Los Angeles. Other songs were put to tape during sojourns to Portland, Oregon, and to Greenpoint, Brooklyn, where fellow Violator Rob Laakso co-produced. The bulk of Bottle It In was bottled up at Tarquin Studios in Bridgeport, Connecticut, with Peter Katis (Interpol, the National) engineering and producing. Bottle It In captures the spontaneity of these impromptu sessions, revealing Vile as a diligent and singularly determined musician.
These recordings are the destinations, but the journeys were just as important, whether they gave him time with his wife and kids or an opportunity to get some writing done. “For a while I was terrified of flying, so I would be listening to whatever country songs I was obsessed with. I’d have George Jones blasting in my ears. Or, I would be reading something about country music. Or, I would start writing songs in that flash of being afraid, being swallowed by life. I’m up there on a plane drinking wine because like everybody else I’m afraid to die. And I wrote ‘Hysteria’ up there.” That new song, with its woozy guitar fanfare, captures mid-flight queasiness well, as Vile daydreams about escaping the flight: “Stop this plane ‘cause I wanna get off,” he sings. “Pull over somewhere on the side of a cloud.”
Bottle It In is about place only insofar as it is about the people in those places: friends and family, bandmates and music heroes, colleagues and collaborators. There’s a lot of love in these big-hearted songs, a lot of warmth toward everyone in Vile’s orbit and even toward those whose paths he’s yet to cross. “Loved you all a long, long while,” he sings on “One-Trick Ponies.” “Looked down into a deep dark well, called all of your names.” The jangly country-rock tune serves as a valentine to… he won’t say, but he and Mozgawa and Farmer Dave Scher deliver a beautifully sympathetic sing-along chorus that invites every one of us one-trick ponies to join in.
As Vile prepares for another round of lengthy tours and countless shows, these songs should prove good company, reminders of the love and responsibility he has toward those he leaves at home and those he meets along the way. That makes the sentiments resonate more strongly and lends Bottle It In an emotional weight. “It’s like that moment on the airplane,” Vile says, “when you’re on your way somewhere and you have that burst of panic. When you’re terrified of dying, that’s when you want people to know you love them.” – Stephen Duesner
01 Loading Zones
03 Yeah Bones
05 One Trick Ponies
06 Rollin With The Flow
07 Check Baby
08 Bottle It In
10 Come Again
11 Cold Was The Wind
12 Skinny Mini
13 (bottle back)
Belle & Sebastian are thrilled to announce the initial lineup for The Boaty Weekender, their curated, four-day music festival at sea and holiday experience, sailing from Barcelona to Cagliari, Sardinia, 8-12 August 2019. Joining the legendary Scottish host band is an eclectic mix of acts including Mogwai, a reunited Camera Obscura, Django Django, Alvvays, The Buzzcocks, Japanese Breakfast, Honeyblood, HINDS, Kelly Lee Owens, Nilüfer Yanya, Whyte Horses , Tracyanne and Danny and more to be announced.
“It’s the start of September, Belle and Sebastian are facing the autumn term, back in the studio, back to the blackboard, sharpening their plectrums, already dreaming of next summer.
If only there was something to look forward to, a party, an adventure, something on the horizon, something to take the chill out of the thought of winter…
The Boaty Weekender: a sail around the Med, a nice little trip with friends, some of the best people, in some of the best places!
We’ve asked around, we collected the first shipmates. They’re going to earn their passage by playing their best for you, digging deep into their musical reservoirs.
We’re really going to try to make this a great holiday. We’d love to have you along for the trip!
“I thought about a new destination
I’m never short of new inspiration
Roll out the map and mark it with a gin!”
– Belle & Sebastian
The Boaty Weekender marks the 20th anniversary of Belle & Sebastian’s legendary 1998 Bowlie Weekender – a landmark in DIY festivals. The four-day floating festival and luxury holiday cruise around the Mediterranean, is a natural continuation of the band’s special and unmediated relationship with their fans for over three decades.
In addition to multiple performance by each band across 5 stages, this fan and band holiday experience will play host to one-of-a-kind artist collaborations, insightful Q&As, storyteller and panel sessions, theme parties, group activities, custom event merchandise and more. Guests who book in the first 350 staterooms will get access to a special performance of Fold Your Hands Child, You Walk Like a Peasant – an album never before performed in its entirety. Those who reserve a stateroom at any point during the pre-sale will receive an exclusive Boaty Weekender Vinyl for their collection.
For the best selection of staterooms, fans are encouraged to register for the pre-sale of The Boaty Weekender. For more information and news on line-up announcements, visit online at http://www.theboatyweekender.com/
In addition to today’s premiere of a 4-song session taped for KEXP, Snail Mail have confirmed 14 more U.S. shows starting with a November 30 date at Jersey City’s White Eagle Music Hall. Ticket links can be found below.
Earlier this summer, Iceage visited Seattle’s KEXP to record a 4 song session (above) consisting of “Catch It”, “Painkiller”, “Hurrah” and “Beyondless”. The band’s global touring schedule continues today at Hamburg’s Off The Radar Festival and the North American leg recommences November 5 in Vancouver (with Black Lips and Surfbort, see below).
Stephen Malkmus interrupted an afternoon otherwise spent sitting around an empty Denver venue waiting to soundcheck with the Jicks by visiting Colorado Public Radio’s “Open Air” for the 3-song acoustic sesssion below (AND DON’T THINK WE AREN’T GRATEFUL)
The Jicks return to the road October 5 in Los Angeles supporting Courtney Barnett. Check the schedule below — there’s a new headlining date ate Brooklyn Steel on January 25 of next year.
Today King Krule releases a music video for “Biscuit Town,” the opening track from his Mercury Prize nominated album ‘The OOZ’. The video comes as the first of a three-part collaboration with WeTransfer, which sees King Krule explore the creative process with each video’s director, hosted on their WePresent platform. Directed by friends and long-term collaborators cc. Wade (aka Michael and Paraic Morrissey), the video sees King Krule (aka Archy Marshall) inhabiting his own noir “Biscuit Town” — waking up and retracing his footsteps through the city, piecing together the remnants of a hazy, half-remembered night before. A reflection of his futuristic, jazz-inflected, film-inspired sound, the video serves to compliment the warm, dreamlike quality of “Biscuit Town.”
Interpol are this month’s Q Magazine cover stars, and have teamed up with the publication to bring you a special collectors edition package.
Available to order today from the Matador UK & EU stores, is a bundle containing an alternative, special-run Q Magazine cover co-designed by the band, and a copy of the limited edition 7″ ‘All At Once’
This is a limited edition bundle and wont be available to purchase in any retail shop.